gibsontuning

Auto-Tune for Guitars Doesn’t Have to be Like Auto-Tune for Vocals; The Digital Guitar Future?

Auto-Tuning a guitar is coming, say Antares. But if that seems frightening, it may be worth a closer look. Photo of the (classic) guitar (CC-BY) John W. Tuggle. A new tool could be for the expressive, not just the lazy. That’s the read of Auto-Tune for guitar, and it makes me excited to see what people will do with it. It could be the advent of the true digital guitar. Antares teased their efforts to bring Auto-Tune technology to guitars earlier this month, having gotten as far as working proof-of concept. (See Harmony Central’s exclusive video above, and Axetopia, Synthtopia.) …

READ MORE →
bloom_planetary_3

Sound, the Final Frontier: Audio Collections as Planets in Space, Intelligently Related

Two spacey ways of finding media: music collections, heirarchy, and images of planets in Planetary for iPad, top. Sound and loop collections, “magnetic” relations, algorithmic categorization, and rapid torchlight auditioning in Soundtorch 2.0 for Windows, bottom. If your music and sound collections seem like outwardly-expanding universes, two new tools promise to bring order by representing media as virtual planets and stars. One works on albums and tracks on the iPad; the other uses computer-aided analysis of loops and samples (not just music) on Windows. One will make your eyeballs pop; one might help you manage gigs of samples for a …

READ MORE →
MO

What Makes a Truly New Instrument? Human Gestures Power Winners of Guthman Competition

Interlude Consortium’s competition-winning MO makes everyday objects interfaces and does some surprisingly-sophisticated analysis of gestures. Nearly as long as we’ve had electronics, musical inventors have tried to imagine new electronic instruments. In the crowded world of new instrument design, the Margaret Guthman Musical Instrument Competition has emerged as a key prize for the best work, with creations battling fiercely for attention. But in the oddball world of sound and music, how do you judge a winner? As a starting point, organizers this year asked the judges what they personally found important. With an expert panel including synth pioneer Tom Oberheim …

READ MORE →
onyx_fig3

Onyx Wants to Make Himself Into Helmeted, Wearable-Music-Tech Tron, With Your Help

A helmet and hand units make up the TRON performance system for a style of music artist Onyx Ashanti calls “beatjazz.” And he’s well on his way to making a reality. All images courtesy the artist. Onyx Ashanti is insane – in the special, essential way that makes certain brilliant musicians. An experienced busker, having crossed from the US to Berlin, he’s a rare virtuoso of wind instruments and electronic improvisation, the kind of musically-free soul who can just let loose live. But his latest project really crosses into some new territory. He’s making himself into Tron. No, really – …

READ MORE →
multi-pipetrumpet

A Flute Made on a 3D Printer, and the Possibilities to Come

Digital models and acoustic instruments have traditionally been studies in contrast. And instrument making has by definition been a craft and an art. But what if making an acoustic instrument was a matter of hitting “print”? That’s the question asked by MIT Media Lab researcher Amit Zoran. Using the Objet Geometries Connex500 3D printer, one capable of on-the-fly use of multiple materials, he made a flute in 15 hours. The results are surprisingly good for a first attempt. The instrument is playable, but Amit plans additional iteration and improvement. (Be sure to watch through the video for some feedback on …

READ MORE →

Paper, Drawing as Musical Controller: A Round-Up

Imagine drawing an interface on paper, then being able to use it as a musical interface. Or, heck, don’t imagine it – do it. Unfortunately, the kinds of intelligence necessary to make the music video in yesterday’s post just aren’t practical yet. (That is, you could draw a picture of a keyboard, and even use the picture as a music controller, but while you or I could recognize a keyboard from a drum pad and know that line is a fader, a computer would need some sort of advance structure for any recognition to work.) But you can do some …

READ MORE →

Millioniser 2000: 80s-tastic MIDI Harmonica Whose Time Has Come?

“It comes from tomorrow …but it’s here today.” Well, now it is tomorrow. And yesterday’s tomorrow still looks futuristic. Try this test: show someone the video above for the Millioniser 2000, a MIDI harmonica designed by Ronald Schlimmer. Tell them this is a 2009 video designed to go viral, a fakery of 80s cheese. After all, the instrument itself looks impossibly futuristic. Surely this wasn’t really designed in 1979. Surely the close up thigh shots of the backup singer girls in the back are tongue-in-cheek parody. Your friends will believe you. Of course, you’ll be lying.

READ MORE →

Wired.com: Competing for New Musical Instruments at Georgia Tech

The Guthman Musical Instrument Competition is a cash prize contest for new musical instruments held this month at Georgia Tech, judged by Wired’s Eliot Van Buskirk, Harmonix co-founder Eran Egozy, and Georgia Tech’s Parag Chordia. There are some familiar faces in there, but some fascinating, new ideas, too, like a motorcycle engine you can play with a keyboard. Thanks to everyone who sent this in. Wired.com has a slide show of images with audio samples and videos for many of the projects: New Musical Instruments Battle for $10K in Prizes CDM held a similar contest judged by drum machine pioneer …

READ MORE →

Hello? It’s the Future Calling. We Have Your Synth, the Omega Orion.

The faux-Pan Am logo. The sleek, mod, curved white casing. The elegant controls. Yes, this is indeed a synth that would look at home in the space station in Kubrick’s 2001. Technically not the future so much as the 1960’s version of the future – but surely we’re getting around to reshaping our future to look more like that, right? At least for synths? The synth in question is the Omega 8, a “luggable” 20-pound, 8-voice analog synth with individual stereo pairs for each voice. It’s really, truly, old-school analog, with discrete analog oscillators, voltage-controlled filters of the 24dB and …

READ MORE →