launchpad_pro - 1

Launchpad Pro Grid Controller: Hands-on Comprehensive Guide

Novation’s Launchpad Pro is here. It shares the same compact footprint as earlier Launchpads, but adds full color, pressure-sensitive pads, and MIDI inputs and outputs, plus the ability to operate without a computer. So, with other grids to choose from, where does this one fit? The Launchpad line of controllers has always been about simplicity. Even when the original Launchpad was introduced, it did less than its nearest rival, the AKAI APC. But it was popular partly thanks to being simple, light, small, and affordable. That fits many users’ needs, and can be nicely combined with other hardware. The Launchpad …

READ MORE →

Here’s What Korg’s $99 SQ-1 Step Sequencer Can Do [In Depth Guide]

It costs just a hundred bucks. It’s tiny, in a metal case with ultra-compact knobs and light-up buttons for hands-on control. And with MIDI, USB, CV, and even dedicated littleBits ins and outs, there’s a reason I described the announcement of KORG’s new SQ-1 sequencer as a sequencer that does everything. But doing everything in such a little box is a tall order. And the SQ-1 packs in so much, it’s not obvious what its capabilities can be. One one hand, there are some powerful features that you might completely miss (like MIDI-to-CV capabilities). On the other, it has some …

READ MORE →

Multi-Touch with Your Current Keyboard, And How Expressive, Crowd-Funded Keys Stack Up

Augmenting keyboards with additional expression is a tradition that goes back nearly a century. Inventors have tried keys that bend and wiggle, add-ons from pulleys to ribbons, wheels and pressure sensors, and more – anything to extend the piano and organ beyond their on/off playing methods. But now, the Web has accelerated the ability to communicate and develop these ideas. Crowd-funded invention is becoming widespread. And that means we’ve actually seen several polyphonic touch expression schemes this year. Rather than just presenting papers at conferences, instrumental experimenters are going to musicians and trying to fund real products. American-born, London-based composer, …

READ MORE →

Push, In-Depth Test: What’s it Like Playing The New Hardware from Ableton?

When Ableton Live was first released over ten years ago, it was labeled a “sequencing instrument.” The radical idea was that you could “play” your production tool, which had (and has) big implications in studios, at home, and onstage. “Playing” with a mouse and keyboard is unsatisfying for most, so even that relatively primitive first version had MIDI controller mapping. In the intervening decade-plus timespan, musicians have found a variety of ways to connect their hands and bodies to the software model of music contained in their laptops. They’ve constructed massive custom hardware (DJ Sasha’s Maven and Robert Henke’s Monodeck …

READ MORE →
The big idea: mix sound sources and inputs, add effects, and record -- all in different apps on one iOS gadget, or even with multiple iPhones/iPads.

iPad, iPhone Creation is Working: How Audiobus, More Will Connect Your Music Workflow [In-Depth]

“I am an app, I am an island…” On iPhone and iPad, there is now no shortage of apps that make interesting sounds. But producing music is for most people organizing sounds, and so, that same abundance of apps can become a weakness. You’ve got one thing that makes great noises, another thing that records noises, and another thing that turns an input into noises. What if you want to quickly record that sound, or use that cool effect to shape the sound of another app? On the desktop, you might load all those instruments and effects into a host. …

READ MORE →