reface_cs

Hands-on Video of the Yamaha Reface Series

Extensive videos emerge to give you a hands-on look at Yamaha’s new electric piano / synth / organ keyboard line. They put some of the company’s favorite instruments at your fingertips in an uncommonly compact package. Our take:

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I Played the Oval Digital Hand Pan, And It’s Amazing

Making a futuristic new music instrument requires more than just the spark of a clever idea. It needs resources, funding, input from musicians, and other ingredients, in perfect balance. Those dimensions can offer cold, hard reality, but met properly, they can also offer opportunity. And that’s part of what made Barcelona’s SONAR+D such a compelling place to be last week. Tucked into the packed SONAR festival was a convergence of the engineering, musical inspiration, and business knowhow required to make musical inventions. The Oval, superstar of a pavilion hosted by Kickstarter, was the highlight for me. We saw it in …

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meeblipstep

How to Sequence on a Budget with the Arturia BeatStep and MeeBlip anode

It’s no step backward. Standalone hardware is now smaller, lighter, more affordable, more capable, and easier to use than before. So why not help focus on a live gig or creating musical ideas by getting away from the computer now and then? This video from Meta Micro Labs shows how easy it is to plug in and get going – even if you’ve never worked this way before. And it stars the MeeBlip anode, our own humble monosynth (co-produced with CDM), featuring our gritty bass sound with analog filter. The timing is right, as we’ve just put anode on sale …

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This Video Demonstrates How Akai’s New Keyboard Controls Everything

It’s a horse race. Two keyboards – one from Native Instruments, one from AKAI – really want to be the interface between you and every plug-in you own. And we’re getting closer to find out if either deserves your attention. You’ve heard this story before. Sure, you have powerful software on your computer screen. But when you want physical control of those instruments beyond just playing keys, you’re left either manually mapping controls or reaching for your mouse or trackpad. So, over the years various solutions have tried to solve this automagically. There was Automap, seen in Propellerhead Reason and …

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Hands On MeeBlip anode, with Robert Lippok (raster noton) [Video]

When we designed MeeBlip anode, we tried to do more with less: make every knob and switch meaningful and musical. Composer/musician and artist Robert Lippok invited us into his studio as he tried out those controls. Robert is really thoughtful about his approach to sound and control in my experience working with him, and so it was nice to get his feedback on our instrument. (If you don’t know Robert’s music, he is a Berlin native, a long-time member of the label raster noton, and a former member of the band To Rococo Rot.) One by one, he demonstrates how …

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LK Gives Your iPad or Android Tablet Easy Control of Ableton Live [Gallery, Hands on]

Ableton Live is happily running on your laptop. It’s not yet running on your iPad or tablet, or optimized in any way for touch. And that’s left a window wide open for touch controllers. Now, the question is, is there room for yet another control app? touchAble retains the crown for all-around control of Ableton Live; there’s very little this app doesn’t do, from replicating Live devices to MIDI editing to custom templates. But the relaunched LK, released today, has a few reasons for consideration, as an alternative or complement to other solutions. First, if you’re an Android user, LK’s …

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audiomux

Now, Across iOS and Mac, Everything is Musically Connected [Video]

There’s a high-bandwidth cable connecting that iPad or iPhone to your Mac. And yet … and yet, until recently, music apps treated that very connection as an impossible-to-cross canyon. No more. We already took a look at midimux, a tool that makes everything that speaks MIDI on an iOS gadget available to your Mac, and visa versa. That’s already cool. You can use a keyboard controller plugged into your Mac to play a soft synth on your iPad. You can sequence an instrument on your computer from an iPad step sequencer, with touch control. Hardware and desktop software and apps …

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Here’s What Korg’s $99 SQ-1 Step Sequencer Can Do [In Depth Guide]

It costs just a hundred bucks. It’s tiny, in a metal case with ultra-compact knobs and light-up buttons for hands-on control. And with MIDI, USB, CV, and even dedicated littleBits ins and outs, there’s a reason I described the announcement of KORG’s new SQ-1 sequencer as a sequencer that does everything. But doing everything in such a little box is a tall order. And the SQ-1 packs in so much, it’s not obvious what its capabilities can be. One one hand, there are some powerful features that you might completely miss (like MIDI-to-CV capabilities). On the other, it has some …

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Novation’s LaunchControl XL Has the Faders and Knobs You Need for Ableton, MIDI [Obsessive Review]

Sometimes, you just want to grab a fader. Maybe it’s not about elaborate custom parameter assignment, or clip launching, or playing an in-tune Phrygian scale on a colored, light-up grid as you solo on a bowed marimba sample. You know, you just want to fade a track. There are surprisingly few controllers out there tailored to this application. So, that makes the new LaunchControl XL from Novation a potential stand-out. It’s just faders and pots: 8 faders, with three knobs each. Each column also gets two triggers; these are switchable when used with Ableton Live to control mute, solo, and …

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chrisdsi

Hands on with Dave Smith Pro 2: “The Most Useful Synth I’ve Ever Played”

Synthesist Chris Stack has had his hands on a lot of gear – and a lot of it with the Moog Music moniker on it. But every chance he gets, he’s bugging me about how in love he is with the Dave Smith Pro 2, the richly-appointed, nicely-overpowered monosynth on steroids as we described it earlier this summer. And he’s having a lot of fun, transforming it into a hybrid digital/audio “hub” – a sound source, but also a central brain for exceptional soundscapes. And in Chris’ hands, I’m certainly convinced, as this beast sequences beautiful frontiers of noise and …

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