bif_press_pic_3

UnReaL, Born in Flamez: music from a trans-human future

Ed.: There’s a record release entirely in etched glass, shaped like a pyramid. There’s an artist who is not only post-genre, but post-gender, and trans-… human. There’s a collective that steps calmly from grimy basement to global festival, talks about occulture and “magick,” and juggles queer partys and zines. For anyone sick of the predictable grinding machinery of the music industry running business as usual, this should be irrefutable evidence that UnReaL, and the artist Born In Flamez, are something different. We arranged a rare interview with the collective and BIF to enter that world – a science-fiction now that …

READ MORE →

KORG and Yamaha Will Probably Eventually Replace All Of Us With Robot Avatars

But, on the upside, we’ll be huge in Japan. Yes, just to be clear, this is Hatsune Miku, who is actually a software vocal algorithm, not an actual singer, playing live in front of throngs of fans. Enjoy that stomp box while you can. It may… kill you in your sleep, strangling you with your own guitar cables, and then go on the road with your volcas and electribes in your place. Don’t even think of letting it talk to Siri. (Seriously, KORG, did you ask Yamaha if they’re including the Three Laws of Robotics on that chipset, or should …

READ MORE →

Meet the Strange, Wonderful 70s Machine that Used AI to Make Music

The 70s were one heck of a groovy time. When they weren’t postulating theories about the very underlying essence of all physical reality being reduced to computational models, pioneering AI scientists were … creating weird music sequencers? Seriously? The Singularity will be brought to you by Giorgio Moroder, perhaps? Yes, as we saw earlier this week, AI legends Edward Fredkin and Marvin Minsky somehow managed to take their research in philosophy, digital physics, and cognitive science, and make a weird box that most definitely is capable of blinking lights and making sequences of bleeps. The Triadex Muse really seems like …

READ MORE →
King Britt pays his dues to Sun Ra. Photo : Keith Hodges.

100 Years of Sun Ra: Space is the Place, Now More Than Ever [King Britt Mix]

In a world of 24-hour news cycles, keynote speeches, new gadgets replacing those from six months ago … dire warnings of melting ice sheets, starving people, the end of energy and food and wildlife … it’s easy to lose site of optimism about the future. Yet there are those sounds that can be futuristic and radical in a way that doesn’t fade. Sun Ra’s records and performances sound as revolutionary today as ever, even though last week the artist would have been one hundred years old. This is a futurism unlimited and un-aging – like space itself. I imagine it …

READ MORE →

Moogfest in the Mix: As CDM Heads to North Carolina, Music, Futurism to Fill Your Week

Moogfest has been many things over the years, from a small get-together of Moog fans to a New York event with a few headliners to a festival that at times veered toward being just another big rock fest. But this year, it’s evolved into something special and new. Amidst a wildly-varied nighttime mix of big-name musical acts, it’s become a hub of futurism and music technology. It suggests a Moogfest that isn’t just about some artists and the Moog of the past. It could be a place to learn about the inventions of the future. And that’s a zeitgeist I’d …

READ MORE →

Moogfest, By Day, Will Feature Historic Gathering of Futurists, Music’s Top Inventive Minds

New York? Berlin? London? San Francisco? Lately, it’s looking like Asheville, North Carolina is the place to be. In case you missed the aptly-named Mountain Oasis and its gathering of big-name electronic artists and inventors, you don’t have to wait even until next fall. Asheville will next host Moogfest, April 23-27. Nighttime programming falls to Paxahau, the team behind Detroit’s Movement, already one of the biggest electronic tickets of the year worldwide. (AC Entertainment, the Bonnaroo-producing Knoxville team, have taken over Mountain Oasis. Rather than splitting the energy, the results seem to have more than doubled it.) We should learn …

READ MORE →

Beamz New Technology Turns Hipsters to Bros; Will Destroy Music; Eat Hot Pockets

Beamz by Flo 2 Minute Commercial from Static Free Films.com on Vimeo. Update: See the video on the official Beamz by Flo Rida site, as apparently the creators don’t believe the old adage “no press is bad press.” (The Internet: Making Fun of Beamz Videos since 2008. See the earlier video below.) I am regularly asked if technology in music eliminates the human element – if, indeed, there is any need for music lessons, musical training, musical background, or musical content in the musical creation of music with music technology. Computers are like electronic robots, people think, and so who …

READ MORE →

Happy Independence Day: The Legacy of the Computer is Not the Mouse

Oregon-born engineer, inventor, and thinker Douglas Engelbart has died. He’ll be listed in many outlets as, mundanely, the inventor of the computer mouse. Certainly, the demo of that technology in 1968 had a profound impact. But what’s stunning is that even at that demo, the mouse wasn’t the most impressive thing Engelbart showed. At the same talk, he demonstrated videoconferencing and textual hyperlinks. And the real legacy of Engelbart was his computer humanism, an idea that spread virally to motivate the world of computing as personally powerful, communicative and expressive. What enabled Engelbart to look so far into the future, …

READ MORE →

The Music of 2071, As Imagined in 1964: Fischinger Lumigraph to Lumichord

Finishing research for a talk at Genève’s Mapping Festival, I came across this gem from comments on Create Digital Motion. It’s the innovative Lumigraph, an interactive light experiment by visionary film and animation pioneer Oskar Fischinger. The sci-fi film looked ahead to what the music of 2071 might be like, in 1964’s The Time Travelers. To their credit, goofy love lounge aside, the reuse of Fischinger’s abstract light project isn’t far off from music in 2013. (And, hey, whatever puts you in the mood.) Fischinger, for his part, almost certainly wasn’t thrilled with the use of his creation in this …

READ MORE →

Leon Theremin Gets His Own Comic Book, And Then Goes Time Traveling

Leon Theremin, inventor of the first widely-used electronic musical instrument that bore his name, is now in his own comic book. Now, the plot is a bit … unexpected. Time travel is real and scientist/inventor Leon Theremin just discovered it. The journey from scientist to super spy is shorter than you think. It all starts here. The first chapter in the new series by Curt Pires, creator of the critically acclaimed “LP”, and art sensation DALTON ROSE, the creator of “PHABULA” and artist of “SACRIFICE”.

READ MORE →