gamut

Discover peculiar retro futuristic machines from gamut inc

The path from past to future has become delightfully twisted in our modern age. Some of the best new technologies mix old techniques with new. They treat the computer and electronics not as a separate entity, but for its potential hybridization. And one great example of that is gamut inc, a project that explores instrumental-electronic interactions. Founders Marion Wörle and Maciej Sledziecki came to visit us at the MusicMakers Hacklab we’re hosting at CTM Festival in Berlin. And they brought the most extraordinary inventions along.

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hacklab2015_2

Building instruments, making future rituals in Berlin (open call)

Culture can be a different construction in our inter-connected age. We can draw on traditions from a distant past – or imagine a distant future. We can more easily connect with the people around us, or the people on the other corner of the world. So, as I host CDM’s fourth Hacklab with CTM Festival in Berlin, we’re pairing our participants with radical instrument builders to invent new musical rituals. Ewa Justka (born Poland, based in London) co-hosts and guest artists like Indonesian avant-garde Wukir Suryadi are along for another installment of this open, collaborative lab – and there’s still …

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Two Visions of Instruments from Björk: An App with MIDI, a Gamelan-Celeste with MIDI

Sometimes, images and video can say far more than words, and it’s best to stand back rather than ramble on. (Cough, ahem.) From Björk this year has come two visions of how to make new instruments. The Biophilia software for iOS is an interactive rendition of the album. As apps, you have the curious separation of tracks into individual application icons, available as separate purchases or a bundle. But the effect is one we’ve traced for a while: the music becomes non-linear and interactive, blurring the line between recording as reproduction and dynamic instruments that can transform what you hear. …

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softstep_diego

Hand-Built Bass + Ableton + SoftStep Foot Pedal: Diego Stocco on Playing, Recording Live

When it comes to playing a hand-built Fence Bass and recording it live, there aren’t hard and fast rules or techniques you have to follow. But musician, composer, and sound designer Diego Stocco can certainly make the mysterious timbres of his exotic instruments into evocative atmospheres. In “Dustland,” the performance and effects are all recorded live – no edits after the fact, no layering — and the results could take you to another world, planetary or psychological. To make all the real-time performance work, Diego combined his Fence Bass with a Keith McMillen SoftStep for expressive live foot control and …

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