Native Instruments keeps adding to Reaktor Blocks, the patch-and-play toolkit they’ve built atop Reaktor. And… it’s turning into kind of an awesome product in its own right. Reaktor Blocks 1.2 adds a bunch of the sort of stuff I think you or I would add to it were we in charge of the product. It’s suddenly got drums. It’s got a new sequencer that you can power with Maschine. It’s connecting via MIDI and CV to outboard gear and analog modular. In short, it’s something you actually want to play with.
You are probably equipped with ears as sharp and precise as the world’s top sound professionals. What you lack, then, is training.
In the latest chapter of “people on the Internet doing cool things for electronic music,” here’s a creation by Polarity. It lets you rapidly trigger effects parameters via MIDI. And if you’re a Bitwig Studio enthusiast, it’s available for free.
It’s not so much how complex or simple an instrument is – it’s how much you can make it feel your own. We covered a series of updates last week to Novation’s Circuit hardware. This week, as part of a collaboration with Novation and their product specialists, we’ve put together an exclusive hands-on guide to how to customize it for your own use. First, here’s a video overview of how loading your own samples works, and why it’s important: What you can customize The “Novation Components” update covers a number of areas. You can… Load your own sound samples (60 …
Modstep, the step sequencer on steroids on iOS, just got a huge pile of new features. It hosts AU plug-ins (yes, iOS plug-ins). It adds per-track MIDI, for hardware and apps. It has loads of new features for clips and arranging. It is, basically, a MIDI daw with built-in instruments that’s unlike nearly anything on desktop – only it was designed from the ground-up for the iPad. In fact, it does so much that it’s a bit overwhelming. So, let’s take a birds-eye view of what’s new – and then turn to the singular educational force that s Jakob Haq …
As part of a collaboration with Novation, we spoke with artists Shawn Rudiman and My Panda Shall Fly about how they’re working with Novation’s Circuit. Both artists got their hands on the updates to the Circuit hardware in advance – providing drag-and-drop sample loading and sample editing. They talk a bit about what that’s meant to them – and what they think about working with hardware in general.
The hyperactive genius force that is Jakob Haq is back to show you why the iPad can make a great music tool. This time, it seems KORG have updated their deep Gadget app with some advanced MIDI routing features. Okay, MIDI channel may not be the most sophisticated thing ever. But watch what happens when Jakob puts Fugue Machine (the clever note generation tool) with Gadget’s synths: Beautiful stuff. More details and discussion: http://thesoundtestroom.com/korg-gadget-advanced-midi-input/ Keep these videos coming, mr. haQ attaQ.
By letting you get creative with audio, Ableton’s Simpler and slicing workflows have always opened up musical possibilities, and they got a lot more powerful in Live 9.5. But it could do even more. Developer Mark Egloff has released four clever Max for Live patches that let you slice without Push, chop in new ways, and more.
As more people bring home hardware, the next question is how to get that running smoothly with software – for recording and control. We just saw a really great tutorial for doing it in Reaper, using our MeeBlip synth. Now there’s another unsolicited MeeBlip tutorial (really, I had nothing to do with this), this time with Bitwig Studio. Watch at top.
There are a lot of hugely powerful things you can do with an environment like Reaktor. But that doesn’t necessarily suggest where to begin. The best way to get into a deep tool is often to solve a simple problem. At the Native Sessions installment on Reaktor 6, Nadine Raihani showed us a simple example of taking a user library offering and making some quick changes. The result: a Euclidean polyrhythm sequencer (Euclidean say what?) that you can play from a keyboard. That turns out to be scary useful: like holding down notes for instant improv techno.