Graham Dunning; photo by Julien Kerduff.

This month, a far-reaching convergence of ideas in music

What will the next wave of invention in music technology look like? Will it follow a narrow course of iteration – a new interface, a new synthesis technique? Or will the next leaps come from networks of ideas, from what happens when different disciplines and cultures collide, when music technology turns to the broader matters of how music is made and how it impacts people? I rather believe in the latter. And that could be why Berlin is the place where so often people gather to work out the next big thing. There’s no single music research center, no formal …

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Been there. The artist Dillon, working magic on the studio and stage - but finding her muse in bed and beta waves, half-asleep with no one else around.

Writing Music When You’re Vulnerable: Dillon on Finding Creativity in the Middle of the Night

Electronic music has become associated with over-the-top lyrics, the plastic veneer of party-time superficiality. But in any medium, some people are writing from the heart, and that can obscure a simple reality: writing from your most vulnerable places can be hard. Whatever your music-making medium of choice, you may resonate with artist Dominique Dillon de Byington – born in Brazil, raised in Germany, now goes by the simpler Dillon. Berlin-based, English-language Electronic Beats has taken their superb video series Slices from a hard-to-locate DVD to the mass audience of YouTube, and shorts like this demonstrate why that’s good news. Dillon …

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