arduivis

Add a Physical Knob to Your Max Patch with Arduino: Video Tutorials

Patching on a computer involves plugging something into something else virtually. In this video tutorial, you can extend that by adding a physical knob to control your custom creations, for Max/MSP (and Max for Live). It’s just a quick tip, but I know this gets asked a lot. (Greetings, students – happy spring semester to you!) And there’s something really fun about seeing a knob in the real world controlling something. Bonus points for using a toilet paper roll as a custom “housing.” It’s also nice seeing this accomplished in the all-new Max 7. And this is just the start, …

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oscillot_modules

How OSCiLLOT is the Smartest Way to Put a Modular in Ableton

Racks and knob-encrusted modules and wires tangling together to make sound – this is a perfectly lovely thing. But the computer sitting in front of you, the one you probably turn to when it comes time to record and produce, is also capable of vast sonic powers. Why force a choice between the two, when that machine can let you explore the frontiers of sound, too? The recent announcement of OSCiLLOT brought open-ended patching to Ableton Live users. But it’s only getting started. Today, we get to see it evolve, learn to use it to make the sounds we imagine, …

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radiothing

Put a Radio in Your Modular: Music Thing Radio Music

Once upon a time, musicians made music from the sound content pouring invisibly, inaudibly from the air. The likes of John Cage and Kalrheinz Stockhausen turned the radio into stochastic source and instrument, a means of making music in the now. And now, you can, too, in the latest Eurorack module. Whether you want a modular or not, this is one module you definitely don’t need. You don’t need to act out Cage-ian fantasies and turn your local hit FM station greatest tracks of the 80s and 90s into an experimental noise performance. Nor do you really need to understand …

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autosampler

Apple’s MainStage Auto Sampler Turns Your Hardware into Software

Hidden in last month’s update to Logic and MainStage is a feature a lot of sampler lovers have been missing. You need the latest MainStage to access it, but it allows you to easily create sampled software versions of external instruments. Italian developer Redmatica had a host of technologies for transforming hardware instruments into software samples, all built around Apple’s EXS24 sampler. Anyone who’s ever built samples of hardware knows the process can be fairly time-consuming: you trigger notes one at a time, record audio from them, and map that audio to the keyboard. Redmatica’s tools made all of that …

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pocketoperator

How TE’s $59 Drum Machine Sounds – And How The Pocket Operators Work

Teenage Engineering have also shared with us their video tutorials on the PO (Pocket Operator) line. The basic stuff to know (having been playing around with today rather than doing NAMM work): This being Nintendo-inspired, yes, there’s a metronome and alarm clock function. Select one of sixteen patterns, and one of sixteen sounds, with the respective buttons. Toggle between playing notes with the buttons, or inputing them with the step sequencer, using the “write” button. Hold “write,” and you can write parameters over top of playing sequences (effects work this way, too). That means you can automate patterns, etc. “bpm” …

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novationhardware

Here Are Two Rigs That Let You Play Live with Hardware [Videos]

A funny thing happened on the way to the future. Thing is, at the same time the computer has improved as a music-making instrument, so, too, has standalone hardware. The reality is, hardware rigs for music making are more affordable and more accessible than they ever were before. They do more, better. They’re easier to use. And when it comes time to record and arrange, the computer doesn’t require the investment of cost and time it once did, either. So the upshot is, even the computer is making it easier to spend some time working with hardware. And that means …

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This iPad app (touchAble 3) just got a lot more powerful and usable, too. It now follows whatever you're doing with your hardware. So you can actually play, rather than squint at your gear and get confused.

Wish Granted: Ableton Live Control The Way You Wanted It

You want to improvise with Ableton Live. You want to reach out and turn a knob, and know what it’ll do. You want to be able to grab controls that have something to do with clips that are playing. Yeah, so Merry Christmas to us. Permit me being a little excited, as I am immensely grateful to the developers. It’s a rare case where you say “wow, I wish that this –” and then suddenly get what you asked for nearly before finishing the sentence. Just last month, we saw a way to get grids in order using LaunchSync, a …

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october

Make DJ Charts from Traktor, and More Free Playlist Tricks

If DJing with vinyl leaves traces in our memory, recollections of physical handling of album sleeves and crates, then for digital DJing, we must rely on data. Traktor DJ is quietly noting everything you do as you play – at the gig, in the studio. The key is how to do something with that data. The coolest trick came last month from our friend Tomash Ghz – he of the superb Digital Warrior, among others. (Very keen to get back to my desk in Berlin to muck about with the latest step sequencer there, but I digress.) Tomash has whipped …

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Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …

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WretchUp is a Playable Delay Effect from Mouse on Mars, Available Now for iPhone

The original inspiration came from analog delay equipment. But guided by German duo Mouse on Mars, WretchUp transformed into something that fits in your hand on mobile, and gets played by an instrument, producing wild digital sounds. The WretchUp app is at last available now on the iTunes App Store, working on iPhones and iPods touch (iPhone 4, iPod touch 5th-gen or better). Crowd-funding backers are already receiving their codes and invitations to test new builds, but the general public can try the app right away. I contributed to the development of the app (hence my cameo in the video), …

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