pattenlive

We got to talk to anonymous project patten about the future

patten has gone from CD-R releases to Warp, remaining anonymous all the while. But these secretive artists told us about where they find inspiration.

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Watch Powell’s genius, glitching music video made from email

If you’ve never heard of UK producer Powell, it’s maybe even more important that you watch this video now. There’s a lot I want to say, but I’d give away the ending. Let’s keep it to this: an adventurous electronic producer, making a raucously stuttering, intense, punk-digital record, talked to his rock idol Steve Albini. And something happened. What happened on email turned into a music video by director Guy Featherstone, and the results are pure poetry. Very large epilepsy warning: this video strobes sickeningly. But, if like us, you rather like that sort of thing, you may … enjoy …

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silhouettes

Dreamy music videos take you under the sea, light painting in air

Floating Points – Silhouettes (official video) from floating points on Vimeo. Two videos for us today transport us to other imagined worlds. ‘Silhouettes’ from Floating Points is already lush and fantastic, synths crooning atop buttery strings and vocals, cinematic extravagance for a new generation. It’s sexy stuff. And for the video, Barcelona-based experimental filmmakers Pablo Barquín, Junior Martínez, Nathan Grimes, and Anna Diaz Ortuño make some optical fireworks in the form of some seriously sophisticated light painting. At one point in the video the camera pulls back on the rig, and you see that, while the process goes digital, it …

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robert_hood

Techno innovator Robert Hood tears up as he recalls younger self

It’s easy to look at music’s superstars, the people on pedestals – regardless of genre – and see them as something beyond human. Yet the reality for most musicians, the lifeblood of what making music is, is people who are vulnerable. It’s wrapped up in the human experience. The thing is, we don’t always get to see famous artists go off-script, especially when getting personal. But that’s what happens in a moving interview with Robert Hood at RBMA Tokyo last year, posted yesterday to their Twitter feed. Robert Hood has been a seminal figure in techno across several decades, still …

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Mix your weekend with these songs that inspire Sofia Kourtesis

Sometimes the narrow apertures of musical genre can be a dead-end for inspiration. You often just can’t find a way to kick-start your creative process by listening only to songs that sound like you want. So, mixes really ought to be mixes. They ought to be personal. And even for producers and DJs, listening ought to be a pleasure. This weekend, we invite back Sofia Kourtesis, the globe-trotting German-Greek-Peruvian producer and DJ, to share some of her sonic touchstones. (She was part of a big mix-up of mixes posted in March, and has also shared her techniques for mining flea …

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horner

Watch James Horner Play Piano, Talk Overnight ‘Aliens’ Climax

On a very personal note, I’m saddened this week to learn of the news of the death of the great film composer James Horner. See him talk about his approach to scoring Field of Dreams at top for some of his approach. Best of all, you get to see him at the piano. When I was a kid, Horner was one of the people who inspired me to investigate composition. I was entranced with the sweeping romanticism of the Star Trek II score that was his big break – an aching, yearning, but dreamy vision of the future, filled with …

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anoderhythm

Here’s a Track Made From Just Teenage Engineering PO-12 and MeeBlip, And Another with MeeBlip Vocals

Not just less is more. More from less. Call it the sub-$200 studio. Our friend Tomash Ghz has made a track with sounds produced using only the Teenage Engineering PO-12 and the MeeBlip anode. Listen: And, very cool, have a go at the project files via Splice: https://splice.com/ghz_tomash/tomash-ghz—teslacoil For the record, that’s US$59 for the Teenage drum machine, and US$139.95 list for the MeeBlip. (In fact, MeeBlip is on sale now for a very limited time for US$119.95 with free US/Canadian shipping or discounted international shipping.)

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hithertoo

Listen to an All-Female Chorus of Electronic Music Experimentation, from Akkamiau

The first antidote to any element of today’s music scene we don’t like is to begin sharing the music we love. And here’s a case in point. It’s a must-listen mix of all-female artists (via the female:pressure network), assembled by Akkamiau Kočičí aka hiT͟Hərˈto͞o. This list for me is significant not because these are female artists. This could just as easily be a list of artists who move me personally, who inspire my own music. Akkamiau shared some sentiments on making this mix with me that would seem to echo that. These artists are not only female but members of …

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MakingMusic8

Get Inspired with Excerpts of Ableton’s Making Music Book

Following our interview with author Dennis DeSantis, we can start your weekend with some sage advice from his book Making Music. While published by Ableton, this isn’t an Ableton book. It lies as the boundary of software and music, at the contact points of creativity in the tool. For a CDM exclusive excerpt, I wanted to highlight two chapters. One deals with the question of how to overcome default settings – this cries out as almost a public service announcement for people making 120 bpm 4/4 tunes because that’s what pops up when you start a new project in Live …

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MakingMusic6

Non-Oblique Strategies: Author on the Discipline of Making Music

The blank screen. The half-finished project. The project that wants to be done. We talk a lot about machines and plug-ins, dials and patch cords, tools and techniques. But the reality is, the most essential moments of the process go beyond that. They’re the moments when we switch on that central technology of our brain and creativity. And, very often, they crash and require a restart. So it’s about time to start talking about the process of how we make music – even more so when that process is in some sense inseparable from the technology we use, whether the …

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