mpctouch

Akai MPC Touch is an MPC with a multi-touch screen

MPC lovers, you finally get a piece of hardware with everything in one place: touch, color displays, pads, buttons for workflow access. There’s just one catch: you will still need the computer. Ever looked at those beautiful color waveforms on Native Instruments’ Traktor and Maschine controller and wished you could touch the screen? Imagined pinching to zoom waveforms and navigate samples, the way you can on an iPad? Well, Akai are the first to do groove-making hardware that combines physical pads and a touchscreen in one unit – no iPads (or Microsoft Surfaces) in sight.

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reaktor-blocks-love-eurorack

Reaktor met Eurorack, and you won’t believe what happened next

Reaktor Blocks Love Eurorack from listentoaheartbeat on Vimeo. Sorry, couldn’t resist. Can you combine computer software with analog hardware? Can you route control signal from computer software to hardware? Can you combine something accessible with a grid (like a drum machine) with more advanced, open-ended machines with wires? Yes, yes, and yes. Does all modular synthesis stuff sound like indecipherable noodling? Do you have to make a religious decision between analog and digital, hardware and computer? Do all modular setups have to be sprawling rigs that eat up all your money and home? No, no, and no. Make what you …

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zachpush

Mad Zach Has Tips on Finger Drumming, Production, and His Free Live Pack

All those pads – it took virtuoso finger drummer Mad Zach to take advantage of them. Mad Zach’s five free Drum Racks accompany today’s release of Ableton Live 9.2. Since he, frankly, makes most of us look bad with his agile use of the Push hardware, I wanted CDM to talk to him more about what he’s doing. He joins us to share some tips for live performance, production, DJing, and more. 64 Pad Lab by Mad Zach

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008-3

Modal Just Blew Up Analog With 8-Voice Polysynth, More

UK maker Modal Electronics last year surprised the synth scene with a move into premium analog. This is luxury synthesis – the Aston Martin of synthesizers. Well, it turns out they were only getting started. The product line for 2015 today gets a full range of models. And the 008 is the new headline instrument – an 8-voice analog synth that’s worthy of pinning up to your ceiling and staring at at night, boys and girls (or, um, “grown-up” boys and girls, perhaps). Yes, we’re keen to test this and see if it sounds and functions as well as it …

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Akai artist Needlz set up this MPC+computer rig with Renaissance ... in a hotel room (to get out of the house). No, no standalone MPC hardware at the moment, but 1.8's software features might help you forget that.

MPC 1.8 Update Expands How You Play; Inside Look with the Developers

“MPC” these days is a name on a lot of Akai stuff, down to even various MIDI controllers that happen to have pads. But to die-hard MPC users, “MPC” means a way of working. So, workflow is vitally important. And MPC users who cut their teeth on Akai’s dedicated hardware have been waiting to see the software/controller combination really come into its own. Native Instruments’ rival Maschine got to the software game first, but now it’s a question of how the MPC can again set itself apart. That makes any software updates a big deal. You’d be forgiven for assuming …

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roland-jdxi

What’s The Deal With This Leaked Roland Analog-Digital Hybrid Synth?

Synthesizers in the mass market are forever part of up and down swings – and we’re back in an up swing. At the same time as other musical instrument segments lag in sales, NAMM reports both more synths at their trade show and double-digit year-on-year sales growth. (In music, that’s just huge.) So, you can expect we’ll see a lot more synthesizer options. And the first of the 2015 products has already leaked out. As Synthtopia noted on Friday, Japanese artist Daisuke Asakura leaked a new Roland keyboard on Twitter, following a public performance on New Years’ Eve in Japan. …

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anodewithmixer

MeeBlip anode Adds Edgy Wavetables; Here’s How They Sound

We have reached a wonderful place. It’s a world where we no longer treat digital and analog as simplistically better or worse, but as techniques, as colors, a spectrum of tools for exploring sound. Or to put it another way, we now make wild noises however we want. And that’s very much how I feel about the direction we’ve gone with MeeBlip anode, combining digital waveforms with analog filtering, which is why I’m keen to share it here on CDM and not just via the MeeBlip site. The new 2.0 firmware comes with a selection of 16 wavetables, covering a …

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Inside Strange Sounds, Gear, Made in America: Richard Devine, Make Noise [Videos]

The lust for new sounds can take many forms. It leads some to reduce, forcing themselves to stick to minimal choices to channel their creativity. It leads some to reuse and recycle, repurposing old gear. But it leads some into a quest for arcane racks of gear, spaghetti tangles of wires and flashing screens alike, a buzzing laboratory of choices and possibilities. For this chapter in the story, we take a peek at the modular obsessed and toy-packed studios, with Richard Devine, Make Noise, and friends. The southeastern USA is a pretty summery place now, the day before the Fourth …

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MachFive 3, in Pictures: Hybrid Sonic Powers, Nerdy Programming Features, and Prettiest Sampler Yet?

MOTU’s MachFive sampler, while perhaps not getting the kind of attention rivals from NI and Steinberg have, has had in its history some compelling features. Those features were in a multi-window interface, though, that not all of us loved – while I can’t find the review, I know when I covered it for Keyboard, I praised powerful editing features like the slicer but lamented the UI. MachFive’s new UI looks radically different. The tabbed layout and modules and preset browsing all recall NI’s products, but there are new twists, too, like slick, readable waveform views, gorgeous EQ visualizations borrowed from …

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Shruti-1: DIY Digital Synth with Vintage Filter, as Dev Turns from Palm to Hardware

For all the hype around mobile music creation, here’s a story with an ending in the opposite direction. Independent developer Olivier Gillet is the reason a lot of people see handheld gadgets as potential music making devices; he’s the creator of the brilliant Bhajis Loops for Palm. But, as if to prove that hardware can be a digital platform, too, his latest creation, while it will fit in your palm, isn’t for a device like the overcrowded iPhone. And as we take up the issue of platforms for sonic tech, Olivier’s timing is perfect. Amidst gloom and doom predictions of …

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