One of the wonderful things about control data is that there’s no saying you only have to interface with software and digital worlds: you can connect directly to the real world, too. Digitally-sequenced music can use acoustically-generated sound. 20th Century technology, meet 19th Century technology. CDM reader Gareth Edwards writes to let us know about his current project:

Just wanted to let you know about a wee toy we’ve just finished building here in Edinburgh. We are a group that is part of the dorkbot movement (http://dorkbot.org/) and have just finished hacking a robotic MIDI retrofit onto a 1890s Gray and Davison 16′ pipe organ using mainly surplus components.

Video here:

http://uk.youtube.com/watch?v=8R9lAIS1l4w

Main page here:

http://dorkbot.noodlefactory.co.uk/wiki/WaldFl%C3%B6te

Now, I got this while I was traveling in Berlin and my connection was so slow, I couldn’t even watch the video, so if you’ve seen this item elsewhere, no complaints please, okay? I haven’t dug out of RSS feeds yet. (Hey, the organ is from 1890 — I’m not that late.)

It’s quite brilliant work. We’ve seen organs before — anyone else care to comment on other examples of MIDI-powered organs?

Another video — with a Dueling Banjos cover, no less:

Tonight, musical and visual artists converge for an evening of live performance at the HOPE hacker conference in NYC, 11p – 2a. Hope you can make it there, New York area peoples.

There are other ways of joining the event (and the rest of the HOPE conference):

IRC Channel — irc.oceanius.com #radiostatler

And for live radio, which should (technicalities notwithstanding) broadcast CDM’s performance:

http://radio.hope.net/listen.php

More on the event:

CDM event details and preview

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