Music and Performance, Made On The Spot: Hacklab, Open Call in Berlin

Inventing technological hacks in short time is one thing. At CTM Festival in Berlin, we want to push collaborative participants to go further. First, invent the technology for performance. Then, invent the performance – and be ready to perform publicly – and it do it all in just one week. It’s time again to join a MusicMakers Hacklab. Last year was the first week-long event hosted with CDM, and the first at CTM Festival. CTM makes a perfect venue, a brilliant and packed showcase for adventurous sound (and in parallel with another digital media fest, Transmediale, in the same city …

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Moogfest, By Day, Will Feature Historic Gathering of Futurists, Music’s Top Inventive Minds

New York? Berlin? London? San Francisco? Lately, it’s looking like Asheville, North Carolina is the place to be. In case you missed the aptly-named Mountain Oasis and its gathering of big-name electronic artists and inventors, you don’t have to wait even until next fall. Asheville will next host Moogfest, April 23-27. Nighttime programming falls to Paxahau, the team behind Detroit’s Movement, already one of the biggest electronic tickets of the year worldwide. (AC Entertainment, the Bonnaroo-producing Knoxville team, have taken over Mountain Oasis. Rather than splitting the energy, the results seem to have more than doubled it.) We should learn …

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Synth Geeks in the Hills: Legends and Legendary Machines at Asheville’s Mountain Oasis [Gallery, Videos]

Mountain Oasis, indeed. Asheville, North Carolina, that land of impassioned musicians and Moog manufacture, is unusually blessed in musical riches, especially of the electrified variety. And where once Moog gathered informal performances from synth fans, a recent split in festivals has spawned not one but two blockbuster events, turning this southeastern US hamlet into a kind of mecca for musicians of all stripes. These multiply rather than dividing the events. So, now there’s Moogfest, which this year will happen in spring. And then there’s Mountain Oasis, which took place last month. Both are overflowing with spectacular headliners, in the form …

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Playlist: 21 Hours of Music, on the Eve of a Female-Organized Fest in Berlin; Sarah Farina Mixes

There’s talking, there’s showing, and there’s doing. And there’s listening, too – but we’ll get to that in a moment. When female:pressure put some numbers behind the relative absence of women in festivals, the long-running discussion about the role of females in the scene was accelerated. Suddenly, the entire music press seemed to be talking about the issue again. There is plenty to debate in terms of female:pressure’s statement and its take on cause, significance, and remedy. Anecdotally, I’ve found that female artists and friends I’ve talked to are strongly divided around those questions and how they wish to be …

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Cristian Vogel, Still Dazzling Ears, Two Decades On [Listen]

There are few artists as thoroughly credentialed across dance music and Classical new music as Cristian Vogel. But what’s astounding about Vogel is, having ventured out on the precipice of those bleeding edges of both worlds, he still stands on tiptoe there now. Chilean-born, UK-raised and academically-trained in the 80s, and now a leading voice in Berlin’s scene for the past 20 years, he’s no less prolific today than in the past. But let’s not just wax poetic – let’s have a listen to the latest. We can love the fact that Jamie Lidell, Vogel’s former mate in Super Collider …

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You know, a happy-go-lucky party venue for the summer. Um... Berlin style. Photos courtesy Berlin Atonal.

Dark Shadows: A Selection of Sounds and Images from Berlin’s Atonal

Only Berlin would go this dark, musically speaking, in second half of … July. Atonal Festival, an event founded in a very different city way back in 1982, has been resurrected. And the sounds set to echo through the concrete cavern of a former power station represent the cross-currents of an international scene of experimental music. No longer about what happens in Germany (the artists come from every corner of the globe), Atonal – like winter’s CTM Festival – represents an angle in electronic music that is growing in popularity but decidedly anti-commercial, adventurous without necessarily being overly cerebral. It’s …

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Time To Act? Sobering Stats and Call for Change on International Women’s Day [Report, Editorial]

Announcing their findings in a wide variety of languages, femalepressure, a 56-country network representing hundreds of women in music from bookings to DJing, have put the electronic music scene into numbers. In a report formally released today, they quantify the sinking suspicion that labels, festivals, and media outlets are badly lacking in female representation. Just how few women are there in top festivals, label releases, and the media? Few enough that when the numbers break 10%, the results “can be considered above average.” Press Release (English) [femalepressure] Full March 2013 Report [PDF; worth reading in its entirety to see where …

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Moogfest in 2011: bands space aliens can enjoy. Photo courtesy Moogfest.

Moogfest Lineup Busting at the Seams; Hear a Massive Playlist of Artists [Spotify]

Okay, perhaps Moogfest has a built-in advantage in its theme. Affection for Moog among synth aficionados is akin to affection for chocolate or unicorns – perhaps not universal, but darned widespread and passionate. But looking at the lineup for Moogfest, it’s apparent how the name of just one early pioneer of electronic musical instruments can resonate across genres. The festival, which once began as a humble gathering of a few names in music, continues to expand its roster of artists as the weekend of October 26-27 approaches in Asheville, North Carolina. And while electronic music fans might balk at the …

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BiosphereLustmord

Good Listening: Sample Unsound Festival’s Brilliant Lineup, Coming to NYC This Month [Stream]

This might look like Tatooine, but it’s in fact the deserts of New Mexico, where artists Biosphere and Lustmord visited this year in a musical exploration of some of America’s – and nuclear power’s – darker past. The project promises to be a highlight of Unsound in the world premiere of a new, commissioned work. Photo courtesy Unsound Festival. There are festivals, and then there’s Unsound. While so much in electronic music programming walks the line between club accessibility and more adventurous experimentation, some time falling over one side or the other of that divide, Unsound consistently hits the center …

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Why DIY Music? Reflections from STEIM’s Patterns and Pleasure Fest, Handmade Music Amsterdam

Casper Industries’ Peter Edwards performs live at Handmade Music in Manhattan, at Culturefix. Why DIY, anyway? As we prepare for a special Handmade Music afternoon hosted by Amsterdam’s STEIM research center, my co-curator Takuro Mizuta Lippit (dj sniff) asked me to answer that question. Here’s what I wrote for STEIM’s international Patterns and Pleasure festival. “Do it yourself.” In the world reshaped by recording, in which music is ubiqiutously available on demand and even bare-bones DJing qualifies as “live” entertainment, the act of just making music surely qualifies as “DIY.” Add the fact that distribution, promotion, and booking of music …

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