I always figure the measure of a good plug-in is, you want to tell everyone about it, but you don’t want to tell everyone about it, because then they’ll know about it. iZotope’s Möbius is in that category for me – it’s essentially moving filter effect. And it’s delicious, delicious candy.
You are probably equipped with ears as sharp and precise as the world’s top sound professionals. What you lack, then, is training.
Movement is here – and it’s a little scary. The folks at Output have some weird way of dialing directly into the zeitgeist of what we want from production these days, and delivering it in an easy form. They did that with reversed samples (REV), with vocals (EXHALE), and now they’re doing it in an atypically musical multi-effect with loads of rhythmic and side-chaining features. This isn’t just another delay or something like that. It’s an entire effects toolbox built around rhythm and modulation, in a way that’s unusually accessible.
Pioneer revealed its Toraiz SP-16 hardware sampler earlier this week, along with the news that analog filters from Dave Smith were baked in. But beyond that, online specs were a bit vague. So we’ve just gotten to meet up with Pioneer (and Dave) and get close to a prototype unit. Firmware isn’t done yet, but we got to learn a lot more – and there’s a lot to like.
When news leaked last week that synth legend Dave Smith was collaborating with Pioneer, a few eyebrows were raised. Today, it all made sense: Pioneer wanted the sound of Dave Smith Instruments’ superb analog filters on their new sampler. Since it’s a key selling point, I was curious to know more about those filters.
IRCAM is Paris’ legendary research center. It’s the place where the original Max was born, and it’s still a hub for some of the brightest minds in sound in the world. IRCAMAX 2 is a new set of effects and instruments for Max for Live. And it does some amazing stuff – though maybe the best way to demonstrate that is not to explain, but to let you listen. They’ve made not just demos but some beautiful music, via artist Najo:
The new Push hardware may have been the big, new shiny from Ableton this week. But for Live users, the software changes in 9.5 may have the greatest impact on day-to-day music-making life. Live 9.5 has arrived as a free upgrade for Live 9 users. The biggest change is the new Simpler, but some other additions and changes are significant, too. Here’s a look at what’s new and how to take advantage of some of 9.5’s less-obvious capabilities.
Are you in a warranty-voiding mood? Have you got a soldering iron? The KORG volca bass is already a nice enough little synth. But mix in a modification that adds frequency modulation to the filter, and you get some delicious, acid good times. Skip ahead to the end of the video above to hear what we mean.
Forget the notion that new technologies replace old, that design is a steady progression from past to future. Think, instead, of music – variations on a theme, modernity made from the spare parts of the past. Latvia may be eager to shed its Soviet past, and with good reason. But part of the legacy left behind is a history and expertise in engineering. Rīga, the Latvian capital in this Baltic country, was home to the mighty RMIF synth company and Blue Microphones, among others. The economic strain of the Soviet union sometimes required these makers to be even more ingenious …
You know you’re at peak modular when Moog is reissuing 1970s synths for US$30,000. It wasn’t long ago that people were relegating modular synths to closets, selling them off, and even – really – throwing them in dumpsters. Now, the once-archaic racks of synthesizers connected with patch cords are suddenly cool. Moog rockstar chic aside, the trend is mainly driven by Eurorack, a format introduced years ago by Doepfer that has made it easier to manufacture and buy interchangeable rigs. Moog is making only a handful of those System 55 rigs, so even they acknowledge you probably can’t afford them. …