For all the access we now have to online commerce, items like music instruments sometimes demand real-world interaction. (And you know how much I love Real World things.) Tom at Music Thing has polled readers there to find out where surviving music shops live around the planet. You can take a look at the map, and add your own locations.

See the map at Google

The results are heavily tilted toward acoustic instruments, naturally, though they happily go well beyond the expected Sam Ash and Guitar Center fare. I’m curious about shops which specialize in electronic gear — analog, digital, old, modern, software, whatever. Of course, not every city can be lucky enough to have a Robotspeak, which is basically CDM heaven (or credit card Hell, depending on how you look at it.) If you do have an electricity-friendly shop, though, let us know, and I’ll add it to my Desired World Tour Destinations list; point it out in comments here.

If you have a shop near you, no matter how small, be sure to mark it!

Ardour, the free and open source DAW for Mac and Linux, has already won some fans by providing robust audio multitrack features in free software, along with some unique innovations (like robust support for inter-app JACK audio routing). But one major complaint has been a lack of serious MIDI tools. MIDI functionality is baked in, but it’s not as full-featured as some might like.

That should change soon: Ardour is involved in Google’s Summer of Code, a seasonal code-fest that helps develop open source projects. Ardour creator Paul Davis describes progress on his Ardour blog:

Dave Robillard continues his work on Ardour’s MIDI recording, playback and editing capabilities as part of the Google Summer of Code program. Since the last screenshot (below), Dave has added color coding of velocity values, percussion tracks, two modes for delivering MIDI CC data (discrete+interpolated), and some basic editing operations such as quantize, note selection and pencil-based note creation & deletion.

Sounds great to me. Of course, it could rob Paul of the job of having to listen to whining forum/comment trolls complaining about the lack of Ardour MIDI. We’ll be watching — an update following the Summer of Code is definitely in order. I’d love to have a free DAW to use with students, for instance, as opposed to them (cough) pirating Cubase.

You can be making incredible music, but if no one knows about it you probably won’t be making it for very long. Having a good project name is the first step to getting publicity and having your music heard by a large amount of people.

Don’t be difficult. It has to be easy to pronounce and say over the phone. Try to avoid using numbers for letters (leet speak) since it will confuse people. Yes, there are exceptions like “!!!,” μ-siq, and whatnot, but the object is to make it easy for the press to write about you and for people to talk about you. While you’re welcome to choose a difficult name, it’s only going to make the rest of your publicity efforts that much harder.

Steer clear of profanity. While James Fucking Friedman has a somewhat high profile, whenever he gets listed in local papers that don’t allow profanity they star out either the entire middle word or just use stars after the F. People will get confused–”Did they star out ‘Faggot,’ ‘Fucking,’ or ‘Fellatio’? Should I Google for James Star Star Star?” Also profanity limits the types of publications that will feature you. While XLR8R and URB are magazines that are pretty laid back about their language, you might one day discover that your music has an interesting crossover audience (be it mountain climbers or acoustic engineers) and you want to make it easy for those types of journalists to approach you and write about you and your music.

It sounds good. Pick three of your favorite names. Say them out loud. Ask some friends what they think and notice how they respond. Do they laugh out loud when you’re aiming for a super serious image (”Abfahrt Hinwil” might cause some giggling)? It may sound obvious, but electronic musicians who tend to work alone and communicate through their computers could use some IRL human feedback once in a while.