liverig

14 videos to remind you why it’s fun to play techno live

For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.

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skinoftheirlight

Take a beach holiday on an alien planet with these ambient videos

You’re under stress. Trapped in a fluorescent-lit prison of your own making, chained to your desk behind the cold glow of your computer. You dream of being a futuristic cosmonaut-tourist, truly getting away from it all. French-born photographer/filmmaker Diane Drubay has what you need. Her hyperreal, dreamy videos use real seaside footage, warped into acidic colors. To gaze into her sunsets and rippling surfaces is to give yourself the holiday in the Alpha Centuari system you’ll never have. (Okay, it really is all Earth – maybe Earth is space-ier than you thought.)

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Photo (CC-BY) Kevin Wong.

A free app makes a TI graphing calculator make music

“I’m the operator with my pocket calculator.” No — like, actually. HoustonTracker 2 runs on the TI-82/83/83+/84+ Texas Instruments graphing pocket calculators – the kind you probably had to buy for your high school math class. And it doesn’t just make the calculator into a sequencer. All the sounds come straight out of the calculator itself, thanks to some gorgeous-sounding 1-bit noises. (Who needs those 15 or so extra bits, anyway? This is beautiful.) What do I mean? Just watch:

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dirtmodule

Meet Eurorack modules with literal dirt, radiation, coded viruses

If you like dirt in your distortion, now you can have … literal dirt. Like, a big pile of Earth inside a Eurorack, conditioning an amplifier circuit and producing distortion. That kind of dirt. I don’t want to say that Eurorack buyers will now buy anything, but you be the judge: 40 buyers sold out the first run of the ERD/ERD “Earth Return Distortion” and filled up the wait list. (What I don’t know is whether anyone took the manufacturer up on the sale offer – send dirt from a cool place, get a discount.)

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femalepressure

female:pressure seeks crowds to change the place of women in electronic music

Ed.: We’ve seen plenty of headlines about the role of gender equality in arts and technology. But what makes female:pressure unique, as their name implies, is that the organization is working to use the power of crowds to effect real change. CDM looks to its assistant editor and editorial intern Zuzana Friday to tell us more. -PK Founded in 1998 by Electric Indigo, female:pressure is a network of artists, DJs, musicians, journalists, booking agents, and other professionals in electronic music and digital arts. In those years, the organization has served some important roles: Highlighting the inequalities that dominates the electronic …

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ericanddaniel

Native Instruments CEO, SoundCloud CTO talk music’s future direction

With each creation tool, each means of broadcasting audio via the Web, the force of music technological access accelerates. What was once limited to an elite able to make use of studios and labels spreads to more corners of the globe. But what will that democratization mean? Earlier this summer, I got to speak to two people whose companies have been instrumental in the ways in which people make and share music today. Eric Wahlforss is co-founder and CTO of SoundCloud; Daniel Haver is CEO of Native Instruments. Those jobs keep them pretty busy, so this is the first time …

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Mix your weekend with these songs that inspire Sofia Kourtesis

Sometimes the narrow apertures of musical genre can be a dead-end for inspiration. You often just can’t find a way to kick-start your creative process by listening only to songs that sound like you want. So, mixes really ought to be mixes. They ought to be personal. And even for producers and DJs, listening ought to be a pleasure. This weekend, we invite back Sofia Kourtesis, the globe-trotting German-Greek-Peruvian producer and DJ, to share some of her sonic touchstones. (She was part of a big mix-up of mixes posted in March, and has also shared her techniques for mining flea …

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ebony

Pop, glam, death, and definitely not techno: Pop-Kultur Round-up

The problem with festivals isn’t that we’re lacking for choice. But in the fast food court of summer festivities, the offerings tend to be arrayed in hard-edged silos. Here’s the dance music one, and it’ll be a rave. Here’s the rock one, and it’s just going to be about guitars. Here’s the experimental one, and everything is likely to be a big long drone in some cavernous distorted reverb. This one is only for J.S. Bach. And so on… Pop-Kultur’s name alone implies a different frame around music. It’s experimental, but it’s also pop. It’s death metal, glam rock, pogo. …

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electricindigo

Join Electric Indigo, Inner8 for an Immersion in Aesthetics

By way of follow up to our chat with Daniele Antezza yesterday, his Inner8 live act with sYn will meet up with another audiovisual collaboration – Susanne Kirchmyer (Electric Indigo), with visualist Thomas Wagensommerer. That takes place at Berlin’s Krake Festival next week, which means we get an extensive conversation with the two artists alongside a canal in the video below. They talk at length about aesthetics, collaboration, and connections to artistic practice: http://krake-festival.de/ Previously, on each of them: Outside dance music, systems of contemplation with Inner8, sYn Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo But …

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Inside hands-on live technique with Blush Response, KOMA, Elektron

The sound world of Joey Blush (aka Blush Response) is far reaching, entering dark clouds of murky industrial, EBM, and techno, all with relentless forward-pushing grooves. But as we talk to him about how he connects his gear, we’re really looking at how he connects his thoughts. At its best, whatever we’re doing with gear ought to be about our minds. It’s not just connecting a patch cord. It’s connecting an idea from one place to another – re-wiring neurons. Synth legend Morton Subotnick spoke this week about that process, as he recalled first creating complex metric structures simply by …

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