It’s nearly the holiday season, and as CDM has just completed its fourth birthday, I want to give all of us a present. The idea: a holiday guide that’s a bit different.

• The first CDM treeware. We’ll have PDF and print-on demand versions. And part of the reason we’re doing this:
• Something you can share. CDM certainly has its share of (sometimes frighteningly) advanced readers. But we believe in what we’re doing enough to share it with people with less experience. So we’ll include content you can share with nieces, cousins, strangers on the street. And, of course, it’ll be Creative Commons-licensed.
• Gifts of knowledge as well as objects. You’ve seen the countless lists of “stuff to buy” in other holiday guides. But we believe in DIY tech, and that knowledge can be priceless. So we’ll include information from the best of CDM in 2008 and special guides for the occasion.
• Designed by you. This time, we want to know what you would want to receive, what you would give to newcomers, and what you would want to read. So we need your help - fill out the survey below and this will really be a grassroots effort by the CDM community.

It’s a really tough economy out there. But that’s all the more reason to invest in things that really matter, to look for value, and to look for things that can be shared freely with one another. So, in my mind, I could think of no better time to do this. Give the survey a go.

If you complete the survey, you’ll be entered in a drawing to receive another gift: a free copy of the new, cross-platform T-RackS 3 mastering and mixing suite donated by IK Multimedia. (We’ll have one other opportunity to put your name in the hat later this week, too.)

Fill out the survey below or head straight to:
http://cdm.holiday08.sgizmo.com

And watch for the guide by the beginning of December.

Advertisers: We need your support to help bring this guide to CDM readers free of charge. If you’ve got a message you’d like to get out and want to support our community, do get in touch. (We have some creative possibilities to offer, too.) Use the contact form or email ads (at) createdigitalmusic (dot) com.

Happy Halloween, everybody. It’s the one day out of the year when the rest of the planet enjoys spooky sounds as much as we do, well, all year long.

Solid State Logic (SSL) is celebrating with a free plug-in for Mac and Windows (VST / AU). Registration is required, but otherwise, no strings attached. They write:

In response to ghost stories of economic doom and gloom we invite you to celebrate the festival of witches and ghouls with a bit of fun. SSL is proud to offer you ‘X-Orcism’, our free Halloween VST/AU format plug-in. Feed in your voice and you will be transformed into the voice of Halloween itself… be afraid, be very afraid.

Should be fun if you’re hosting a Halloween party, and you can try it on a drum loop.

X-Orcism Download Page

I like the Jack-o-Lanterns, though severed head of the Headless Horseman would have been even better.

Other Halloween-themed goodness? Do drop us a line. Please, no Theremins: we consider them beautiful, Classical instruments and there’s nothing scary about them at all. CDM readers with kids most likely play elegant lullabies for their offspring on the Theremin each night when they’re not lulling them to sleep with a sequenced ARP melody.

There’s a strange debate going on over the free software (as in freeware, not necessarily open source) issue of Computer Music magazine. After seeing the magazine’s top 10 reasons to use free software, commercial developer IK Multimedia got surprisingly defensive, and issued a rebuttal:

Why you shouldn’t use free software – a commercial developer’s view (at Music Radar, the online site for the magazine’s publisher)

Now, there’s probably a much simpler way to put this.

Why to use free software: It’s free.
Why to use free and open source software: It’s got source that’s free and open.
Why to use commercial software: It’s supported, and you probably can’t get exactly the same thing as free and/or open source.
Why to use a combination of all of the above: Because then you get a combination of all of the above.

(For more of the above, stay tuned for “Peter says not very interesting and obvious things Special Issue,” not coming to newsstands soon. The bonus disc includes a 2-oscillator virtual analog synth that has no interface and produces no sound.)

Why is this a Debate?

Obviously, most of us use a combination of different kinds of software. If you’re serious about using commercial software, you pay for it, because you’re serious about support and you’re smart enough to understand that if you don’t send the developer money, they won’t make any more software. If you love plug-ins, you try free plug-ins, because it gives you more tools, and if you believe in the power of communities and sharing for technology, open source software is at least part of your setup, too. I find even people running Linux passionately often use some proprietary software, like the recently-released EnergyXT for Linux or any combination of software they’ve bought inside the Windows compatibility environment WINE.

Also, it’s worth pointing out that, despite the rebuttal from IK’s UK representative, commercial developers were not calling Future Publishing to cancel ad accounts when they heard about the free software. They don’t host ritual burnings of Computer Music’s cover disc, nor spit on newsstands when these issues come out. Presumably, they instead assume the obvious, that these discs generate interest and get more people involved in the computer music market, which is good.Native Instruments, for instance, supported the issue and involved their own free Kore Player instrument.

But forget NI for a moment — how about IK? IK Multimedia have themselves long used free software editions to promote their for-fee tools; I included not one but two free instruments from IK on the cover disc of my book Real World Digital Audio. It was actually IK’s idea.

Now having said the obvious, there are elements of the software development landscape that are anything but obvious. If you work for a proprietary developer, you had better be thinking about some of these issues. When does it make sense for something to be free? How do you get people to pay for software, if that software requires money for development and you require money for rent? As musicians, when do we benefit from software being proprietary versus open source, and when to we benefit from paying for it versus getting it for free?