meeblip_albino

What it means that the MeeBlip synth is open source hardware

The MeeBlip synthesizer project is about to reach five years old. I feel this collaboration with engineer James Grahame has been one of the most important to me and to CDM. We haven’t talked so much about its open source side, though – and it’s time. In five years, we’ve sold thousands of synths – most of them ready-to-play. The MeeBlip isn’t a board and some bag of parts, and it isn’t a kit. You don’t need a soldering iron; after our very first batch, you don’t even need a screwdriver. The MeeBlip is an instrument you can use right …

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Processed with VSCOcam with se3 preset

ROLI, Makers of Seaboard Instrument, Just Bought The Leading C++ Audio Framework

Here’s some important news that might impact you – even though you may never have heard of either the instrument maker or know anything about code libraries. Bear with us. But an experimental instrument builder and design shop just acquired the most popular framework used by audio developers, a set of free and open source gems. The film explaining the announcement: First, there’s ROLI. Now, to most of us in the music world, ROLI are the Dalston, London firm that make an alternative keyboard called the Seaboard – a sort of newer cousin to the Haken Continuum Fingerboard that uses …

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Yeah, so put them together, and then, you know, stuff.

Midular are the Free MIDI Modules Every Ableton Live Setup Needs

Forget fancy effects or sophisticated plug-ins – day-in, day-out, it’s those simple MIDI modules you wind up using again and again and again and again. It’s like having a bucket of paperclips on your desk. It doesn’t have to be exciting. It’s the simple stuff that gets used. So, one of my favorite demos from the jam-packed sessions at MIDI Hack Day in Stockholm in May was unquestionably Midular. The idea was simple: make some basic modules that do stuff to notes and control events, then combine them in useful ways. It deserved an ovation. And now, you can get …

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Wonders of DIY Synths: A New PreenFM, a Polyphonic Oberheim Clone

It’s a new golden age for synth lovers, past meeting the future and so on. At least, we have a stunning number of wonderful toys. And the DIY community is coming up with a number of particularly special creations. Take the terrific open source PreenFM, an original, 6-operator FM synth that’s entirely open source hardware (code and schematics). On Sunday, we learned what creator Xavier Hosxe has in store for the new model:

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JACK for iOS: Audio and MIDI Between Apps, High Performance, Free

iOS now offers lots of options for using apps together, but – that’s part of the problem. The solutions are piecemeal. There’s inter-app MIDI. There’s Audiobus, which does audio, but requires the purchase of a separate app. Then you need something else for sharing data. And something else for sync. Confused yet? (Hey, it’s easy, just remember: Audiobus, WIST, AudioCopy, AudioPaste, Core MIDI and inter-app MIDI, and… yeah.) By the time you’re done, you’ve actually had to buy new apps just to get things working together, and you have a number of different technologies just to do some basic things …

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reaktortemplates

Get Started with Reaktor + Reaktor Player + TouchOSC, Lemur: Open Source Templates [Exclusive]

Got a copy of Reaktor 5, perhaps via Komplete, or an instrument or effect based on Reaktor (running in Reaktor Player)? Got an iPad, and want to start touching sounds with OSC? Great! We’ve got some powerful tools and references that will make it easy to get going – and, for those who want to peek under the hood, can yield some nice tools for your own creations. Actually, maybe “un-exclusive” is the best way to describe this. In addition to official references from Native Instruments on how to use the tools, developer Clément Destephen has built templates that make …

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Traversing a Score in 3D Space: Free IanniX Explores Strange, New Worlds

IanniX — From UPIC to IanniX from IanniX on Vimeo. In the beginning, there was the bar. Actually, wait – that came later. In the beginning, there were sketched outlines of notes. And the notes became fixed in pitch space, and then, increasingly, in time, in divided measures from left to right. And so, what we know today as Western music notation came to be. But then, in the 20th Century, composers began to undo the rigid boxes that score produced. First with pen and paper, later armed with the computer, composers connecting graphic and sound started to violate those …

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borderlandssketch

Borderlands, Amazing-Looking Granular Sampler [iPad, Desktop, Free Source], and Beautiful Sound

How do you visualize the invisible? How do expose a process with multiple parameters in a way that’s straightforward and musically intuitive? Can messing about with granular sound feel like touching that sound – something untouchable? Music’s ephemeral, unseeable quality, and the ways we approach sound in computer music in similarly abstract ways, are part of the pleasure of making noise. But working out how to then design around that can be equally satisfying. That’s why it’s wonderful to see work like the upcoming Borderlands for iPad and desktop. It solves a problem familiar to computer users – designing an …

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Free Generative, FM Sequencer for Max/MSP, Max for Live

If you liked the generative, probability-based sequencing seen earlier this week, here’s another example – and it’s free and open source, so if you do want to pick it apart and you own a copy of Max/MSP or Max for Live, you can. Co-creator Giuseppe Sorce points us to the work: This is a simple generative music synthesizer built in Max/MSP created by Diego Caponera, Nicolò Paternoster and Giuseppe Sorce. It involves 5 FM generators which play notes randomly based on a root key and intervals defined by the user. It’s an university project made for an exam for Sound’s …

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tetrafol_700

Tetrafol, Sound Object by monome + machineproject + Fol Chen, in Videos, Sounds, and Interview

LA-based bang Fol Chen (Asthmatic Kitty records) wanted to go beyond the computer as the playback and manipulation device for their music. So they worked with collaborators to invent a solution. In a new video, sounds, and an interview, we can share some of how this came into being. Built with the monome creators (Brian Crabtree and Kelli Cain) and LA research and experimentation center Machine Project, the Tetrafol is a custom, pyramidal sound device. The object warps Fol Chen’s music using gestural manipulation of playback, but can also use your own samples. And with open-source circuit and firmware, the …

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