Get Amazing Max for Live Devices – And Sound Advice – from Max Ninja Christian Kleine

It’s called Max for Cats. But you don’t play it with a laser pointer and your feline friend. (Note to self: project idea.) The latest from sonic mastermind Christian Kleine, Ensemble and DiGiTAL are in fact terrifically-rich string and digital synthesizers, respectively, for Ableton Live and Max for Live. Getting to know their creator is just important as getting to know those tools, though. Christian Kleine is a uniquely fusion of musician and engineer. Hailing from Lindau but making a name for himself in mid-90s Berlin, his musical career itself is already newsworthy, as a soloist and as half of …

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bassdrum

What’s in DAVVINCII’s DJ Rig? Gear Spotting SNL Digital Shorts EDM Parody

It’s the EDM sensation going viral on the Internet. Its catchy “When Will The Bass Drop” hook is one you can’t get out of your head. It’s the party you wish you could be a part of – EL wire dress included. And it represents the return of arguably Web video’s greatest-ever stars. It’s also – parody. Of course. Yes, Lonely Island’s brilliant Andy Samberg (and Jorma Taccone, and Akiva Schaffer) are back to launch DAVVINCII, spot-on send-up of big-stage, press-play DJs. everywhere. So, if you haven’t seen it, yes, watch below – region free, courtesy The Verge. But we …

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Band Sings Song Asking Why They Aren’t Playing Moogfest

What if you wanted to play Moogfest really bad, but Moogfest didn’t call? No, I mean really bad – like you started a band with this very dream in mind, outfitted your studio with nearly everything Moog makes, and put on a shameless amount of Moog-logo gear, just in the hopes of getting the booking. If you still couldn’t make it onto the bill at that point, well, I guess you’d have to actually write a song explaining your plight, upload it to YouTube, and hope it went viral. This is the Internet age, after all. That’s what the band …

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Join an Hour-Long Tour of Legowelt’s Ridiculous Synth Collection, Then Hear the New Album

“Don’t forget what happened to the man who suddenly got everything he always wanted …” Yes, welcome to the wild studio of Legowelt, the eclectic Dutch musician. Future Music Magazine didn’t just do a video tour. They did an hour-long video tour, where the artist waxes poetic on every detail with loving attention. It’s a beautiful nerdfest. I know we’re theoretically not supposed to be fetishizing gear, but there’s some real care for these tools. And… there’s a Commodore 64 studio and some real rarities. For signs Legowelt is One of Us, here’s his bio: Born: a long time ago …

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Listen to First Sounds of Elektron’s Analog Rytm Drum Machine

Elektron’s upcoming hardware drum machine, the Analog Rytm, is silent no more. The Swedish maker has posted audio samples of this 8-voice box, covering a range of styles. And you can see some specs now on the product page: http://www.elektron.se/products/analog-rytm What you can’t do is order the Analog Rytm – not yet. There’s a waiting list so you can be notified when it goes on sale (not really a waiting list for the preorder, so much as a “now you can buy it” list): http://www.elektron.se/content/analog-rytm We expect to be on top of a review before the beginning of summer. In …

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Video Tour – What’s New in Analog and Boutique Instruments, with Andreas Schneider

“O CAPTAIN! my Captain! our fearful trip is done –“ Yes, Andreas Schneider is an ideal gentleman to lead you through a trade show, to show you what is genuinely interesting in new musical inventions. The famed (notorious?) synth guru from Berlin behind Schneidersladen and now distributor ALEX4, he is a fierce and fearless champion of the unique, the boutique, and the odd in electronic musical instruments. And if you ask him for a video tour of his booth, you will not get the “used car salesman” effect of a typical product rep. Instead, he gives us a rapid-fire look …

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This Could be the Perfect Busking, Mobile Amp and PA: Roland’s CUBE Street EX

Ever wished for something, but figured it was more or less impossible? At the end of a Roland briefing yesterday, a rep pulled out the CUBE Street EX amp almost unceremoniously. And then he showed me what it could do: It produces “50 watts” of power.* It runs on eight AA NiMH batteries – for five hours. It weighs just 7.4 kg (that’s just over 16 pounds). It connects whatever you want – two XLRs, four independent channels, for any combination of instrument, vocal, laptop. It’s angled, so you can use it as a stage monitor. It has a mounting …

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Hands on with Akai’s $199 Rhythm Wolf Drum Machine, More Details

As I suspected, Akai did not have a working, sounding model of the upcoming Rhythm Wolf drum machine. But I did get my hands on a prototype with sequencing firmware, got a sense of what the build will be like, and got to talk with Akai more about the design ideas behind this groove machine. Here’s what it feels like to pick it up: This thing feels great – not toy-like. This was the big (and pleasant) surprise for me. Whatever the Rhythm Wolf may sound like, at least it feels serious. In fact, it’s: Real metal. Fake wood. The …

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A Guitar Amp That Doubles as Home Speaker System: AMPLIFi, with Bluetooth and iOS Integration

Line 6 made a name for themselves by making amps that used digital models to change their sound. AMPLIFi is their latest notion in amps. Instead of just being something guitarists would use in the studio and stage, for the first time it’s an amp system you might want to bring into the home. AMPLIFi is an amp, first and foremost. And like other Line 6 products, it uses digital models to change tones and effects. But while it can be loud like a traditional guitar amp (in 75- or 150-Watt versions), inside is a full-spectrum, five-speaker system. That means …

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Zoom H6 Handheld Recorder, Now with Shotgun, Starts at US$399 [Preview]

Zoom has done a lot to popularize field recording, but perhaps equally impressive is how its products have improved. The first H4, for instance, earned the name “handy” recorder, but it was the successor H4N that finally provided dedicated controls, a body that better handled noise and that felt more professional, that didn’t require diving into menus just to set level. Some of the video recording options reverted to more annoyances – I was once in a cab in Philadelphia in which the driver volunteered that he couldn’t stand the Q3’s interface because he couldn’t properly set levels for his …

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