Moog Guitar Brings Infinite Sustain, Ladder Filter, But It’s US$6495

Infinite sustain, a Moog filter, and — metallurgy? Welcome to the world of the Moog Guitar. It’s not a digital instrument, and it’s not a synth, but I’d say its unique focus on timbral shaping places it squarely within the interests of folks who read this site, and keeps it true to its Moog name. Too bad its price will likely keep it out of reach for many of us.

As a number of you wrote in to remind us, Moog Music’s new guitar has arrived — yes, actually a guitar. The product description even feels obligated to explain that it’s “Not a guitar synthesizer, not a MIDI guitar or an effects processor; players are intimately connected to The Moog Guitar because it works its magic on the strings themselves.” (Well, hey, some of us are pretty intimately connected to a Moog synthesizer, too — and kind of fascinating that you can have that relationship with something that doesn’t have strings. But this is a guitar story, so I’ll move on.)

Paul Vo is the creator of the instrument and apparently approached Moog with the design, working with Moog’s engineering team and Zion Guitars’ Dale Brown. And then they start talking metallurgy:

The Moog strings that come with guitar have a specific metallurgy designed to work with the Moog Pick-ups. Other strings will work in emergency situations but the guitar will respond best with Moog strings.

Additional note: I personally am inclined to believe this claim about strings despite some grumpy comments below; the difference of specific strings makes a big difference on any instrument. Add pickups — again, on any instrument — and that difference is even more pronounced.

So, what makes it a Moog Guitar?

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Phat 101: Ohmforce’s Forces Explain Plug-in Effects Tricks in Free Videos

Music tech videos have begun to infect YouTube (you know, between footage of bunny rabbits opening letters). As the opening moments of wackiness commence, you might think the following videos from cult-success French plug-in developers Ohmforce has plenty in common with the cracked-out Museum of Techno videos we’ve been watching.

What these videos have in common: British accents, antics/hijinks, apparent how-tos, thinly-disguised product plugs, YouTube distribution.

Important differences: the Ohmforce tutorials are made by music software developers (with a little French-English cooperation from fxpansion, and they’ll actually teach you something.

Yes, I have to say, these videos not only make me want to give the Ohm boys’ effects another try (and they are highly respected fan favorites), but have some very bright ideas on spicing up your tracks. Best for intermediate/advanced users as they move quite quickly.

Cast of characters detailed in comments on Ohm Force’s blog. (I love that the employees have Anime names.) 12-13 minutes each. Part one here; second part after the jump.

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Audio Damage Recreates Moog Filter Bank as Plugin

One of our favorite plugin developers has just launched a recreation of one of the greatest filters of all time. It’s the 907A Fixed Filter Bank, which recreates the classic filter bank on the Moog Modular synth’s 907A module. If you haven’t had the chance to play with a real 907A, there are plenty of reasons to appreciate this elegant design with or without the nostalgia factor. The 907A is just a simple array of useful filter knobs: high pass, low pass, and eight 24 dB filters at fixed points. The design was so useful that many Moog Modular users patch external audio through the 907A module, just to take advantage of its great design and sound.


As usual, Audio Damage has been nice enough to make all of this MIDI controllable and learn-able. Fixed knobs + MIDI learn = easy performance with filters. It sounds great, and the price is right. What are you waiting around here for? Go enjoy it!


Pricing: US$29
Compatibility: Mac VST/AU, Windows VST

Filterscape Coming to Windows

Prolific plug-in virtuoso Urs Heckmann is bringing his Filterscape bundle (filter + EQ with dynamics + analog synth) to Windows; join in on the beta and Windows users get a special discount (US$89 instead of US$129) before 4/15. (thanks, kvraudio)

This is Urs' first outing on Windows, and he's pleased as punch: "I'm
very excited that we got things going so well on a platform that I
haven't worked on until a few weeks ago." Yes, ladies and gents, it's a
cross-platform world.

Mac users, if you haven't checked out Filterscape,
do it now — this is a fascinating combination of analog-filter-y music
makers! And unlike some of the filter banks in Logic (bless your heart,
oh former Emagic interface designers) I think I can actually follow the
routing scheme from the UI . . .