As more people bring home hardware, the next question is how to get that running smoothly with software – for recording and control. We just saw a really great tutorial for doing it in Reaper, using our MeeBlip synth. Now there’s another unsolicited MeeBlip tutorial (really, I had nothing to do with this), this time with Bitwig Studio. Watch at top.
There are a lot of hugely powerful things you can do with an environment like Reaktor. But that doesn’t necessarily suggest where to begin. The best way to get into a deep tool is often to solve a simple problem. At the Native Sessions installment on Reaktor 6, Nadine Raihani showed us a simple example of taking a user library offering and making some quick changes. The result: a Euclidean polyrhythm sequencer (Euclidean say what?) that you can play from a keyboard. That turns out to be scary useful: like holding down notes for instant improv techno.
With a little setup, you can integrate a hardware synth with Reaper as if it’s a software plug-in. Check out the video tutorial from The Reaper Blog to see how. Reaper is a terrific “indie” DAW for the budget-conscious. Just $60 buys you an individual personal license with a bunch of free upgrades. (“Commercial” use is described as anyone making more than $20k a year – plenty of very serious musicians make less than that.)
It’s sweet harmony as Korg and Nintendo come together at last. A musician from lower Saxony named eVADE/duality micro has produced a cable to sync up Game Boys running popular homebrew software with Korg drum machines and synths.
Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …
Music software can make you feel good. Music software can also make you feel almost guilty. And sometimes that makes you feel good. David Abravanel takes the updated Live 9.5 Instant Haus device (in Max Essentials) for a test drive, in combination with Simpler’s new slicer mode. Somehow, no one has done a video on this yet – maybe because they don’t want you to see how easy is to make breaks. With Instant Haus’ new pattern options for breakbeat-style sequencing, it’s crazy easy. That’s also a chance to show off the extra-gritty new modeled-analog filters. And if you’re thinking …
The new Push hardware may have been the big, new shiny from Ableton this week. But for Live users, the software changes in 9.5 may have the greatest impact on day-to-day music-making life. Live 9.5 has arrived as a free upgrade for Live 9 users. The biggest change is the new Simpler, but some other additions and changes are significant, too. Here’s a look at what’s new and how to take advantage of some of 9.5’s less-obvious capabilities.
Yesterday’s Push 2 review covered what Ableton is bringing to users via new hardware. But what does that mean if you have the original Push – or no Push at all?
For many of us, there’s a special pleasure to seeing someone play live – and dancing to someone playing live. And by “live,” I don’t mean “a bunch of your tracks cued up as scenes in Ableton Live or on an Elektron.” I mean genuinely improvised. Electronic dance music naturally lends itself to on-the-spot creation. A rigid grid, easily-understood conventions around instrumentation and form, and the fact that styles like techno are built around machines all add up to natural experimentation.
ENG_SIDEMAN_PREVIEW from Darsha Hewitt on Vimeo. Darsha’s sound electronics class is in session – and it’s a little different to what you’d normally expect. Rather than a bunch of animations of electrons moving about, sound artist and educator Darsha Hewitt has created a long-form video tutorial around the world’s first commercial drum machine.