Who are the people in your DIY music neighborhood?

Well, quite a few of the DIYers here on Planet Earth are converging this week in New York. Lover of circuit bending, creative electronics, and DIY music hardware are gathering for the massive Bent Festival in Manhattan, complete with performances, workshops, and a book launch. And we’ve got a special edition planned of Handmade Music featuring several artists from Bent, too, in our monthly free event. For the rest of the planet, I hope to share some of these goodies well beyond the borders of the five boroughs.

To give you a taste of the kind of work we’re doing, check out the videos here of Chiptune Marching Band, getting kids making noisy circuits for the first time and the fantastic electronic workings of Peter Edwards’ brain, plus NPR radio coverage of Ranjit Bhatnagar’s hand-crafted “Instrument a Day.”

Here are the highlights of the events.

Bent Festival, April 16-18, The Tank in Manhattan

bentfestival.org

• Nightly performances by Dr. Bleep, VBLANK, Christopher McDonald, Computer at Sea, Rhythmmemory, Playboy’s Bend, Die Schrauber, Peter Edwards/casperelectronics, E-Squared, Family TV, Devgon Ash, Ken Rei, Dr. Rek, Pixel Form, Boring Machine, Burnkit 2600, Anti Social Musik Order, plus Handmade Music veterans Lesley Flanigan, Loud Objects, Tristan Perich, and Don Miller / No Carrier … plus free beer every night at 7p.
• Nic Collins launching a new edition of his book Handmade Electronic Music – The Art of Hardware Hacking. (Can’t wait to read that.)
• Workshops on making your own Noise Box or miniRungler (sounds like Dr. Seuss), working with sensors and networks and big installations of lights that switch on and off, microcontroller programming, circuit bending, circuit design, and other Brainy Topics for beginners. There’s even a family-friendly workshop on making your chiptune marching band instruments.

Chiptune Marching Band from jamie allen on Vimeo.

And from your cheery neighbors here at CDM and our friends –

Handmade Music returns with a special Bent Edition – free, Thursday, 4/16, 3rd Ward in Brooklyn:

• “modular synth meets circuit-bent Barbie dolls. noise, drone, dance party with Peter Edwards of casperelectronics.”
• A surprise mystery instrument(s) from Handmade Music superstar Ranjit Bhatnagar, who promises it’ll be “something weird.”
• Me, with the DIY Radio Shack contact mic and some custom software, showing you how to have fun with cheap impulse-buy contact mics and make music with water
• Hopefully surprise cameos from Bent Festival’s Jamie Allen and Jo Kazuhiro talking about the circuitry, the music, and the magic of the Chiptune Marching Band
• Free beer courtesy Pabst Blue Ribbon, while it lasts

Presented by createdigitalmusic.com with our friends at music trend-setters XLR8R.com, DIY bible makezine.com, and self-made marketplace Etsy.com

Hosted by artists’ facility and happening location 3rd Ward

7:30pm, Thursday, April 16 – FREE!
3rd Ward is located at 195 Morgan Ave., at the corner of Stagg St., in East Williamsburg, Brooklyn.
(near the Grand St L train)
Directions
RSVP: handmade@3rdward.com

Facebook event page

See also lots more at:

casperelectronics

For more on handmade music and Ranjit’s brilliant, self-motivated hand-crafted Instrument a Day project, NPR did a fantastic piece on All Things Considered:

An Instrument A Day, Crafted By Hand [audio, interviews, and sound examples of some wild and wonderful instruments]

The NAMM show brought a cluster of new soft synths from some beloved synth makers. The interfaces are noticeably conventional, but there are some tasty sonic features in store. Most of these are promised as “coming soon,” not available now, but here’s a quick look at what to expect.

By the way, if you’re one the people complaining that you’re sick of everyone talking about Ableton and want something else to be excited about, I have one word for you:

D.CAM.

Let me sum it up in one line first:

minimoog V 2.0: Rewired circuitry, automation recording vocal filtering, and weird 3D preset browsing mean if you like minimoog, you’ll like it more.

Brass 2.0: physically-modeled brass stuff you can play more easily with controllers, now with a sax model and fully spatialized and harmonized.

Trilian: Even more of the synth that gives you more bass than you need – and now your Intel Mac can run it in place of Trilogy, for free.

Largo: It’s a Waldorf synthesizer, but it’s software. You can’t afford a Blofeld, but you can afford this, and then use it in a coffee shop.

D.CAM: Synth wishes granted: thick parallel-waveform performance synth plus vintage-style string synth plus big, modern FM plus and environment to put them all together.

(added!) impOSCar 2: Features aren’t confirmed yet, but an early look at the OSCar emulation suggest a very big sequel indeed.

Those who fail to learn from history are doomed never to make anything as cool as 17th Century keyboard makers.

New York’s Metropolitan Museum of Art announces (via its Twitter feed, no less) that it has gotten its Musical Instruments collection online. Over 800 inspiring objects of all kinds are available with photos, maker information, and historical notes, making this an extraordinary tool both for serious research and discovering wonderful designs.

The best place to start is the Musical Instruments department page, which includes links to highlights, how to find the gallery in the Museum (believe me, you may need that), publications, and other details. You can also search the database, picking out a keyword like “drum.”

Incredibly, this is only a fraction of what the Met has in their collection. The department has 5,000 pieces from every continent except Antarctica, with pieces dating back to around 300 BC, from Stradivari’s violins to rare African percussion.

Of course, seeing instruments isn’t nearly as meaningful as hearing them. The department offers concerts through the year, including an annual concert on its 1830 Thomas Appleton organ. Sadly, the works database doesn’t include sound samples yet; perhaps that can be the next step. (Anyone feeling generous and want to donate to them?) But this is the one case in which an art museum audio guide is a must-have; you can hear descriptions and brief sound samples when you visit the collection here in Manhattan.

Digital instrument makers and software designers often look only to the future or the recent past for inspiration, which is a pity: there’s plenty to learn from historic instruments. As a keyboardist, of course, my favorites tend to be the collection’s wildly imaginative keyboard instruments. One of my favorites of the museum is the 1598 Claviorganum, pictured above, which built an organ and a virginal into a tabletop chest of drawers. I always thought the idea of being able to pull a virginal out of a piece of furniture was somehow magical. It seems there’s no better time than 2009 to resurrect some of these ideas as people build their own instruments and digital technology allows new flights of fantasy. Bring on the Neo-Baroque Digital Age.

Updated: The museum sends us this video of a Strad performance, in case you want to know what a highly valuable instrument sounds like.

Electro-Harmonix has made a quick-and-dirty vocal effects box. Usable parameters, good fun, and $200 – sure, it may not be the highest-fidelity vocal box ever, but what’s not to love? Our friend Collin Cunningham at MAKE gets the jump on this one.

It’s got some surprisingly unique features:

• 256-band vocoder “designed by the same EMS genius who made vocoding famous,” they say
• It will harmonically match electric instruments as well as vocals.
• 2- to 4-part harmonization, at the 3rd and 5th (labeled “Low” and “High” in case you slept through Music Theory class)
• 9 programmable presets
• Gliss
• Gender bender male/female formant mod (which actually sounds decent, and could be fun with instruments, as well)
• Mic pre, phantom power, balanced XLR output (thanks for not making this like a cheap consumer toy)

And the whole thing is built in NYC. I have to go see where they’re making these things.

I think this line is hilarious: “Diana Ross had the Supremes, Brian Wilson had the Beach Boys, Kraftwerk had The Robots. You have the Voice Box.”

Well, speak for yourself. I want the Kirnaires backing me up (matching sweaters and all) and I still want a Voice Box.

Above: proof you can have a product demo video that isn’t lame. (I’m looking at you, um … almost entire music instruments industry!)

EV appear to have seeded these to other folks to make some YouTube videos. You know what that means: it’s time for a really odd and wonderful cover of Knights of Cydonia. That’s funny, “No One’s Going to Take Me Alive” is the line I last used when I neglected to return a demo hardware loaner.

For an impressive, competing line of products, check out the TC Helicon line. They’ve recently offered up the smaller, stompbox-style Voicebox line, which nicely reduces their high-end effects to a smaller form factor. It’s a good time to be a vocalist shopping for gear.

Native Instruments’ Guitar Rig Hero video contest winners were unveiled today. At the top of the charts, players not surprisingly demonstrated fine craft, sharp execution, great playing, and so on. But let’s skip straight to the oddities in the bunch. Like the girl with the violin on a pogo stick. And there is an appearance by the NS/Stick, which earns stringed-geek cred the more-predictable entries lack.

Now, normally I’m not so interested in the online contests various developers produce. But these entries stand out enough to have a good look here. Word of warning: you may be less inclined to buy a boxed copy of Guitar Rig as to buy yourself a nice, new pogo stick. (I could use the exercise… hmmm… Santa?)