generalmidi

MIDI Piano Roll Turned Into Platformer: Adventures of General MIDI

It turns Logic Pro into a game level editor. It makes a standard MIDI file into a terrain of platforms to explore. As you navigate, your footfalls on piano roll-visualized notes procedurally generate sound effects and music. And it turns General MIDI — and Super Midio, and my personal favorite, the SysExorcist — into heroes. It’s Adventures of General MIDI, a platformer made from MIDI files. And it’s the creation of Will Bedford, who quips that he fails miserably at his own game in the YouTube video and gives up at the end. Even more unlikely (arguably), it’s built in …

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turbo-gusli

Play a Russian Folk Instrument with Your Mind, Or Turn Seashell Patterns, Likes Into Generative Art

::vtol:: “turbo-gusli” demo performance from ::vtol:: on Vimeo. Musical instruments: make a move, get a sound. Or, musical instruments: apply an algorithm, get a sound. Read the tattoos on your arm as a score, turn the black-and-white patterning of a seashell into generated audiovisual artwork, apply brainwaves to a folk instrument and let a robot play it… Such are the mental excursions of one ::vtol::, aka Moscow’s Dmitry Morozov. He’s been busy over the past year or so, wearing robots that interface with tattoos to make music and constructing surround sound umbrellas. And we still have more crazy-science goodness to …

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LIQUID RHYTHM 1

Rhythm, Recoded in Plug-ins, Ableton Live: A Conversation with WaveDNA

Music software is at its best when it goes beyond cookie-cutter regularity, and spawns something creative. And sometimes, the path there involves retooling how that music is made. That’s why I’m pleased to get to share this interview with WaveDNA. Liquid Rhythm is something unlike just about anything else in music software. It looks like a music theory class collided with a mandala. In colored patterns, arrayed in bars and wheels, you can produce all kinds of new rhythms, then integrate deeply with your host software. If you use Ableton Live, the integration goes further still. Whether you’re using Drum …

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Your Belgrade Underground Connection: See and Hear Experimental Dance Music

From the beating heart of Europe, audiovisual electronic instrumentalism continues to thrive. We’re fortunate to bring a slice of that scene to you. CDM is in Belgrade, Serbia this week, where we’re pleased to host an event celebrating real-time visual expression. And we get to do it in one of the best underground venues in the city, Drugstore. Event details, for any of you here in the neighborhood: Drugstore, 17 January 23h We’ll start out with a workshop on making architectural space dynamic with interactive/generative sound and imagery, hosted by myself and Abduct. (More on that topic here and on …

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DRON-E Creates Ambiences, Cinematic Sounds – Now Free for Reaktor [Sounds, Tutorial]

Composition and invention are two tasks that always blur – there’s some engineering to making music, and that extends to sound design. But let’s get real: when you come across someone like Antonio Blanca, you reach a whole other level. Blanca does exquisite work in Reaktor ensembles and carefully-crafted Lemur templates to match. And DRON-E is a masterpiece, a Reaktor ensemble capable of generating entire universes of ambient sound. Eerie drones will transport you to feeling like you’re crawling about a distant asteroid or entered a convent that has retreated to an alien mineshaft. (I wasn’t the only person who …

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anf_AB_LiveEdit_01

Egyptrixx x A N F: Audiovisuals as Surface, Texture, and Trip to Alien Volcanoes

It’s real, and yet, it isn’t. It’s the sound of percussion, but it resonates in an otherworldly way. It’s the flaming, blood-red surface of a volcano, but it’s melting before us. Some of the most evocative digital works walk this line, transport us to a place our brains can accept, yet not entirely believe, universes just past the reaches of our imagination. And so the collaboration between Egyptrixx (Toronto’s David Psutka) and A N F (Berlin visualist Andreas Nicolas Fischer) congeals around the notion of texture and surface. In generated geometries, globs of interplanetary resin, space insect innards about to …

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aleph Soundcomputer: Interview with monome creator Brian Crabtree and Ezra Buchla

aleph is something of a curiosity: it’s a dedicated box uniquely designed for sonic exploration that isn’t a conventional computer. It comes from the creator of the monome, but while dynamic mapping is part of the notion, it is the first monome creation capable of making sound on its own. The monome is a controller that uses a grid for whatever you want; aleph is a self-contained instrument that makes any sound you want. In review: aleph, from monome: Programmable Sound Computer That Does Anything But this isn’t only a story about some specialist, boutique device. It’s a chance to …

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Ableton Goodies: Max for Live Devices for Spectral Effects, Video, Random Rhythms

Our inbox is full of fun stuff Ableton lovers can download, so we’re pronouncing it “Ableton Goodies” day. Enjoy! Open up a platform to making custom tools, and the user can become the upgrade. They can devise new ways of making music – small inventions to spark creativity. And that’s happened in the case of Max for Live, allowing Max patches to run easily inside Ableton Live. Ableton hardly needs to release their own patches, or take much action at all. The Max community has been robust for over two decades now. Sites like maxforlive.com have rich collections of instruments, …

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Reading List: The Best of the Web, from Vintage Grooveboxes to APC Sequencers to Indeterminism

There’s a beautiful river of information for electronic musicians out there, if you can only navigate its currents. In our new series, we pick out some of the best selections, since we can’t always squeeze in a full article of every terrific gem out there. It’s like a window into our inbox. And for the first edition, we’ve got a lot – resources for Ableton and wireless MIDI and Logic, deep thoughts on production and folk music and indeterminism and robots learning to play in a band. Queue it up for your reading pleasure. (We’re big fans of Pocket for …

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Generative Genius: Free Max for Live Patch Lets You Schedule Scenes at Any Clock Time

Bars and beats are great. But people find applications for sound and music that go beyond traditional tools. That has already made Ableton Live a popular choice for triggering audio events and the like. But even Live tends to be biased toward conventional musical time. Sound and multimedia shop Aconica rolled their own tool to create a solution, the brainchild of sound and media artist Martin Backes, and now that tool is available to Ableton Live users for free. (Max for Live, now included with Live Suite as of Live 9, is required.) The name of the plug-in gives away …

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