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This 1971 Dancing Rectangle from Poland Predicts Modern Techno, AV

Sonic history in electronic music may be made with technology, but it’s also the output of someone’s brain. As such, it’s natural that liberated creativity can produce all kinds of possibilities. And it should be no surprise that history sometimes comes in cycles. Or… make that rectangles. Speaking of Poland, this short animation, crafted in 1971, features spooky sounds that would be at home on any modern dark techno floor. Entitled “Prostokąt dynamiczny” – literally, “dynamic rectangle” – the animation is by experimental filmmaker Józef Robakowski, with music by the incredible Eugeniusz Rudnik. We saw Rudnik yesterday in our piece …

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Marek Biliński live in Warsaw, 2013. Photo (CC-BY-SA) Robert Drózd.

Discover Poland’s Electronic Music Pioneers, Modern Artists: Boiler Room and Beyond

The setting looks futuristic — like Stanley Kubrick teamed up with Syd Mead to make a theme park. But it’s actually Warsaw and environs. And the path the future is via the past, and a history largely unknown outside of the country. Boiler Room, best known for webcasting parties, shifts gears from what’s new-and-hip to where it all began, and the result is inspiring. The film was directed by Marcin Filipek for Boiler Room with the input of Gosia Herman of Boiler Room Poland, and is the result of half a year spent gathering artists. The stunning imagery is the …

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Hear Beautiful, Melancholy Christmas Mixes from Nils Frahm

Nils Frahm is a gem in music right now, a sensitive and reflective voice. And infused into everything he does is an unwavering sense of taste. If you’re feeling the weight of the endless rotation of overplayed saccarine-sweet Christmas tunes, Nils can cure what ails you. For the second year in a row, he’s released an achingly mellow mix of favorites he’s dusted off from his vinyl collection. Curl up under the crackling analog fuzz of those records and settle in. Each has obvious touchstones of piano inspiration; last year’s he described as “your mobile campfire.” We have this year’s …

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Paula Temple. Photo: Julia Gunther.

A Pounding Free Download, A New Label, and Lots of Other Reasons to Love Paula Temple

For me, one of the best things about 2014 was, simply, Paula Temple. The artist, on R&S Records, consistently demonstrates that you can combine a dedication to heavy, left-field but traditional techno with an expansive appetite for experimentation. And then there are her signature, over-the-top-in-a-good way bass detonations. Her DJ sets were each highlights – check out the Goûte Mes Mix below, heavily featuring her regular collaborations Dadub, Eomac, and Lakker (the latter whom I got to join Friday in Amsterdam, lovely lads). And then there was her audiovisual show with Jem the Misfit, a shining beacon at this year’s …

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Jeff Mills on Audiences, Techno’s “Who Cares If You Listen”

Techno legend Jeff Mills has a beautiful quote making the rounds on social media, responding to the question of audience. He’s still making music for them, he says – but doesn’t want to get pulled into simply giving them what he knows will work. Watch from about 8:30 for the video above, in its original context (a 2010 tugobot piece). It resonates for me with the Milton Babbitt’s “Who Cares if You Listen?” (That’s a title Babbitt claimed he never used; this is a tale so familiar to contemporary music that it has its own Wikipedia entry, for those of …

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How the Millennium Falcon Got Its Hyperdrive Malfunction Sound

Old pipes? A vintage airplane? Mechanical equipment? Ben Burtt, Hollywood’s master sound designer, is remarkable for his economy and resourcefulness. That’s evident in this charming video in which he demonstrates how he evoked breaking machinery to realize the sound of the Millenium Falcon… not going into hyperdrive. The cinematic challenge is significant. It’s a bit joke, a running gag, but it has to simultaneously build tension in the film. And like the rest of Star Wars, the future is evoked by the past. (It is, after all, a galaxy long ago – and to impact audiences, couldn’t in fact be …

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No Excuses: Watch Deft Make a Track in FL Studio in Ten Minutes

“But I don’t have enough time.” So, get a camera crew from FACT to loom behind you and watch while you produce, all with a clever ten-minute clock ticking away for their series Against The Clock. Actually, no. Two problems. One, the pressure might make you completely freeze up. Two, yes, you might not have FACT around. But you could imagine a timer. Deft, the aptly-named Croydon, UK artist whose work ranges from cinematic and ambient straight through to footwork, here goes a bit modern drum and bass in a perfectly passable track that he assembles under the clock. Got …

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Obsessing About Sound and Process: Climb Into Stewart Walker’s Ivory Tour

There’s a Japanese Taishogoto and vintage Lexicon PCM reverb and loads of computer production. But even for us souls tempted by gear lust, it’s the soul of process that has us talking, and talking, and talking – and listening, on repeat – with Stewart Walker. Native Instruments employee by day, prolific producer by night, he was kind enough to give us an extensive window into his world for CDM. In the dizzying flurry of music racing past, Stewart Walker’s “Ivory Tower Broadcast” is one I keep coming back to me. It’s one that somehow I’ve gotten closer to on repeated …

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Hack Biology, Body, and Music: Open Call for MusicMakers Hacklab

For the past two winters, CDM has joined with Berlin’s CTM Festival to invite musical participants to grow beyond themselves. Working in freshly-composed collaborations, they’ve built new performances in a matter of days, then presented them to the world – as of last year, in a public, live show. This year, they will work even more deeply inside themselves, finding the interfaces between body and music, biology and sound. And that means we’re inviting everyone from choreographers to neuroscientists to apply, as much as musicians and code makers. Playing with the CTM theme of “Un Tune,” the project will this …

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After 100 Releases, A Label You May Not Know, But Should [Thoughtless Interview]

Noah Pred didn’t just run his own label. He has run a label that has traced a lot of the finest music of the past years, making its way from Toronto to Berlin. And he did it while juggling his own career as a techno producers’ producer, a DJ’s DJ. At 100 releases, he’s got plenty to say about what that musical journey has meant – and not just the easy bits. I pressed Noah to reflect on what he really thinks of the flow of the music industry’s power and resources to the top, and the conflicts that can …

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