Showcasing amazing projects is a good thing. But we know that no creation emerges fully-formed. They start from nothing, with lots of mistakes along the way. You get help and ideas from other people. And you need time.

So this month’s Handmade Music in Brooklyn we’re declaring an Open Lab. Got a kit lying on your shelf, waiting to get made? Got a half-finished project that needs fixing? Just want to hang around some musical and visual DIYers and see what they’re up to? And just need a few hours to make some progress? That’s the idea.

Software projects, hardware projects, gear hacking, circuit bending, coding, patching in Reaktor or Pd or Max – it’s all welcome.

We also have a very special guest this month in the form of Morgan Packard, a talented multi-instrumentalist and computer musician (video at top, with live visuals by superDraw creator Joshue Ott). At 7:30p, Morgan will show off his free Ripple musical environment, built on the powerful open source SuperCollider code-for-sound platform. It’s a great chance to see what SuperCollider can do, how a scratch-built environment can open up musical possibilities, and what you can do with Ripple yourself.

Full details: Handmade Music Brooklyn: Open Lab, Featuring Morgan Packard’s Musical Code [handmademusic@noisepages]

Facebook Event Page

The whole event runs 6:00p-11:00p at 3rd Ward Brooklyn. As always, it’s completely free. Be sure to bring your projects and the tools you’ll need; we can provide power, a PA, space, and other folks to hang out with. And we can help give you an excuse to set aside a few hours of time.

We’ll also be taking notes on how the setup works, as we know this may be something other Handmade Music events want to try in your neck of the woods.

Electronics and synths are hard and you can’t hug them; plush animals and toys and blankets and pillows are soft and huggable. And we won’t even get started on the slightly-absurd gender associations of soft textiles and hard, toxic electronics. Or at least, so goes the traditional assumption.

But increasingly, designers are becoming interested in soft design. So in a last-minute addition to Handmade Music NYC, Richie Brown has added plush instruments – a ring modulator and two synths, which in turn can be patched together. They’re instruments you can hug. (Next step: make the connections soft, too, I think.)

As this was happening, by coincidence I was checking out a project called felted signal processing [Flickr set], using conductive soft materials for sound. That project is the work of Sarah Grant, and something I hope to cover more. We’ve also seen felt used as a very practical material for a surface and keys on a synth project (with a hard enclosure), and none other than monome creators Kelli Cain and Brian Crabtree did a feature story here on CDM on their felt + circuits project.

Don’t get me wrong: making electronics work with soft things is a significant challenge, and sometimes feels like trying to make an airplane fuzzy. I hope we’ll work on some community documentation and collaboration here – and perhaps we’ll even have a soft-themed hacklab online and with handmade music.

One superb reference: CNMAT’s wiki, particularly the Materials section.

Check out Handmade Music NYC

Squeezable instruments are just the beginning. Handmade Music Brooklyn for July is, quite literally, our biggest, craziest lineup ever.

If you are in the NYC area, be sure you don’t miss Handmade Music tomorrow night (Thursday).

Complete lineup at handmademusic.noisepages.com
RSVP on Facebook or email handmade@3rdward.com

View Larger Map

Wonderful things happen when you invite lovers of noise together in a room. Musicians and non-musicians, electronics geeks and first-timers, folks pick up a soldering iron — often for the first time — and cause utter mayhem. So we again had a fantastic time at Handmade Music last month. I’ve just gotten the photos in, so decided to share.

We’re looking for folks to bring stuff to Handmade Music on 4/16 – see the bottom of the article and give us a shout if you have software or hardware creations to share. They don’t even have to work, entirely – this is the place to find people to help give advice, so we like even partly-functioning inventions.

Even if you live far, far from Brooklyn (like back in Old Amsterdam), the featured March projects are within reach:

• Loud Objects Noise Toy was the star of the evening. Lesley Flanigan and Tristan Perich of Loud Objects — superstar composers and sound artists themselves — were onhand as patient teachers and guides in the ways of Noise.
• glitchDS on PC and Mac: The DS homebrew creator Bret Truchan delighted with not only his mobile gaming creations, but a netbook running a new PC cellular automaton MIDI sequencer, ported to Processing. More on that soon. (See the image captured by Make Magazine’s Collin Cunningham.)
• Pulsantes I got Jaime Munarriz’ strange Processing + Pd pulsating rhythmic toys working on a PC – thanks, Jaime, for the virtual contribution!
• jReality Peter Brinkmann demonstrated the sonic capabilities of audiovisual virtual reality framework jReality. Intense stuff – you don’t even need to use Cartesian coordinates. Elliptical, baby!
• Networked Objects: Eric Beug brought by his DIY wireless synth modules and an iPhone for control. This progress is under development, so I hope it makes a repeat visit.

By the way, in case you wondered what happens when a bunch of people play all their newly-built Noise Toys at once? It sounds something like … this (and sorry, my digicam mic was entirely incapable of capturing the resulting sonic chaos):

More photos from Collin Cunningham and our event co-host MAKE Magazine:

Hey, You! Yeah, You!

So, folks in automobile / railroad / Zeppelin distance of New York, we’d love to see what you’re working on, be it a Max/Pd patch, Processing sketch, circuit-bent instrument, DIY controller, sensor project, or wearable SweaterSynth. Definitely bring cables, and (if you’ve got one) a portable PA; otherwise plug into our PA and projector.

Next engagement: Thursday, April 16 (this coming Thursday).

Form below, or head directly to our form on Google Docs:
Handmade Music Call for Works: Form

This Thursday night, if you’re in NYC, you’ll want to be in Brooklyn – and around the world, stay tuned as always to CDM.

Handmade Music projects will again explode into the nerdster party in Brooklyn, with more ways to get involved worldwide. The science fair-meets-music lounge event hits Thursday night, and this time, you can walk home with your very own noisemakers – no musical or electronic experience required.

Tristan Perich, composer, sound artist, inventor, and 1-bit music maker will be onhand from Loud Objects to share the Noise Toy kit. He’ll walk you through making one, talk about how it works, and we’ll make a little racket.

And once we get a few of those kits made, you’ll be welcome to join in an impromptu Noise Toy Ensemble!

If you fancy higher-fi, digital music and virtual reality, we’ve got you covered, too, with a whole bunch of software projects.

• Noise Toy workshop with Loud Objects / Tristan Perich: Learn how this cheap kit can make glitchy sounds like Bzzzzrrrreeeeepehkhkhkhhhhhhhk! Workshop + kits – make one for free, $10 suggested donation to take it home!
• Force fields: Pulsantes is pulsating musical sequencer software with interconnected rings and force fields generating rhythms, created by Spanish artist Jaime Munarriz. (Jaime can’t be there, so I’m bringing his work!)
• Nintendo instruments and organic musical chemistry: glitchDS is a free cellular autamaton-based musical sequencer, ported from Nintendo DS to PC/Mac – this and other sound toys by Bret Truchan.
• Artificial musical realities: jReality is a Java library for creating real-time interactive audiovisual apps in 3D, with fully three-dimensional sound and visuals, motion tracking, stereo projection, and more. Peter Brinkmann shows off the work of the jReality project, including his own sound components.
• Wireless Sound Objects by Eric Beug are the equivalent of a wire-free modular synthesizer, for improvisation, performance, and education.
• Free business-card kits for exploring basic sound circuitry from PAiA didn’t ship in time for last month’s event, but they’re here now — get your free kit while they last, then draw your own sound controllers with pencils!

Presented by createdigitalmusic.com with our friends at music trend-setters XLR8R.com, DIY bible makezine.com, and self-made marketplace Etsy.com

Hosted by artists’ facility and happening location 3rd Ward

7:30pm, Thursday, March 19 – FREE!
3rd Ward is located at 195 Morgan Ave., at the corner of Stagg St., in East Williamsburg, Brooklyn.
(near the Grand St L train)
Directions
RSVP: handmade@3rdward.com

More on the projects – and many of these are available online, so I’m still working on ways of holding virtual Handmade Music parties, too.

Noise Toy Kits

with Tristan Perich (Loud Objects)

Bzzzzrrrreeeeepehkhkhkhhhhhhhk! Build your own Noise Toy with this kit from electronic noise group the Loud Objects. Plug in your headphones and glitch out, or jack into an amp
and play it as an instrument. These kits come with a custom-printed circuit board, a noise generating microchip from their live performances, two buttons for modulating the sound, headphone jack and battery.

We’re asking for $10 parts if they keep the toy, and they’re welcome to just make them for free if they want.

We’ll jack in noise toys to the mixer for the end of the evening to make a Noise Toy Group Performance! Stick around (maybe have a couple of beers if that helps your Noise Toy technique).

Wireless Sound Objects

by Eric Beug

Wireless Sound Objects are like the modules of a modular synthesizer, exploded into individual physical objects that provide an engaging way to experience unique, collaborative, musical process. They exist as a variety of objects that either make sound or control the sound that other objects are making. These objects can interface with a computer, with other existing music hardware or be used as a stand alone system. They can be used for performance, recording composition, improvisation, and education.

Wireless Sound Objects

jReality: Virtual-Reality Audiovisuals

Sound for the jReality environment by Peter Brinkmann

jReality is a Java library for creating real-time interactive audiovisual applications with three-dimensional computer graphics and spatialized audio. Applications written for jReality will run unchanged on software and hardware platforms ranging from desktop machines with a single screen and stereo speakers to immersive virtual environments with motion tracking, multiple screens with 3D stereo projection, and multi-channel audio. I would like to present an overview of the capabilities of jReality as well as a discussion of its design, with an emphasis on audio.

jReality: http://www.jreality.de/

VisorLab: http://math.sci.ccny.cuny.edu/pages?name=VisorLab

GlitchDS to Roland TR-606 Sync Using Nintendo DS Trigger Mod from LifeInABox Productions on Vimeo.

glitchDS Comes to the PC + Mac

by Bret Truchan

This is Bret. ( I made glitchDS, repeaterDS, cellsDS, and Quotile-Sequencer). I’ve nearly complete with a cellular automaton MIDI sequencer written in Processing for the PC and Mac. It’s modeled after glitchDS. Same look, similar controls, etc. I made it mostly for myself but I’ll be releasing it free very soon. I read about your Handmade Music night and think it’s going to be great fun.

I’m bringing a netbook loaded with the new sequencer and a MachineDrum.

Pulsantes

by Jaime Munarriz

Pulsantes is a Processing work in progress. Simple pulsating objects generate rythms within their inner structure, visible by their coloured rings, and they are interconnected, sending messages to each other.

At the moment, messages stop/start other pulsantes. I’ve tried an slaving relationship, with a dominant imposing his own tempo to others when they move nearby.

The background acts as a force field. One idea, implemented at some of the sketches, is to alter the way the pulsantes react to this forces, being atracted or repelled. The performer can change this, converting the environment into an instrument. I plan to include wind, explosions, that you can control when performing with this system.

Check out this project (among others):
http://tagmagic.wordpress.com/

It’s time again for Handmade Music, the party – musical performance – science fair geek-out for musicians and the musi-curious. We’ve got an amazing lineup this month if you happen to be in the New York area. We’ll have some usual raucus racket noise-making time, but also a full live performance from a DIY gamelan ensemble. (I’ll see if I can set up a live stream, too.) And if you have a hardware or software project you’d like to show off, check out our call for works. Remember – it doesn’t have to be done / entirely working; this is a chance to get some feedback from fellow makers. We’re all learning.

Event Details

Presented by createdigitalmusic.com with our friends at music trend-setters XLR8R.com, DIY bible makezine.com, self-made marketplace Etsy.com, and artists’ facility 3rd Ward

7:30pm, Thursday, February 19
3rd Ward is located at 195 Morgan Ave., at the corner of Stagg St., in East Williamsburg, Brooklyn.
(near the Grand St L train)
Directions
RSVP: handmade@3rdward.com

Sponsored by Pabst Blue Ribbon, with free beer while it lasts!

This Month

Handmade Music 2/19 features special guest Electric Junkyard Gamelan. Composer/founder Terry Dame and ensemble members will demonstrate the self-created instruments, and will provide a unique live performance.
Terry Dame’s Electric Junkyard Gamelan

Also in February, a free hands-on: learn the basics of musical electronics without any previous experience, and without even picking up a soldering iron. Using the PAiA ribbon controller kit, a kit you can assemble on a business card with a graphite pencil as your only tool, you’ll make a simple sound-making circuit that you can apply to many other projects. Come early while the PAiA kits still last.

Learn musical electronics without soldering
Provided through the generosity and ingenuity of PAiA Electronics

Newcomers to music and electronics alike welcome, as always (and you, too, can make a ribbon controller kit).

Call for Works

Got a project you want to show off? We’d love to have you bring it round for the show-and-tell / racket-making portion of the evening.

Call for Works [direct link, Google Docs]

Embedded form:

Handmade Music, the regular series of DIY music tech parties CDM hosts with Etsy.com and Make Magazine in New York, is back. And it’s back in a big way: the event has a new home in Bushwick and will be held on an actual schedule monthly. The first event is next Thursday, December 11. After the December debut, it’ll be every third Thursday of the month, starting with January 15, 2009. We’ve got a spacious, new home at the hip galleries and workshops of 3rd Ward in East Williamsburg, Brooklyn. We want to see your projects, from simple first-time creations to advanced hacks, from software patches in Pd/Reaktor/Max etc. to hardware and electronics. See the call for works below.

RSVP + Event Details on Facebook

Bonus – Make Your Own Beep-It Optical Theremin. For the cost of parts (about $10), Mike Una is giving a workshop – no experience required, and you’ll leave with your own Beep-It. (Space is limited!)

Workshop RSVP

Double Bonus – You! We’re looking for hardware and software projects to share.

Call for Works Form [Google Docs]

Not in New York? Stay tuned – we’ll have some ways to join up live online with both the CDM community and the Etsy community.

If you are in New York:

Directions to the Space

Party: 7-10p, 12/11 (snacks/drinks + lots of sounds for everyone, from non-musicians to hardcore musical hackers!)

Make Your Own Beep-It Workshop: 7:30-8:30p (arrive promptly!)

Here’s what the event is about, as described by, well, me:

Part party, part mixer, part Science Fair, and part performance, this is an informal chance for geeksters and the geek-curious to come together, relax, and discover new sounds. The evening is a gathering of inventors of circuit-bent toys, custom software and patches, interactive digital & visual instruments, custom electronics, electricity-powered noisemakers, DIY robots and new acoustic instruments. And it’s open to everyone from hard-core hackers & newcomers to music lovers who want to learn about the DIY music scene.

And here’s a big bonus: if you liked Michael Una’s Beep-It DIY optical Theremin, as debuted here, you can make your own for the low, low price of parts: about ten bucks.

Michael Una will demonstrate his optical theremin synthesizer Beep-it and conduct a workshop wherein attendees will build their own optical theremin. The basics of analog synthesis will be discussed. No skill level is required- all tools and parts will be provided by the participation fee.

Pay for your parts by Wednesday 12/10, and reserve your spot at the workshop, at EventBrite:

http://beepit.eventbrite.com/

Beep-it from Michael Una on Vimeo.

Logo design by the amazing creator of the CDM logos and endless musical posters, Nat aka onetonnemusic.

See you next week, in New York or online!

We welcome people showing up with gear and creations at the last minute – bring cables, an extension cord, and (if you’ve got it) small speakers / headphones / PA (though we’ll do our best to provide some sound). But it does help to know who’s coming if you want to give us some advance warning, and we can help publicize your work in advance. Here’s the form:

Craig Dorety aka komega, maker of many wonderful sonic things, writes with a strange, new creation: an imaginary 1000 year egg inspired by a found object from one of his (real) ancestors. I could try to describe it, but I think the best thing is to hear Craig talk about it in the video.

The sound of the egg is an acquired taste, of course, but what do you expect from 1000-year-old alien music?

This brings up an interesting point, though: packaging can impact how you feel emotionally about an object, even if it’s an object you yourself created or modified. Have you reimagined any musical or sonic items in a way that made you relate to it differently? Let us know.

Craig’s Photostream @Flickr
Craig’s project portfolio, including the awesome livePAD, the custom-built controller that wowed his fellow competitors at the CDM Futuristic Music Design Challenge in San Francisco earlier this year and was first runner-up in the contest.

Handmade marketplace Etsy.com, DIY "mook"/blog Make, and createdigitalmusic.com again team up for another Handmade Music Night at Brooklyn’s Etsy Labs! For an idea of what it’s about (or perhaps inspiration for starting something similar in your corner of the world), see the video above.

On tap:

Chiptune gaming systems for music, strange alternative MIDI controllers and sound-mangling custom software, repurposed vintage synthesizer chips made famous by the Commodore 64, digital visuals, a musical Nintendo Wii balance board, and wireless sensing controllers…

And more.

Where/when:

7/8/08 – 7pm onward (free!)
Etsy Labs
325 Gold St., 3rd floor
Brooklyn, NY (Map)

You can rsvp to rsvp@etsy.com to give us an idea of who’s coming.

Bring your stuff!

As always, we welcome projects in various states of completion! So bring in your DIY software / hardware / circuit bending / chiptune / hacking / patching creations and share them with a friendly, relaxed crowd of fellow geeks!

If you want to give us some advance warning / do a short performance, you can fill out our summer "call for works" form (assuming you haven’t already). (See previous story and scroll down; direct Google Docs link. If you have trouble with the Google Docs form, try our contact form.)

Elsewhere:

Handmade Music Night returns! – 7/8/08 [makezine.com]

Handmade Music Night Featured on Current TV [Etsy's The Storque]

First: according to Wikipedia:

Circuit bending is the creative short-circuiting of low voltage, battery-powered electronic audio devices such as guitar effects, children’s toys and small synthesizers to create new musical instruments and sound generators.

Second: It’s quite easy and fun, and you’ll be able to produce interesting results very quickly.

Third: To kick things off, I’m going to defer to the esteemed Reed Ghazala, considered by many to be the Father of today’s movement. Y’know, like how James Brown is the Godfather of Soul?

The circuit-bent instrument, often a re-wired audio toy or game, is an alien instrument: alien in electronic design, alien in voice, alien in musician interface. Through this procedure, all around our planet, a new musical vocabulary is being discovered. A new instrumentarium is being born.

Reed has an extensive primer on the science and art of circuit bending. He lays out some safety guidelines, tool recommendations, principles to follow, and his site has many fine examples of “finished” products.

Getlofi.com is an ongoing chronicle of interesting bent projects, innovative techniques, performance videos, and interviews with benders around the world. A must-read.

Make Magazine’s Bre Pettis has a fun video tutorial on circuit bending with Justin Gerardy : link. They highlight a good technique for exploring possible bends using just your fingers.

A host of links related to circuit bending, including how-to’s, examples, and discussion groups can be found at Cementimental’s resources site.

John Hollis has some good tips for interesting bends, including advice on how to create audio loops and how to alter a circuit’s internal clock.

And, if you’re not itching to fire up your soldering iron yet, here are a few inspirational videos of completed projects. Some are simple, some quite complex, but they all start with the desire to play and experiment:

Here’s a simple toy with a pitch/speed shift bend connected to a photoresistor for light-controlled tweaking:

This is a nice modification of a “talking” toy:

In this video the bender added an extra circuit to the toy, in this case an oscillator, to control some of the functions:

Lastly, here’s a project I did last year- attaching a “christmas light timer” to a toy drum pad, thereby “automating” the drum hits into a sequenced pattern:

Enjoy.

Other stories from CDM on circuit bending

The number one reason, for me at least: tons of bend-able toys and devices can be found very cheaply at secondhand and thrift stores.

Which brings us to this:

The premise is simple:

1. Wait until October 28th with growing anticipation.

5. Document the process and end result, then upload it to the internet in some fashion- Youtube, Flickr, etc, all with the tag “circuitchallenge.” (and createdigitalmusic, of course)

6. The Circuit Master and myself will gather the results and feature them here and at www.getlofi.com.

The winner will receive, um, a token prize of low value, to be decided later. Something though. And we’ll publish your picture on the internet for the universe to see.

Of course, it’s not about winning, oh no. It’s about getting off your keister and bending some circuits!

Never bent a circuit before but always wanted to? Now’s your chance!

So mark your calendars now, and hit up the forums here at createdigitalmusic.com with any questions.

*EDIT: Rodney from Tiger Claw Records has agreed to donate a few Circuit Bending Compilation CDs as a prize, and I’ve got a stack of CDs from FutureKomp to give away as well. If that isn’t enough incentive to get out there and bend on the 28th, you’re in it for the wrong reasons!

**DOUBLE EDIT: The Squarewave Parade has agreed to donate a parasite for the contest! Totally awesome.

***TRIPLE EDIT: HighlyLiquid has donated one of their MIDI kits for the contest! So cool!