Technology’s record in the last century was often replacing music making with music consumption. But in this century, that might turn around. Google seems to hope so. Today, the company posted a set of free sound toys on its site, all running in your browser. They’re fun diversions for now – but thanks to open code and powerful new browser features, they could become more.
By letting you get creative with audio, Ableton’s Simpler and slicing workflows have always opened up musical possibilities, and they got a lot more powerful in Live 9.5. But it could do even more. Developer Mark Egloff has released four clever Max for Live patches that let you slice without Push, chop in new ways, and more.
Last November, I went armed with some LOM label microphones to the Netherlands to find out what sounds you could discover in a space research facility. That exploration produced a lot of sounds, and one way to play with them was to transform them into percussion. Now you can download the drum kit I made for your own use, or to create your own instruments.
Enough with pristine, immaculate in-the-box digital production. Let’s get back to grime and dirt. Gorgeous distortion is on offer any time Legowelt is on a sound system live. So it’s great to see the same approach in a free sample pack. This is not a “Top Deep House Production Kit.” It’s samples Legowelt dragged off of old Amiga discs, cranked to be even more evil.
Can the metronome get a new lease on life as a smart wearable device? That’s the gambit of Soundbrenner, a Berlin-based startup that hopes to do for metronomes what the smartwatch and fitness wearables have for those categories.
iZotope has a new delay out, and like many plug-in developers of late, they’re using a limited time free offer to rise above the din of Internet noise. But while the new “DDLY Dynamic Delay” is free, it’s not something cut-down. On the contrary: you might fall in love with this delay right away.
Link is a marvel – even if you never touch Ableton Live. Grab some iOS gadgets, put them on the same wireless network, and you get rock-solid sync that responds dynamically to any tempo change on any device. But, come on. Love you iPad as you may, you don’t want to play only with apps. Maybe you want a Elektron box or an AIRA TR-8 or an ElecTribe syncing along. A new app, LINK TO MIDI, does just that one thing, easily. You still get dynamic peer-to-peer sync with all your other apps. But by adding LINK TO MIDI, you …
Urs Heckmann just combined “reverb” with “experimental, possibly sonically unstable plug-in with unpredictable results.” And it’s free. Urs – how did you know exactly what I wanted for Christmas?
If you’re using Ableton Live, you simply need to know about Sonic Bloom. It’s like a spa-slash-university for your Live-using self: you’ll come out refreshed, smarter, and even a bit better looking. Creator Madeleine Bloom has been busy. The site, at the age of three this month, now has five hundred tips, tutorials, and informational articles on Ableton Live. (And, occasionally, you’ll pick up an Oblique Strategy, or two – like fill every beat.) There are some ninety freebies, too – from Live Packs to skins and colors to keep your Live set looking spiffy. For instance, just this week, …
It’s the future – this time, for real. Yes, today, the 21st of October 2015, is the destination “future” in the Back to the Future movies. (Photoshopping created some false alarms on other dates.) And that’s time to look back. Ha, remember 1985? An arcane format called “MIDI” was king. (Kids, ask your parents.) The big synthesizers came from Roland, KORG, Moog, and Yamaha. The most sought-after computer was from a company called Apple. People made electro and dance music hits using mono, analog synthesizers and and digital pads and samples and deep basslines, sought after the creations of the …