Normally, pricing announcements and sales press releases bore me to tears, but this is actually news – Native Instruments is selling Komplete for July only at just US$/EUR 399, instead of $1139/EUR999.

That means if you were looking for Reaktor alone – about as good a desert island music software choice as you can find – this would be a good deal. You also get Absynth, the absurdly deep (if sometimes baffling) synth with surround sound envelopes and a workflow that could change how you think about sound, the very nice effects and loop recording in Guitar Rig, and the scriptable sampler Kontakt, as well as the Battery drum sampler and lovely Massive synth.

As recession specials go, this is a tough one to beat.

http://www.native-instruments.com/komplete5.info

In other news, we’re opening up more discussion of tools like Reaktor (among many others) to the community here on noisepages; check out Peter Dines’ recent modulations blog for thoughts on Reaktor (and the free and open source SuperCollider), or his just-formed Reaktor group, on which he asks, “what problems are you solving with Reaktor?”

Native Instruments’ Guitar Rig Hero video contest winners were unveiled today. At the top of the charts, players not surprisingly demonstrated fine craft, sharp execution, great playing, and so on. But let’s skip straight to the oddities in the bunch. Like the girl with the violin on a pogo stick. And there is an appearance by the NS/Stick, which earns stringed-geek cred the more-predictable entries lack.

Now, normally I’m not so interested in the online contests various developers produce. But these entries stand out enough to have a good look here. Word of warning: you may be less inclined to buy a boxed copy of Guitar Rig as to buy yourself a nice, new pogo stick. (I could use the exercise… hmmm… Santa?)

Every time you turn around, someone else is holding some sort of promotional music contest. But this week, we have not one but three contests I think will really appeal to CDM readers — and I’m especially eager to hear what results you might submit.

Guitar Rig Hero is a huge contest with some big prizes. Native Instruments notes that users were already, without prompting, posting Guitar Rig videos to YouTube. So, they’ve put together a jury to properly judge the best possible contributions, with jurors including the likes of the Deftones, Dweezil Zappa (yes, the offspring of Frank Zappa), and (one of my personal favorites) Mogwai. Prizes: a quad-core Fujitsu-Siemens laptop, NI software, and (non-software) guitars from Gibson.

NI says participants are “asked to capture a video of their most original and spectacular performance using GUITAR RIG 3, without any sonic or artistic limitations applying.” What’s interesting is that not all the entries are using guitars — there’s already an interesting experimental entry with violin and Guitar Rig, and I suspect if we unleash some of the CDM community on this contest, there will be more.

You don’t have to own Guitar Rig 3 to participate; the demo version will work (and then you can try to, you know, win the full version). The contest ends September 30.

I’ve run synths, keyboards, and even sitar through Guitar Rig, so I’m interested to hear what other not-guitars you can come up with.

Guitar Rig Hero Contest Page @ NI

Guitar Rig Contest YouTube Channel (with various videos up already)

Matthew Dear, performing as Audion, is coming to Minitek in New York this weekend, and we know from reader feedback that you’d like us to talk to him. (Yes, some of the endless minimal entries in Minitek, true to the festival’s name, start to blur together, but Matthew to me is someone really musically special.)

As it happens, among Beatport’s regular contests, there’s an Audion remix contest for “Billy Says Go.” Downloads started this week, and you can submit through the end of the month. This is public voting as opposed to juried voting, but since I know there are some Audion fans out there, let us know if you do something nice. Prizes: Traktor Scratch, $100 Beatport gift card, and a grab bag of Beatport swag. Those of you trash talking Richie Hawtin, maybe this is your chance to show us your skills.

Audion Remix Competition @ Beatportal

Sonoma’s RiffWorks software and accompanying community is apparently popular among readers here, so it seems worth passing this along. The RiffWorks site is awarding RiffWorld.com community members IK Multimedia software and other downloads and goodies. That in itself isn’t that interesting, but what is a bit different about this particular competition is that you can collaborate on entries; if you decide not to go solo, you can invite up to three other people to work with you. I still prefer collaborating in person rather than online, but I’ll be interested to hear how collaboration is working out for people. (Naturally, the reason they’re emphasizing this is to promote the collaboration features of the site — but you’re the best judge of how that works.)

RiffRumble 12

Seriously, do let us know if you choose to participate in these contests, or if there are other online communities you’re working on; we’d love to know. I imagine running this means a dozen PR folks will be breathing down my neck tomorrow with other contests, but these do seem up the CDM alley and … well, for the rest, that’s what the “mute conversation” feature in Gmail is for. Enjoy!

The world this week lost one of its great musical innovators, Bo Diddley. DIY instrument builders and anyone who enjoys abusing their guitar (or, perhaps, any instrument), you owe a great deal to "the originator." In the service of his unique and powerful expressive imagination, Bo Diddly hacked and attacked guitars, producing for the first time many of the effects we take for granted as part of the guitar language.

And, of course, there was also his signature, rectangular "Twang Machine" guitar, which is just plain brilliant.

I believe the instinct to experiment with sound is the same, whether it’s with acoustic instruments, electronic instruments, DIY creations, or software. So it’s comforting to know that people continue to look for sometimes-bizarre ways of pushing the envelope of what guitars can do. Here’s a sampling.

Virtual Guitar Sounds

One of the wonderful things about software is that it can be used to create combinations that are impossible or difficult in the real world. I talk a little bit this week on our Kore/Komplete minisite about how I like to add simulated Guitar Rig effects to synth sounds, then continue to modify them in the digital space:

Sound Design for Imaginary Instruments: Kore, Guitar Rig [kore.noisepages.com]

As it happens, none other than Keyboard Magazine just did a feature on the relevance of guitar effects to keyboardists and synthesists. Craig Anderton has some terrific tips, plus a spot-on survey of the relative strengths of available packages for different applications. There are some great bargains in there if you’re looking for cheap sets of multi-effects for computer use. You can read the whole article online, free:

Guitar Amp Simulators In Keyboard? [Keyboard Magazine]

Guitar as 8-Bit Instrument

Philadelphia-based artist Animal Style (Joey Mariano) has developed a unique way of making his guitar into an 8-bit, Nintendo-style instrument. Using a custom foot controller and 8-bit fuzz pedal, he feeds his guitar into 8-bit land and triggers pre-programmed chiptune loops programmed in homebrew Game Boy music system Nanoloop, running on a Game Boy Color. That means unlike many Game Boy artists, you’ll never see Joey hunched over the buttons of his game machine; everything is at his feet.

Meta-Harp Guitar + Computer A/V

Derek Bell (known on YouTube for his Ableton Live driver’s license controller and other projects) has been hard at work building the ultimate meta-guitar. Here, his MIDI harp guitar is controlling:

Different patches tuning using touch sensors

Ableton Live’s Sampler as sound source, with Native Instruments’ Guitar Rig 3 for effects

Quartz Composer for visuals, as sequenced in Ableton Live

This is an early demo — he’s now combining this with additional projects for a massive meta-guitar. We should see the results at the music evening we’re hosting at the HOPE hacker conference.

For more on the Guitar Rig 3 hacks, here he is working his way through Guitar Rig presets using onboard MIDI controls on a hacked electric:

Custom Guitar Controls Guitar Rig Directly [kore.noisepages.com]

I think there’s no better way to honor the history of guitar innovation and the memory of the greats than to keep on plugging on whatever it is you’re doing.

Bo Diddly photo (CC) Diego’s sideburns.

The Asus Eee PC is unlikely to be your first choice of laptops for music. But it’s small, it’s cute, and it’s ridiculously cheap. Some CDM-reading computer enthusiasts are biting, as we found out in March when we asked you if you had turned the Eee PC into a music box.

On the Linux side, you’ve got lots of options. Best among these, CDM reader Dan Stowell has put together a comprehensive tutorial on using SuperCollider, the powerful, free sound synthesis engine. You can even add custom GUIs using a free Java-based tool. There are also plenty of DIY environments for music working nicely (Csound and Pd included, as well), meaning the Eee can very quickly become a programmable, dedicated sound machine and synth for the price of the cheapest closed-box, name-brand piece of music gear.

Linux also supports various music tools that lend themselves to a lower-end machine, like music tracker MilkyTracker. Check it out in videos on the Eee: Eee-PC MilkyTracker Xandros, more. (Thanks, emrox!)

The surprise is, full-blown Windows software holds its own. From the NI forums, a group of intrepid Guitar Rig 3 users have fired up XP and have a pretty usable, self-contained Guitar Rig computer:

Guitar Rig on Eee PC [Native Instruments forums; thanks to Jahmal Tonge for the tip!]

The trick is, you do need modded video drivers to make use of 1000×600 resolution, thus accommodating the user interface. Forum members also suggest avoiding the newer Atom model as they believe it will be slower. Then again, while this proof of concept is tantalizing, I’d probably hold out for more-powerful mini PCs coming out — and the fact that music works this well on this machine means it only gets better from here.

Computer Music Magazine did do a review of the Eee, and were a little more practical about the Eee’s downsides (though the resolution hack here helps at least with that problem). But then, the other way of looking at this is that the Eee is just the beginning. Plenty more budget mini-laptops are coming; already machines from HP and others close the gap with “conventional”, pricier laptops. Linux distributions may soon target these configurations (Ubuntu has promised a “remix”), and Microsoft has committed to keeping XP and Vista going on these machines, as well. And that means the price divide with computer music is getting erased fast.