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Sakamoto and Alva Noto again create electronics, scoring masterpiece

I suspect many electronic music aficianados have the soundtrack for the film The Revenant on repeat who haven’t even seen the film. Any new Alva Noto/Ryuichi Sakamoto collaboration will get the attention of lovers of minimal electronic achievement, with good reason. And The Revenant might just be the perfect landscape for that collaboration. Its marathon portrait of bleakness and intense, lonely revenge make the film a platform for a perfect Alva Noto/Sakamoto score.

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IDOW Gear 6 (Eurorack)

I Dream of Wires Doc Gets Premiere; Here are Pics and Facts

The modular synthesizer, that wild animal covered in wires, has seen its once-endangered populations flourish and its revival in full swing. And now, it has its own movie. Some years now in anticipation, and with limited screenings here and there at film festivals, I Dream of Wires gets a wide release. The film is surely a landmark, but the launch is likely to be, too, bringing one of the modular synth’s greatest composers (Morton Subotnick) back to Berlin, Germany for a gala release performance, joined by video artist Lillevan. Mr. Subotnick is a rare figure, having made an impact not …

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mills

Jeff Mills Strips Bare Electronic Technique, Wants to Liberate DJs

Exhibitionist2TrailerFR from AxisRecords on Vimeo. For all the multi-camera Boiler Room rigs and debates over how vinyl records make music more visible than on a laptop, there’s an elephant in the room. Most electronic music fans don’t have any clue what’s going on. And even if you do, most of the technique behind the records is invisible – doubly so when the prevalence of DJing emphasizes mixing over musical improvisation. So, Jeff Mills’ “Exhibitionist 2” project – a film and performance series following up on the video/music release of a decade ago – seems both compelling and aptly named. It …

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808movie

On the Eve of New 808 Film, Techno’s Roots Matter More Than Ever [Videos]

If rock music had the Gibson Les Paul and Fender Stratocaster, hip hop and dance music have the TR-808. And if its sound seems sometimes overly familiar, even that is in some sense a hat-tip (pardon the pun) to its enduring ubiquity. Now, the Roland TR-808 gets its own full-length documentary, told primarily through the eyes of the people who repurposed its idiosyncratic sound to spin new musical genres and start a revolution. The film features extensive input from Arthur Baker, who acts as a centerpiece for the movie. Baker was the producer behind Afrika Bambaataa’s ‘Planet Rock,’ a record …

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Marek Biliński live in Warsaw, 2013. Photo (CC-BY-SA) Robert Drózd.

Discover Poland’s Electronic Music Pioneers, Modern Artists: Boiler Room and Beyond

The setting looks futuristic — like Stanley Kubrick teamed up with Syd Mead to make a theme park. But it’s actually Warsaw and environs. And the path the future is via the past, and a history largely unknown outside of the country. Boiler Room, best known for webcasting parties, shifts gears from what’s new-and-hip to where it all began, and the result is inspiring. The film was directed by Marcin Filipek for Boiler Room with the input of Gosia Herman of Boiler Room Poland, and is the result of half a year spent gathering artists. The stunning imagery is the …

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The Human Drummer Battles Drum Machine, in Poetic Film with Jojo Mayer

Between Zero & One from ApK on Vimeo. What does it mean to be human in a world of drum machines? Not just whether drum machines have soul – how do you define your soul? Drummer Jojo Mayer doesn’t shy away from the deep issues around digitality in the brief film meditation that is Between Zero & One. He reflects on the states of being that the computer and machine represent, and then he does what any great drummer would do. He doesn’t get mad. He gets even. He refines drum technique to play what a drum machine can’t, framed …

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Brian Eno, portrait by Ralf Schmerberg.

Watch Artists Talk The Meaning of Life, Musically Speaking, In Free Feature Film [RBMA]

Forget for a moment that Red Bull Music Academy has for a decade and a half assembled some of the world’s greatest-known artists to dish out inspiration. Forget that that’s Brian Eno’s mug staring back at you with cool, blue eyes. Forget that music “careers” can span from finding ranking in Forbes to scraping together extra tips at a bar to own a synth, with a gulf in between that can make people question the value of their work. If you’re reading this, it means that you probably have made music your life. You build music and maybe you build …

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The Music of 2071, As Imagined in 1964: Fischinger Lumigraph to Lumichord

Finishing research for a talk at Genève’s Mapping Festival, I came across this gem from comments on Create Digital Motion. It’s the innovative Lumigraph, an interactive light experiment by visionary film and animation pioneer Oskar Fischinger. The sci-fi film looked ahead to what the music of 2071 might be like, in 1964’s The Time Travelers. To their credit, goofy love lounge aside, the reuse of Fischinger’s abstract light project isn’t far off from music in 2013. (And, hey, whatever puts you in the mood.) Fischinger, for his part, almost certainly wasn’t thrilled with the use of his creation in this …

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If Your Body Were a Moog: Experimental Voyager Sounds + Contemporary Dance Portraits

six short stories about… from Vlaicu Golcea on Vimeo. The ubiquity of the classic subtractive synthesizer could make you think that its sounds are limited to familiar sounds. But it simply ain’t so. Part of why I think these designs endure is that it remains possible to coax new musical gestures, to voyage through new timbres. And so, with a small dose of Reaktor, Romanian composer/musician Vlaicu Golcea coaxes beautiful and surprising sounds from the Moog Voyager. In a strangely synesthetic experience, these sounds match perfectly the choreography. I’m often a fan of creating musical spaces that don’t touch each …

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The Future’s Sonic History, And 14-Year-Old Dreams: In The Studio with Matthew Dear [Video]

A Studio Visit with Matthew Dear presented by AIAIAI and Ghostly International from Ghostly International on Vimeo. What does the future sound like? For musicians using technology, that question can resonate on two levels. It can be an attraction to imagined futuristic worlds, and the connection of synths and gadgets to that world. And, even each time we sit down to make music, it can be a dream of our own future self – if not the rockstar, that future self who has finished this track that right now is just an idea or a feeling. In a film that’s …

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