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Mix your weekend with these songs that inspire Sofia Kourtesis

Sometimes the narrow apertures of musical genre can be a dead-end for inspiration. You often just can’t find a way to kick-start your creative process by listening only to songs that sound like you want. So, mixes really ought to be mixes. They ought to be personal. And even for producers and DJs, listening ought to be a pleasure. This weekend, we invite back Sofia Kourtesis, the globe-trotting German-Greek-Peruvian producer and DJ, to share some of her sonic touchstones. (She was part of a big mix-up of mixes posted in March, and has also shared her techniques for mining flea …

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Jetset Futuristic Dance Sounds for Summer with Moderna

It’s a long weekend in America, many bits of Europe, and other parts of the world, and that inflection point has arrived where the Northern Hemisphere looks forward to summer. So, let’s celebrate, turning attentions from dark, moody techno and experimental ambience to some splashes of color – techno plus all its further branches and blossoms. And that means turning again to our friend Moderna, aka Missy Livingston, of Ghostly International.

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Blood and Electronics: Don’t Miss the Stunning New Lusine Arterial Video

The new music video for Lusine, like the track itself, is almost sickeningly stomach-turning, it’s so beautiful. Director Christophe Thockler has made an epic opus. The last time we caught up with Thockler, he had set 36,000 photos of melting ice to the chilling music of Ben Neill and Mimi Goese. This time around, we’ve gone from ice to the titular blood. And that’s lots of blood – enough to attract vampires from a couple of cities away. 5 litters of blood rush through some 15 kg of components salvaged from TVs, phones, and computers, waste turned into what the …

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Playlist: modernluv – Ghostly’s Moderna + LA’s Jeniluv Share a Must-Listen Mix

Mixes these days have become almost too common, many of them somewhat random selections of crowd-pleasing tracks, in no particular order. And they tend to be solo endeavors. modernluv, apart from being a duo of two significant stastemakers, is significant in that they’ve put together a real sound. It actually is “sultry” and “dark” and “psychedelic.” (I hate it when artists choose the right adjectives in their description, thus robbing me of the pleasure.) In fact, knowing I have a few (cough) love-lorn friends struggling with modern romance, I suggest this mix. Have a listen (track list below): Mixes are …

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reliq at full tilt during a live set, bending time and space. Photo courtesy the band.

Playlist: Anika and Moderna Bring Sonic Caffeine, reliq and Erika Open the Airlock

Monday is a perfect time to try to shift moods with music, to change the mix. So here’s a melange of Monday mixes … mmmmmmm. (Good God, I’m glad we have music to start the week, as words are generally failing me.) Here’s a bit of what we’re cueing up here – from deep, perk-you-up sounds from Anika and Moderna to richly-diverse experimental sounds via reliq and Erika.

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New Gold Panda Full-Length: Hypnotic Craft, Deep Feelings, as Always

Gold Panda is back with another full-length masterpiece. Here, any gauzy soft-focus fuzz is stripped away. The music is still warm, focused on chopped-up samples, and delicious, meditative repetition. But it’s more focused than ever, with a dry directness that lets his musical craft come further to the fore. There is some narrative and program explained on Gold Panda’s “Half of Where You Live.” Some of that is hard to miss – exotic percussion, clanging away as though you’ve ventured out onto the streets in some far-off city, references in titles and vocals to place. And there’s a sober comment …

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The Pleasure of Sound: Human Experience is Weird; Electronic Sounds Help

Human experience is weird; it’s full of wonder – and it’s also full of fear. The sounds, for me, should also evoke that. Jad Abumrad From reading online, electronic music as a scene seems in a nasty sort of malaise, ranging from existential angst over everything from genre popularity to gender issue crises and pessimistic views of any new technologies. Maybe it’s time to return to why you’d want to make weird noises in the first place. This is just a teaser for The Pleasure of Sound, a forthcoming documentary that follows Jad Abumrad and Matthew Dear for two days …

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Listen to Albums by Eloui, Lusine, Full of Electronic Craft and Great Songwriting

As electronic musicians craft songs in digital collage, the distinction between “producer” and “writer” has never really made much sense. Samples, synthetic sounds, and the technology used to bring them together are all an extension of compositional imagination. I’m reminded of this when I regularly explain what I do. (This is really fun in crowded, noisy bars.) “I run a site about … music and technology.” “Oh… what?” “Like the technology people use to make music.” [Insert dazed look.] “You know, if you hear music these days, it was all actually produced on computers? So I write about those tools. …

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Fax, Circles Remixed EP, and the Post-Ambient, in Mexico And Beyond [Good Listening]

“Post-” is a prefix that comes up in an art world struggling with overlapping genres and non-linear history, one you’ll no doubt here today on an anniversary of a truly terrible day in Manhattan. But what does it mean to come after something, and where can it go? It’s sometimes best to simply listen to music to answer that. A clarion, original musical voice from Mexico, Fax – Ruben Alonso Tamayo – treads lines between ambient, minimal techno roots, and straight-up minimalism in electronic music. It’s no surprise he’s also a designer; there’s a sense of color and surface taking …

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The Future’s Sonic History, And 14-Year-Old Dreams: In The Studio with Matthew Dear [Video]

A Studio Visit with Matthew Dear presented by AIAIAI and Ghostly International from Ghostly International on Vimeo. What does the future sound like? For musicians using technology, that question can resonate on two levels. It can be an attraction to imagined futuristic worlds, and the connection of synths and gadgets to that world. And, even each time we sit down to make music, it can be a dream of our own future self – if not the rockstar, that future self who has finished this track that right now is just an idea or a feeling. In a film that’s …

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