I’m not one to post every single minor software update, but with the latest handful of free upgrades for Native Instruments software, I think it’s safe to say the 64-bit age has come to the Mac musician. Windows developer Cakewalk heralded just this sort of advance for years on the PC side, with largely little company (even beyond the music world), but today, the technology is finally a reality for average users.

64-bit computing means a marginal performance boost on capable machines and more flexible memory usage. The 32-bit Mac has had an edge over a 32-bit PC – each application can access up to 4 GB, provided available physical memory. But with Snow Leopard and a 64-bit Mac, you can finally, say, take advantage of all of the 8GB or more you might have on your machine. And Windows users, likewise, can load up their machines and fly past the crushing limit – slightly below 4GB – that impacted their entire system. (Linux users can run 64-bit, too, or a PAE kernel that nets the same result as that 32-bit Mac.)

Back to the updates: both Mac and Windows users should benefit from bug fixes to FM8, Massive, Guitar Rig, and Absynth. You’ll find the free update on NI’s Service Center utility, or heading to the updater on the website.

But the 64-bit aspect is the biggest news here. Since standalone mode is supported, you don’t even need a 64-bit capable host like Logic or Cubase (cough, 32-bit-only Ableton). That brings the current roster of NI products with 64-bit products to the latest versions of:

Battery, Guitar Rig, Kontakt, Maschine, Massive, FM8, Absynth

…and drivers for all the Audio DJ line and Traktor Kontrol hardware. Unfortunately, that does leave a lot of 32-bit only stuff, especially if you haven’t upgraded lately, but you still have a significant number of choices.

Now, the collective wisdom of the readership of this site is far greater than my own. Any particular software you wish was 64-bit that isn’t? Has 64-bit software meant any real-world improvements in music production for you? Let us know.

Artists Leisure-B and Usselino collaborated on this Autechre-inspired audiovisual short, filled with pulsing geometric primitives. The work is a kind of A/V composition, the music arranged with abrupt, video-style edits. For fans of Native Instruments’ thick-sounding Massive synth, you also get some free preset downloads in the deal.

With Native Instruments’ software providing the sound palette, Ableton Live became a context for editing the music as you would video:

Leisure: “I tried to approach the composition as “sound design” as possible. Since the video was animated on the BPM (117) and rhythmical accents of “Vose On”, all I really had to do drum wise was find out which accents Usselino had used for his main video events. After creating the drums on those accents, most of the composition was just tweeking knobs and experimenting with note placement.

Since Ableton Live has excellent video support, I could just run the video in the loop region I was working in, and experiment with Native Instrument’s Massive’s great synthesizing capabilities. I usually start of with an init patch, and work my way towards the sound which I feel is fitting for the events in the video. The only exception to this rule however is the second bassline, which originates from Durk Kooistra’s WODAN bass, available for download in his 10 Free Massive Patches”

Watch the video, then check out the presets and more information:
10 Free Massive Patches
Cinema 4D meets Ableton Live: fret_1

More on the visual side, free Cinema4D download, on Create Digital Motion

Winter is coming. If you had to hole up with just one instrument, getting deep into programming sounds while venturing out of your abode only for essential supplies, any one of these instruments would easily fit the bill. Yes, Native Instruments bundles (nearly) everything they make into the Komplete bundle. But truly, any one of these creations would be a sonic rabbit hole into which you could climb. In ascending order of rabbit-hole-ness:

Massive: Drag-and-drop modulation, rich wavetables, and an emphasis on bass and leads make this a sonic favorite.

FM8: There’s simply no deeper frequency modulation instrument on the market.

Absynth 5: This instrument’s presets alone can be heard in scores for games and film, but those willing to brave its atmospheric sound mangling features and become ninjas with its envelope could wind up making it their only instrument if they had to.

Reaktor 5: The patching environment allows custom synths, effects, sequencers, and other tools; its granular sound engine and DSP programming stand apart.

All are now US$ / EUR 99, but only through the weekend.

Reaktor in particular is an incredible deal – you get a huge library of instruments, effects, sequencers, noisemakers, and unusual sonic creations, plus access to the User Library and all the Reaktor community has done. That’s even before you delve into one of the deepest sound development tools on the planet.

Now, of course, this prompted one reader to ask if NI were clearing out Reaktor inventory prior to releasing a new upgrade.

Reaktor is certainly long overdue for an upgrade; as other NI software has gotten repeat, ground-up rebuilds, Reaktor 5 is now a number of years old. That’s not to say you’ll run out of capabilities in Reaktor – it could take a lifetime to do that. But loyal Reaktor fans understandably want improvements, especially as they’ve watched rival commercial patcher Max get an entirely new UI and now a version integrated with Ableton Live. (Reaktor, for its part, is still a candidate for Live users, as Reaktor owners can run their creations as plug-ins.)

Whatever the status of the next Reaktor, though, this is a download version, so there’s no inventory, period. And Absynth 5 is a brand new piece of software. The good news here is, any of these purchases should qualify you for the upgrade path.

Any one of these could make a good deal.

Synthsgiving Special

Incidentally, I have the same complaint about Reaktor that I do about Max for Live – creators need a run-time to distribute their work. It’d be fantastic if a future Reaktor could make instruments playable in NI’s free Kore Player. And it seems like that would be the perfect compromise between allowing distribution of Reaktor creations and protecting the value of the Reaktor crown jewels. But when it comes to making things for yourself, these are all great choices. Let us know if you spring for one.

Gustavo Bravetti has put together a free, exclusive FM8 drum kit in Ableton Live for CDM readers. More on the kit, FM8, and how to make the most of it, plus our download, at the Kore@CDM NI minisite:

Free Exclusive Download: FM8 Drum Kit for Ableton Live from Gustavo Bravetti

Here’s what the kit sounds like, using the demo clips included with the package (naturally, you’ll want to make your own patterns):

fm8kit.mp3

I love that it’s a synth kit rather than a sampled kit, as you can do things like this — just a quick demo I whipped up, same clips, modified only using synth and effects parameters in FM8, to "mess up" Gustavo’s pristine kit:

fm8kit_2.mp3

A quick survey revealed quite a few Live users I know who use both Operator and FM7 or FM8 from Native Instruments, proof positive that you can never have too much synthesis or too much FM. I know I regularly swap between the two, plus Image-Line’s Sytrus.

The kit is calling out for a Koresound and a full Live Drum Rack, so I’ll see what I can do. But I really do enjoy fabricating drum kits with synths. Whether I do it terribly well or not, I always feel closer to the resulting sounds. (Previously, Gustavo made bass drums and snares with Operator in video tutorials, though I prefer the FM8 sounds he’s done, personally!)