Touchplates are so in this year. Yes, it’s a testament to the legacy of synthesizer pioneer Don Buchla: electronic musicians evidently long for something new. And the latest is a glimpse of something found in our news tip inbox. It’s called “HYVE” and it’s a hybrid synthesizer, combining a number of ideas about pitch arrangement into a single touch-plate layout. There’s a keyboard. There’s a hexagonal pitch array. And there’s a heck of a lot of polyphony. And… well, it’s best to just watch the video:
This is, very probably, the sign of things to come. With ARM boards becoming ever-more cheap, accessible, powerful, and efficient, the same technology that is transforming phones, laptops, tablets, and other categories can just as easily be the foundation of a musical instrument. And one “computer” in your life might not look like a conventional desktop or laptop. So, we were both unsurprised and delighted to see a box emerge over the weekend looking like a quirky Pocket Piano, but providing lots of stuff useful to people interested in taking the world of synths and effects from Pd out of …
What makes something a “computer”? In practical terms, the definition is getting steadily blurrier when it comes to music. With computation sipping power, generating less heat, and costing far less than before, that “computer” may find itself in places other than a big folding metal typewriter with a spendy display and a picture of a bitten fruit on the back. But the power of the computer – the ability to turn a magic box into the instrument or effect of your desiring – that stays. And that’s something that’s beginning to remake musical objects.
We know Pioneer is dominant in the clubs. (Heck, as a brand, Pioneer is almost more of a sure thing than even Red Bull.) But as the global DJ population booms, is it something people will also take home? Pioneer sure does seem to hope so – and as it gears itself toward DJs outside clubs, it’s starting to look more like a direct rival to Traktor and Serato and their ecosystems.
Do you want to buy a keyboard with integrated control for your software? Sure! What if it only controls specific Native Instruments software via pre-defined mappings? Uh… hrm. Now, that offering changes. Native Instruments’ KOMPLETE KONTROL S-series keyboards later this month get some updates that will be essential to improving the value equation – a piano-friendly keyboard, third-party plug-in support, and custom control mappings.
Yes, it’s the end of the week. Time to chill out. Time to let our friend Erika from Detroit help us to drift like a cosmic butterfly into some nice solar drift, held aloft by the delicate siren song of that new Moog semi-modular thing we’re all kinda eyeing lustfully. Oops, sorry, lost my train of thought there. Indeed, the folks at Moog have been putting out a steady stream of Mother-32 videos, and here’s the chill-est of them so far. Description: * Patch performed live * No overdubs * In this short improvisation, Detroit-based electronic artist, Erika, composes a …
If you’ve been wanting to let your freak flag fly with keyboards, this may be some good news. Future Retro have teased a touchplate keyboard on their Facebook channel. It’s dubbed the FR-512, and comes equipped with both MIDI and CV out (with lots of separate patch points) – so fans of digital and modular alike may be pleased. Pitch and mod lie next to the two-octave keyboard. Oh, and it’s a sequencer/arpeggiator, too – check those controls above the keys. (Rest, accent, arpeggiator, etc.)
Are you in a warranty-voiding mood? Have you got a soldering iron? The KORG volca bass is already a nice enough little synth. But mix in a modification that adds frequency modulation to the filter, and you get some delicious, acid good times. Skip ahead to the end of the video above to hear what we mean.
MPC lovers, you finally get a piece of hardware with everything in one place: touch, color displays, pads, buttons for workflow access. There’s just one catch: you will still need the computer. Ever looked at those beautiful color waveforms on Native Instruments’ Traktor and Maschine controller and wished you could touch the screen? Imagined pinching to zoom waveforms and navigate samples, the way you can on an iPad? Well, Akai are the first to do groove-making hardware that combines physical pads and a touchscreen in one unit – no iPads (or Microsoft Surfaces) in sight.
Jamming: the idea is to make music by connecting directly to gestures so you make something spontaneous. And if music technology is jam session friendly, this finally means you can do it together – not just alone.