bladestage

Inside The Glitch Mob’s Crazy Rockstar Live Electronic Rig

Press play? More like bang drums hit stuff finger warp touchpad go crazy. The Glitch Mob are one of America’s leading festival electronic acts. (And members like EdiT have IDM, not just EDM, credits to their name – so they were “glitching” before it was cool, in other words.) But while that circuit is in a frenzy of one-upmanship when it comes to spectacle, there’s some real playing behind this act. And that distances them from artists that put on a big show visually but have shied away from anything risky in the set – like actually playing the parts, …

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thx

THX Just Remade the Deep Note Sound to be More Awesome

It’s one of the best-known electronic sounds ever – perhaps the best electronic sound branding in history. It made its launch in 1983 – right before Star Wars: Episode VI – Return of the Jedi, no less. But it seems the THX “Deep Note” was due for an upgrade. And that’s what it got last week. THX called upon the original creator of Deep Note, Dr. James ‘Andy’ Moorer, to remake his legendary sound design for modern theater audio technology. Here’s a look at that history and where it’s come.

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The Music of 2071, As Imagined in 1964: Fischinger Lumigraph to Lumichord

Finishing research for a talk at Genève’s Mapping Festival, I came across this gem from comments on Create Digital Motion. It’s the innovative Lumigraph, an interactive light experiment by visionary film and animation pioneer Oskar Fischinger. The sci-fi film looked ahead to what the music of 2071 might be like, in 1964’s The Time Travelers. To their credit, goofy love lounge aside, the reuse of Fischinger’s abstract light project isn’t far off from music in 2013. (And, hey, whatever puts you in the mood.) Fischinger, for his part, almost certainly wasn’t thrilled with the use of his creation in this …

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Not available in stores: the custom touchscreen solution, running an original sampler, that turns Hans Zimmer's musical ideas into reality. Mark Werry is the person who made it all possible.

Interview: Mark Wherry, Man Behind Hollywood’s Digital Musical Instruments, Hans Zimmer Collaborator

Computer innovator Alan Kay famously said, “The best way to predict the future is to invent it.” Mark Wherry is doing as good a job as anyone of inventing that technology. Powering scores from the latest Batman films to Inception, working closely with Hollywood’s leading meastro Hans Zimmer, the work Wherry is doing really does invent instruments in order to invent sounds. New samplers, new touchscreens, new rigs all have to come together just to keep up with the feverish sound design demands of film and game titles. And with sophisticated surround delivery, at a time when studio veterans complain …

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