Plumbing the Depths of Bass Music Culture: Listening, Reading, and Reflection

Against the sweeping tide of a term as meaningless as “EDM” – perhaps describing a commercial phenomenon more than a genre – or the historically-ambiguous “techno” or “electro,” there is “bass music.” There’s no “treble music,” but there is “bass music,” and even a “bass music culture” to go along with it. If the term is clumsy and foggy, though, the ideas behind it are potent, the latest blossoms in a deeply-rooted musical tree. And in its latest iteration, the music appeals to people well outside a demographic or commercial context or even continent. It appeals to people like my …

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Damn, Son: VST Makes 80s and 90s Hits into Trap; Dubspot Nails It

This: April Fools’ Day is turning into an avalanche of PR stunts. (Want to really fool people? Release your fake product in July. Oddly, so much of the game is whether anything is real or to be taken seriously, maybe the Internet has sort of spoiled the whole thing.) But this is something different: spot-on parody from the crew at Manhattan’s Dubspot. And… just keep watching. You really don’t want to miss Celine Dion. My only fear is that something like this may soon be real, knowing the products that have tried to cash in on Dubstep. (That’s Dubstep, not …

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CREATED: Call it VHSwave — Jacob 2-2, Stephen Farris and Music That Looks Back Through Time

Futuristic technologies, now found … in the past. Maybe that explains the sound of a lot of new music, says CDM contributor Matt Earp. Photo (CC-BY-NC-SA) ReallyBoring. What happens as music peers through the gauze of memory? Our contributor Matt Earp asks that question with the second installment of the new series, CREATED, a column that examines new and undiscovered music and feeds our headphones through the week. There’s a production technique in a lot of today’s post-FlyLo, beat-driven instrumental hip-hop that’s pretty darn pervasive when you start listening out for it. It’s that woozy, wobbling 80s synth sound – …

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