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Hours and hours and hours of Autechre

Is IDM cool again? Like even calling things IDM? We think so. Now, there’s probably lots we could say about Autechre, but that’d take precious time away from you listening to all the Autechre-y Autechre that just Autechred into your Autechre. So, let’s just cover the facts, ma’am, in quick order – and they’re all pretty awesome. Of course, spoiler, all your fellow music nerd friends have been talking about nothing else on their Facebook feed today, but at least we can put this all in one convenient location:

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deadmau5talent

deadmau5 wants EDM DJS to actually play, produces Tumblr poetry in the process

deadmau5 has a message for DJs: don’t just DJ. here is what i dont get [Tumblr] And we couldn’t agree more. For once, bless the mouse – and, give the man some credit, he has a sense of humor and self-deprecation. (That’s his image above, not ours.) But keep reading – things are about to get cut-up surreal poetic in just a second.

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believe

New Yamaha Project Will Include “Totally Alien” New Technology, Says Interview

It seems synth guru Richard Devine couldn’t resist revealing something about upcoming Yamaha technology. In an interview earlier this month, he let slip that the instrument includes “alien” new tech: Usually when I work with a company – for instance I’m working with Yamaha on a project right now; I can’t say what it is, but it’s pretty crazy. This synthesizer has new technology that’s never been implemented before, so it’s totally alien to anything I’ve ever used. I’ve had to spend a few weeks just understanding the architecture of it. This tells us two things. One, whatever Richard is …

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Careful, drinking this much coffee could start some Internet feuding. I know. Photo from the artist.

deadmau5 Goes Experimental on SoundCloud, and it’s Kind of Awesome

Enjoy it, because this will be about the only time something this weird racks up hundreds of thousands of SoundCloud plays. Yes, it’s Toronto’s Joel Zimmerman, aka deadmau5, uploading this week to SoundCloud. 432 is an ode to 432 Hz, with horror movie-spooky sounds oozing over the top. “DAT KICK DOE” from earlier this year is a raunchy, thumping distorted loop. (Back story: this sonic horror is how deadmau5 trolls. Well, I’m all for sound as a way to settle feuds.) This is noteworthy for a couple of reasons. One, it’s a return to the service after he deleted it …

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The Riser Synth Makes it Easy to Make Ridiculous EDM Rises, Drops; Try it Free

The Riser, the new synth from German developer AIR, isn’t shy about what it’s for. This is a synth to make rises and drops aimed squarely at EDM fans. Dial up presets, turn some knobs, and sync up absurd rhythmic builds, like pumping chart-topping performance-enhancing drugs into your music. What makes it interesting is, it’s a synth. It isn’t another sample library, so you can actually control the results and make something original. And if that’s what you want to do, you can do it right now for free – sort of. There’s a 2-week unlimited demo version – but …

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Think Stormtroopers more than Diane Keaton when you hear her name. And don't expect her to give up any rebel secrets, really. Photo of the artist, courtesy the artist.

You Should Listen to Fuzzy Cut-up Goodness, Heavy Techno from Annie Hall [Detroit Underground]

Annie Hall – Random Paraphilia EP PROMO from annie hall on Vimeo. Spanish-born, Windsor-based producer/DJ Annie Hall is always something special, a gift to techno and experimental music. Pushing her digital sound to the edge, she can sharpen her sound to glitch, fuzz, but always with a sense of warmth and intimacy. It’s cut tightly, but manages to tread techno-electro paths in its asymmetrical grooves. There’s never an absence of forward motion: like one of those crazy new robotic insects, all the complex kinetic action somehow makes it sprint. And then, as she does this summer, she can head straight …

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Listen as a Compiler Makes Weirdly Good Blippy, Glitchy IDM Sounds [Free Tools]

What’s the sound of a computer program running? Normally, nothing – the number crunching that takes place as software allocates memory forms patterns, but not ones that might immediately make sense of sound. “malloc” is a C function that allocates memory in which code executes. But a simple hack takes the output of a compiler, and makes sound files out of it. It’s the equivalent disconnecting the pipe from a widget-making factory, and instead of producing useful tools, making cool shapes out of sugary icing – useless and delicious. It’s a sonification of the memory allocation and reading process itself, …

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Sector is a Stuttering Stochastic Sample Slicer, Using Probability and Curving Lines [iPad]

Now we know how an MPC would behave if it were engineered on planet Vulcan. If you’re tired of conventional slicers and step sequencers, Sector turns audio into glitchy, stuttering, elaborate electronic patterns. Sound is fractured into a massive circle, resembling nothing if not some sort of archaic astronomical calendar, as arcing lines connect one slice to another and brightly-colored dots in the center illuminate to show more conventional steps as they advance. Still too regular for you? Fret not. All of this is randomized for coin-flip pattern variations. Warp modes and modulation shapes, all controllable, add additional glitching and …

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New Music From Sheffield’s The Black Dog: Focused, Finely-Honed Objects [Stream, Video, Mix]

Out this week is a new full-length from The Black Dog. The Sheffield, England-based trio – Ken Downie, Martin Dust, Richard Dust – have been making smart, non-boring electronic music for ages. (Let’s not utter “IDM” – but “smart” fits.) From Warp to Ostgut Ton, they’ve been an indelible and irreplaceable part of the creative landscape. What strikes me about Tranklements is its effusive economy and clarity. In a time when music is regularly dripping with reverb or smothered in gauzy effects and nostalgia, this is a record that stands apart from any particular time, dry and direct and witty. …

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hopecover

Hope: In Piano Gestures and Glitches, a Gorgeous Free Compilation from Japan

kaiwa; from mitsuru shimizu on Vimeo. Quietly melancholic piano gestures and reversed piano hammer strokes collide like waves against glitch-infused rhythms in hope3.0, the output of elementperspective. The “sound & design label” from Osaka weaves together a diverse group of promising Japanese artists, showing in many cases sonic maturity that belies their young average age. The balance between minimal, glittering piano prettiness and raw, digital rhythms is perfectly on evidence in the music video at top, for Mitsuru Shimizu’s triumphant “kaiwa;” – a real highlight of the set. The photographer and self-described “sound proposer” produces visuals and sounds alike here. …

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