SoundCloud has become a popular punching bag for the music press. The formula runs something like this: choose a screaming headline predicting the company’s doom, run some out-of-context business numbers and some negative quotes by an unnamed source, then (presumably) rake in clicks.
I suspect many electronic music aficianados have the soundtrack for the film The Revenant on repeat who haven’t even seen the film. Any new Alva Noto/Ryuichi Sakamoto collaboration will get the attention of lovers of minimal electronic achievement, with good reason. And The Revenant might just be the perfect landscape for that collaboration. Its marathon portrait of bleakness and intense, lonely revenge make the film a platform for a perfect Alva Noto/Sakamoto score.
The path from past to future has become delightfully twisted in our modern age. Some of the best new technologies mix old techniques with new. They treat the computer and electronics not as a separate entity, but for its potential hybridization. And one great example of that is gamut inc, a project that explores instrumental-electronic interactions. Founders Marion Wörle and Maciej Sledziecki came to visit us at the MusicMakers Hacklab we’re hosting at CTM Festival in Berlin. And they brought the most extraordinary inventions along.
This could be the NAMM of modular synths in the Eurorack format. The question is, with vendors big and small crowding into this niche market, what will stand apart? Waldorf’s answer is to draw on the company’s history (hello, wavetables!), and in an announcement this week, to offer up a range of modules that fit into a keyboard. The upshot: an all-in-one solution.
There are artists who are remembered for their cultural impact, for the power of their identities or their musical output. But David Bowie always struck me as one of those few larger-than-life personalities whose sheer force of productivity was staggering itself. From the tiniest details of a stage production to ground-breaking concepts in fashion to an exhaustive approach to studio work, Bowie was king of workaholics. He was a person who made, and made some more. If he had done so in total obscurity and you happened to unearth the output of his imagination, you would be staggered. And everything …
It’s an edge-of-your-seat race against the 555. Our friend Darsha Hewitt went up in front of one of the world’s nerdiest crowds: the Chaos Computer Club’s Chaos Communication Congress gathering in Germany. Whereas some people guzzle bubbly and lean in for kisses and watch balls drop at the turn of a new year, the legendary geekfest involves a marathon of hard-core hacking and discussion, political and provocative. And Darsha didn’t make it easy for herself. She set out to build twenty analog oscillator circuits in just twenty minutes. Maybe that’s not so hard if no one’s watching, but try doing it under watchful eyes, …
It’s not enough just to gripe about something not being good enough, to tally a criticism of a product in the “cons” side of a review. Intrepid musician-hackers are going and just changing it themselves. Karg, the Heidelberg-based musician (with an ‘a’), is a fan of Korg, the manufacturer (with an ‘o’). And presumably when he bought the Kaossilator Pro+ and its touch pad access to tones. But he ran into frustration when he couldn’t quite get his finger on precise pitches and rhythms. So, he hacked the hardware to add the functionality he wanted.
Culture can be a different construction in our inter-connected age. We can draw on traditions from a distant past – or imagine a distant future. We can more easily connect with the people around us, or the people on the other corner of the world. So, as I host CDM’s fourth Hacklab with CTM Festival in Berlin, we’re pairing our participants with radical instrument builders to invent new musical rituals. Ewa Justka (born Poland, based in London) co-hosts and guest artists like Indonesian avant-garde Wukir Suryadi are along for another installment of this open, collaborative lab – and there’s still …
From oil refineries to electromagnetic fields to bats, meet an artist from Slovakia discovering beautiful new sounds. Interview – and CDM events in Berlin.
When a workshop becomes a