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Now you can plug a guitar or stompbox into your Eurorack

At last, the world of modular meets the world of stompboxes. It’s a no brainer: after all, a modular rack already has a lot in common with a crowded pedalboard. I expected that our friends at Bastl Instruments from Czech would come up with something for this week’s Superbooth synth gathering here in Berlin, and sure enough, they’ve got three new modules, with one stompbox-friendly standout.

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Modular Guitar Stompbox: Coming Soon, Eurorack for Your Feet

The modular craze just won’t stop. But why should keyboardists and sound tweakers have all the fun? Pittsburgh Modular wants to bring the revolution to guitar stompbox effects. The Patch Box, teased over Twitter and due at April’s Musikmesse in Frankfurt, Germany, is an attempt at that solution. Basically, instead of being a Eurorack bay for your shelf or desk, this is one designed for the floor, to be played by a guitarist or bass player. At the bottom, you get the usual switches. But apart from accommodating Eurorack modules (on their side) on the floor, the key appears to …

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For Apple, Music Making is For Everybody: New Holiday Ad

We face a challenge in the music technology community. Underlined by a century in which music creation was seen by some as the privilege of a few, in the studio world, and mass music was about records and radio, people might claim music making is niche. It’s seen by those onlookers as the domain of specialists, techies – a weird overlap of superstars and nerds. But some of us believe that musical expression as as essential as singing, and the tools matter just as much. You don’t see much music technology in Apple’s latest ad. I think it might be …

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The Arcane Arts of Experimental Instrument Design: 3DMIN [Videos, Gallery]

From the dawn of civilization, musicians could always be counted on as the ones inventing the truly weird technologies to make noise. Here – bang on this. Blow into this. It’ll make some sound; it’ll be noisy; it’ll get everyone’s attention. And so, the art of such designs continues. New instrument design explorations have gone hand in hand with electronic music research from the moment electronics (and, eventually, digital technology) were capable of real-time performance. But if 3DMIN follows in the footsteps of those programs, it also seeks to intertwine questions about other fields and disciplines. And tonight in Berlin, …

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The Augmented Guitar: In Final Hours of Crowd-Funding, Watch What Guitar Wing Can Do

Like superhero armor, the sleek Guitar Wing fits over the edge of your guitar – your existing, beloved guitar – and gives it badass bonus powers. The crowd-funded accessory finally brings control for digital instruments and effects to the fingertips of guitar and bass players, without forcing them to change instruments or give up their conventional techniques. Instead, Guitar Wing, via Bluetooth connection, provides pressure-sensitive pads, faders, buttons, switches, and (if you like) three-dimensional motion control right to the instrument. USB charged, rechargeable battery-powered, and with RGB color feedback and editing options, it’s ready to go anywhere and control anything. …

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Record a Mic, Guitar with UA’s Apollo Twin, and Model Analog Like Never Before [Thunderbolt, $699]

Universal Audio’s new Apollo Twin (in SOLO and DUO variants, starting at US$699) gives you quite a lot of value on a single Thunderbolt connection to your Mac. It’s shipping now. It’s an audio interface, with connections for line, mic, or instruments. It’s a real-time DSP processor, adding the ability to run UA’s suite of (mostly analog-modeling) sound processing goodies. (SOLO/DUO refers to how much DSP muscle you get.) And it’s a bundle of UA models of analog hardware, including a rather nice pair of limiters, an EQ, amp models, and tube preamps. If you think they’re hoping guitarists and …

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Focusrite iTrack Dock is a Serious Lightning iPad Accessory for Recording Music

The iPad could change recording. But first, you have to change the iPad. Docks once reached fever-like proportions in hardware manufacture. Among those, one stood out: I’ve seen the Alesis iO Dock see iPads get more serious studio use, thanks to convenient access to audio and MIDI. (And that, in turn, is something you often don’t get when connecting hardware directly.) Then, Apple switched connectors to the new Lightning Connector – and the hardware world fell silent. Now, Focusrite steps in to fill the void. (We’ll see if Alesis is doing the same.) And if many docks are dubious purchases, …

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Logic Pro X Brings iPad Control, New Features and Refinement [Gallery, Details, CDM Hands-on]

It’s been four years since we saw a significant update to Apple’s flagship music production suite. But the wait today is over. Logic Pro X is here, along with MainStage 3 and a new, free companion iPad app called Logic Remote. First, if for some reason you’re a loyal Logic user who has been dreading this upgrade, you can officially relax. As I suspected in 2011, this isn’t the sort of radical departure from previous versions of Logic some had feared. With the exception of the long-discontinued WaveBurner and Soundtrack Pro, you’ll be hard pressed to find any “legacy” feature …

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A Stompbox That Can Become Whatever You Like, in Crowd-funded OWL

There are stompboxes. They are — for lack of a better word — foot worthy. You can step on them, in a way that is less possible with a computer. (Well, sure, somewhere amidst an endless spinning color pinwheel you may have wanted to step on your MacBook Air, but then thought better of it – financial investment and whatnot.) Then, there are computers. They can do everything. That stompbox is one particular distortion effect. And it is always just that one distortion. But what if you could have both? As embedded technology continues its march toward greater user friendliness, …

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Melodies in Triangles: Christopher Willits on Playing Grids of Push [Tutorial Video]

You can think about melodies and harmonies in geometric shapes. In fact, instrumentalists playing piano keys or guitar frets have already been doing that for some time. What’s happening with grid controllers like Push – among other alternatives – is that it’s now easy to rearrange melodic setups to see and play these relationships in new ways. Musician Christopher Willits has started a series of videos called CREATE (hmmm… like that name somehow), through the creative community platform Overlap. Willits tells CDM, “I really love this instrument. I’m excited to work with it more and become really comfortable. Like any …

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