Digital technology has transformed the listening experience. But there’s little in the way of physical artifacts of that act, and a diminished sense of humanized relationships to an individual being at the other end. From modern radio to Internet-streamed playlists, our listening world is DJed by automated robots in streams that flow through generic, mass-market speakers. The object and the content lack the design intention that imbued, for instance, the gorgeous radio sets of the early 20th Century and the personalities that narrated the programming.

Armed with a lasercutter, designer Matt Brown has a novel concept for how to redesign the act of listening. From the creator’s blog Real Tomato:

For this system, you would have a speaker with an rfid reader, and laser-cut paper radios with rfid chips inside. The radios themselves are designed by musicians, charities, brands, and designers. When the paper radio is placed over the speaker it changes the radio station to what the artist has chosen. Other noises and interactions can be programmed in too. Alec Baldwin’s radio for example could politely ask everyone to turn their lights off from time to time. People could have the paper radios around their house in different rooms. The supremes radio might be a better living room station. This system tries to add a little bit of fun to internet radio, and give people a connection with the artists they choose. The radios themselves would hopefully be cheap and collectible little sculptures, each one accessing unique stations.

The artist, D.A.R.Y.L., is a recent alumnus of Sweden’s Umea institute of Design.

I think we need a new, specialized Creative Commons license that describes “Great Concepts I Probably Won’t Get to Developer Further so Please Go Run with It With Some Credit to Me.” (Okay, maybe with a shorter name.) I love the possibilities this project suggests, if for no other reason than the beautiful sculptures created with the lasercutter.

The works themselves are printed out a single sheet and assembled. THat demonstrates some of the power lasercutters can provide, and the promise they hold for localized production of objects. (Use eco-friendly recycled paper and inks, and this is a consumer product that doesn’t deliver a dropkick to the planet.)

I just interviewed Owen Pallett aka Final Fantasy, and he told me saw a survey that showed some 80% of music journalists listen through music via the built-in speakers in their laptops. That would be terrifying if true – I’m not certain that it is – but regardless, I think there is a clear need to rethink listening processes and objects.

Check out the post and the blog for more inspiring images. Via the wonderful Saturn Never Sleeps blog by Rucyl Mills and King Britt.

For lovers of the simplicity and fun of the Casio VL series, a successor seems is finally here. The Operator-1 (OP-1), even in prototype form, has us hot and bothered more than anything we’ve seen recently. We’ve been able to snag some additional details.

MusicRadar got a video with the creators, though you won’t learn anything new from that. In the interview, Teenage Electronics are just as tight-lipped as they were on the website, and the video “demo” is basically watching the OLED screen light up inside a glass case, with no sound – the prototype just isn’t ready to do more out in public yet.

However, our friend Nostromo did manage to get some other details.

• Swedish All Stars: The team includes veterans of Elektron, the ACNE design firm that worked on MachineDrum and MonoMachine packaging and UI, and Johan of LSDJ fame.
• Casio love: The inspiration is, not surprisingly, hardware like the Casio VL-1.
• Pricing: It’s unofficially expected to be “under the 1000 Euros mark." Note that the target price is EUR600, which is pretty far under EUR1000. Anywhere near that, and it’s a steal.
• Production: They do plan to put this into production. (I believe that, despite my awesomeness vs. shippingness graph – I’d love for them to be the exception.)
• The “mystery” sequencer: It sounds as though it won’t have a tracker as a sequencer, but may bring other “Swedish surprises” as Nostromo puts it.

Back from the messe [nostromo@noisepages]

And a friend of ours also sent along some impressions from the booth (with an even more encouraging target price, if they can pull it off):

The Operator-1 was under glass, so I couldn’t touch it. It is made of solid aluminum, and about an inch wider and longer than a nano controller (have you gotten yours yet, btw?). The OLED [Organic LED] screen is predictably gorgeous, and you really have to be off-angle for the contrast to be affected. It has a USB-rechargeable battery,

It has a rechargeable battery, but no real indication of what battery life is yet.  There’s a 1/8” in, and I was told It will apparently have sampling “in the future.”  They’re looking to hit a price of around 600 Euros, but who knows.  They’re currently working very hard on the sequencing bits.

Also shown by Teenage Engineering are these concept alarm clocks. When they’re not just empty boxes, they’ll have 16×16 LED displays, and the internal synth workings of the Operator-1. Wake up each day to a different synthesizer sound! This would last 10 seconds in my apartment, before I throw it across the room in a groggy haze.

Keep in mind, nothing here should be considered official or on the record. This is stuff that was overheard in the booth, and for a design that’s in-process. I can tell you from having worked with designers that finding price points is incredibly hard, so I feel their pain – even if you want to charge x amount, you may have to balance that against other design compromises you don’t want to make, to say nothing of scale.

Official information from their blog on the beta:

The Beta sign-up is non-binding and all of you who has signed up, will get a confirmation email when the time is right.  • The Beta release is scheduled (very) late this year.  • The hardware dev. is on schedule and will be finalized before summer.  • 4 synth modules are completed and 4 more are under dev.   • We will mail more information next week to all Beta prospects.

But I can certainly say, the thousands who signed up for the beta and I are very, very eager to watch this evolve.

And I want to wake up to those alarm clocks.

Based on work with the Oblong g-speak “spatial operating environment” gestural system – research that inspired the film Minority Report – our friend Trey Harrison has been doing some wonderful work with new Theremin-style interfaces. He writes:

I have been working with Oblong Industries (http://oblong.com) and
took some of my
spare time to combine their technology with my Salvation project
(http://slvtn.com)
and build a theremin-like instrument.

There are three degrees of control:

• Pitch is adjusted by moving hands left and right.
• Volume is adjusted by moving hands up and down.
• Vibrato is adjusted by moving hands foward and backward.

Many players and hands are possible, and the control can be applied to any MIDI instrument.

I like the fact that two hands are only the beginning — invite friends for collaborative sessions and get an octo-armed version! The pitch scaling certainly makes it easier to hit the notes, although it does remove some of the expressive pitch bends of the original Theremin. It’d be nice if an additional gesture (pinching, perhaps?) could allow you to warp between scale degrees.

I love the project; I hope we get to see more.

Ever feel like you’ve found the seam dividing past and future?

The past: restrictive UI frameworks requiring pages and pages of code to produce dated-look 2D displays. Proprietary software with rigid interfaces. Input bottlenecked through the x and y coordinates of a single mouse pointer.

The future: UIs whipped together graphically or with a few lines of code. 3D mixed with 2D. Open-source, friendly frameworks. Creating your own interface or drawing upon a community of creative software makers. Input that uses multitouch for gestures, collaborative input, manipulation of 2D and 3D space, and … well, just a lot more fun.

There’s no need to wait around for the future. Creative software inventors are building it for themselves. Here are two of the most promising multitouch interface projects I’ve seen in my inbox.

In no time at all, you’ll be painting a cow! (Okay, more on that in a moment…)

Make Max Multitouch

Max Multitouch Framework by composer Mathieu Chamagne makes turning your Max patch into a multitouch interface a breeze. When I first reviewed the Lemur, I was frustrated by the hardware-style abstraction between your software and the interface. Why was I having to go through Max patches painstakingly assigning Lemur controls to Max controls – why not just make the Max controls appear on the multitouch screen? Well, that’s exactly what you get with MMF. Using a set of Max abstractions, all you have to do is build your Presentation Mode style UI and add in the MMF ingredients – it automagically becomes touchable on a variety of displays.

It’s not hard to imagine how great this could be for musicians, especially those who have already been building original sonic creations in Max/MSP. Best of all, you don’t need an expensive, non-portable table with a projector inside, either – commodity hardware works just fine right now.

Requirements :

- cycling’74 Max5 (version 5.0.6 required)
- any multitouch interface that sends TUIO messages.

MMF has been tested and works fine with : Stantum SMK-15.4 multitouch screen, HP XT2 tablet pc (windows7 + W2TUIO), Demand Evolution + home made multitouch screen + Reactivision / Tbeta , …

MMF (Max Multitouch Framework) @ Mathieu Chamagne’s Site

Hmmm… apps that send (cough) TUIO, eh? Ah, yes, but that’s why you need companies like Apple to tell you what qualifies as useful in an iPhone app. You see, without Apple’s app review team and their superior wisdom, I might wrongfully assume this sort of app would be something I’d want. Now I know better – thanks! (Sorry, couldn’t resist.)

Back to the on-topic discussion, this does demonstrate a real advantage of Max: it has its UI absolutely nailed, and the open-source alternative Pd is woefully behind. It also demonstrates that the beauty of Presentation Mode is, by abstracting the UI from the underlying guts, you can consider alternative interfaces. We should see that in Max for Live, as well.

Pd is fantastic in other ways, but if there’s anyone out there who fancies writing a lightweight new front-end, it could use it – perhaps in Python. Which brings us to the next item.

pymt demo reel from Thomas Hansen on Vimeo.

PyMT: Juicy Multitouch, Just a Few Lines o’ Code

PyMT is a glimpse of what future development could look like. While Microsoft putzes around with their Windows-only Surface, PyMT makes multitouch platform agnostic, open, and easy. That frees up artists to dream up creative new ways of applying this interface to expressive musical and visual creations (among others). Instead of reinventing the wheel as far as plumbing, you can focus on the reason for using devices in the first place – your art.

PyMT is profoundly portable, using Python and OpenGL to deliver windowing and multimedia features across platforms. Documentation and code are both under heavy development, but there are already some friendly-looking resources. This is almost enough to shake me from my loyalty to Java, though, in fairness, you can do some of the same things with Java and other tools. What’s most important is that there are libraries that are providing standards, like TUIO, and implementations in cross-platform languages that can be easily developed.

There’s good reason to be bullish on the future of this tech. And if you want to see it happen, don’t wait – you can get involved in the project directly.

PyMT at Google Code

PyMT Project Page

I actually hadn’t had time to watch my tech RSS feeds yesterday when I said I “lost half an hour dreaming of my new lounge-style studio where I adjust envelope breakpoints from a giant aluminum sphere like the one in Sleeper.”

But, anyway – wish granted!

*Disclaimer: The following video, while demonstrating some insanely cool tech, may bore you to tears. In response to reader requests, we feel it’s important to warn you.

Microsoft’s multi-touch Sphere plays crazy Pong [Boing Boing Gadgets]

Now, of course, researchers being researchers, Microsoft R&D has taken a massive sphere controller and turned it into a mind-achingly dull slide show. I, on the other hand, could imagine kinky sci-fi electronica being made with massive hand gestures, particles spinning through space representing sonic grains, and the like. Microsoft, if you’re looking to hire someone to do something interesting with your giant sphere, I’m sure I or any one of the readers of this site can make something that couldn’t be replicated with a Flickr account, a toy bouncy ball, and a projector. This is the power of musicians. You try to make something absurd useful, but not really. We make the absurdly useless awesome. (Case in point: modular synthesis. Hey, is anyone using these giant telephone switchboards? Mind if we invent a new kind of party and welcome aliens to our planet?)

That said, let’s talk about just how much this is like Woody Allen’s sci-fi parody classic Sleeper.

Woody Allen, tech visionary that he was, clearly foresaw rubbing giant balls as a major future breakthrough in interface design. (For what it’s worth, the same film also predicted the 180 in fad diets that would exonerate protein and fat.)

Not only did Woody Allen’s character get strangely high with a large sphere, but the movie even suggested how to productize a more portable version of the sphere, as seen at right. Microsoft Sphere Nano, anyone?

In the classic manner of the future aging, then becoming hip and retro again, I’m not the only one now coveting a Sleeper sphere. It seems none other than Kanye West is gathering lots of nude models and, in elaborate choreography for his stage show, having them enact a giant be-in with their spheres, inspired again by Woody Allen. See some photos on Flickr, not quite safe for work, depending on where you work. (Oddly, I think this now means Woody Allen and Kanye West have exactly the same fantasy.)

And it’s back to the future in other ways, too.

The classic Keracolor TV has come back into fashion, and (as of last summer, at least) was being remade in a new edition. You probably can’t afford one, but it would look great with the Orion synth you can’t afford – and notice that its hull is more properly rounded. (At least one reader yesterday complained the Orion wasn’t as rounded as it could be.)

Ironically, I think these 1968 designs look far more stylish and futuristic than Microsoft’s Sphere.

So, sorry, Microsoft. The future just isn’t what it used to be. Even Woody Allen’s future. And he was kidding.

Networked Music Review, the new sibling to our long-time favorite Networked Performance blog

Calling things “research blogs” is catching on in many circles, and why not? The Internet’s hyperlinked universe and Google’s interconnected search algorithm were both inspired by academic journals, and the blogosphere has broken down what had been the severe isolation of researchers, especially in smaller fields like music technology. Of course, now we also get worms crawling around on circuit boards. Turbulence has been at the Interweb thingie for a long time, but it’s nice to welcome their latest addition, especially since here at CDM we’re both part academic and part bubblegum pop.