arduivis

Add a Physical Knob to Your Max Patch with Arduino: Video Tutorials

Patching on a computer involves plugging something into something else virtually. In this video tutorial, you can extend that by adding a physical knob to control your custom creations, for Max/MSP (and Max for Live). It’s just a quick tip, but I know this gets asked a lot. (Greetings, students – happy spring semester to you!) And there’s something really fun about seeing a knob in the real world controlling something. Bonus points for using a toilet paper roll as a custom “housing.” It’s also nice seeing this accomplished in the all-new Max 7. And this is just the start, …

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AudioKit

Free AudioKit Lets iOS, Mac Developers Code Synths and Sound

AudioKit is a promising-looking new open source tool set for coding synthesizers, music, and sound on Apple platforms (though it could certainly be ported to other places if you have the time). The draw: you get not only a robust library but loads of examples and tests, too, for a variety of applications, in both Objective-C and Apple’s new Swift language. And it’s free. The contributors will look familiar – and the core engine comes from community contributions around that most enduring of synthesis tools, Csound. (For those worried about obsolescence and the pace of technology, Csound has its roots …

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syncengine

Can an Open Source Library Fix MIDI Sync on iOS?

ATastyPixel, maker of the wonderful Loopy, is busily working on the cleverly named Loopy: Masterpiece Edition – taking all that looping goodness and making it more robust for serious applications, from loop functionality to how it works with other tools. That’s already good news. But developer Michael Tyson yesterday announced he’s going one step further. Not satisfied simply by finding a solution for MIDI Clock sync in his own app, he wants to create an open implementation all app developers can use, for free. The vision: make apps and hardware all sync together with better performance, in a more usable …

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People Will Come: There’s Already a Free Sample Editor for volca sample

Getting “open” still scares many music manufacturers. Maybe they should double-check those fears. See, if you add simple jacks (MIDI, audio), if you add driver-less operation (via USB and the like), let alone if you design simple APIs or create open source interfaces, you open the door to people making things that work with your creation, for free. They have to want to be there – but we make music. We love music gadgets. If your gadget is worth using in the first place, it’s worth opening up to other things. You know. “If you build it … people will …

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Processed with VSCOcam with se3 preset

ROLI, Makers of Seaboard Instrument, Just Bought The Leading C++ Audio Framework

Here’s some important news that might impact you – even though you may never have heard of either the instrument maker or know anything about code libraries. Bear with us. But an experimental instrument builder and design shop just acquired the most popular framework used by audio developers, a set of free and open source gems. The film explaining the announcement: First, there’s ROLI. Now, to most of us in the music world, ROLI are the Dalston, London firm that make an alternative keyboard called the Seaboard – a sort of newer cousin to the Haken Continuum Fingerboard that uses …

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volcasample

Meet KORG’s New Sample Sequencing volca – And its SDK for Sampling

The KORG volca sample is here – and it’s more open than we thought. We’ve seen KORG’s affordable, compact, battery-powered volca formula applied to synths (BASS and KEYS) and a drum machine (BEATS). I’m especially partial to the booming kick of the BASS, the sound of the KEYS (which despite the name also works as a bass synth), and the clever touch sequencing interface. Well, now having teased the newest addition to the family, we’re learning about the details of the KORG sample. It’s not a sampler per se – there’s no mic or audio input – but what KORG …

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win93

Windows 93 OS in Your Browser Comes with LSDJ, Pd, Nanoloop Music Apps

It’s a nostalgia trip. It’s a net art piece. It’s a parallel dimension. It’s also working music apps running (sort of) in your browser. It feels a little bit like playing with an elaborate doll house where you can open the fridge and add tiny food and the oven pretends to work. But in case you haven’t already been infected with the quantum distraction power of the Windows 93 browser yet, it might interest you to know that there are music apps inside.

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meeblippush

Learn to Jam with Just One Synth Voice: MeeBlip + Ableton Push vs. Gustavo Bravetti [Video]

Ableton Live and Ableton Push afford new ways of working, allowing you to put loads of parameters beneath your fingertips. Of course, the means of doing that may not be immediately obvious, behind the dance between grid, encoders, and automation envelopes. Leave it to Montevideo-born, virtuoso dance music maestro Gustavo Bravetti to show us how it’s done. Gustavo pairs the MeeBlip SE, the enhanced “digital freak” original version of our synth, with Live and Push. To connect the hardware with automation of the external synth, he uses a Max for Live patch for the MeeBlip (which you’re free to download …

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Yeah, so put them together, and then, you know, stuff.

Midular are the Free MIDI Modules Every Ableton Live Setup Needs

Forget fancy effects or sophisticated plug-ins – day-in, day-out, it’s those simple MIDI modules you wind up using again and again and again and again. It’s like having a bucket of paperclips on your desk. It doesn’t have to be exciting. It’s the simple stuff that gets used. So, one of my favorite demos from the jam-packed sessions at MIDI Hack Day in Stockholm in May was unquestionably Midular. The idea was simple: make some basic modules that do stuff to notes and control events, then combine them in useful ways. It deserved an ovation. And now, you can get …

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Listen as a Compiler Makes Weirdly Good Blippy, Glitchy IDM Sounds [Free Tools]

What’s the sound of a computer program running? Normally, nothing – the number crunching that takes place as software allocates memory forms patterns, but not ones that might immediately make sense of sound. “malloc” is a C function that allocates memory in which code executes. But a simple hack takes the output of a compiler, and makes sound files out of it. It’s the equivalent disconnecting the pipe from a widget-making factory, and instead of producing useful tools, making cool shapes out of sugary icing – useless and delicious. It’s a sonification of the memory allocation and reading process itself, …

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