The Terror of Watermelons and Your Niece Screaming: Interactive Sonic Fear in Dead Space 3

Wilhelm wasn’t going to cut it for A-list game release Dead Space 3. Meet the young Amelia, instead, screaming. And behold the sheer horror that only a squishy watermelon can produce. I always knew fruit and toddlers were up to no good. Kill Screen, the indie game mag, collaborates with The Creators’ Project to go behind the scenes at developer Visceral Games to talk about the audio design and interactive sound system in Dead Space. Producer and editor Jamin Warren tells CDM it was his favorite of the series yet. In addition to examining sound design and field recording, the …

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The Listening Tree: A Holiday Tree Whose Colored Lights Respond to Sound

Wintertree from Limbic Media on Vimeo. Winter: it’s dark. So, it’s no coincidence that holiday traditions from Christian to Jewish to Pagan to … uh, New Year’s … celebrate light. And it’s fun watching in this video the delight as colored lights respond to sound – not in the endlessly-playing annoying-Christmas-tune way, but in the “you can sing to a tree and it’ll light up” way. Limbic Media writes CDM with this project they did in Victoria, British Columbia, Canada. The Downtown Victoria Business Association (DVBA) commissioned Limbic Media to design an audio reactive tree for the holiday season using …

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Electronic Body Music: Organ Alpha a Sonic Installation That Makes You Into Sound

In an extended fancy on the sounds inside the body “Organ Alpha” is a kind of responsive musical instrument that transforms human input into surround-sound audio. Your body speaks, it listens, and it answers. Sensors watch for movement inside a virtual stomach, as stethoscopes dangle, inviting input. Watch for the kid’s reaction in the video. The project is the work of Israeli-born, UK-based media artist Avi Ashkenazi and Scottish textile designer Marion Lean, for their MA at Goldsmiths. I think it’s worth posting as part of an ongoing series of works that use biological interaction as the basis for music, …

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AudioGL presents a new vision of visual music creation, extended into space. Images courtesy the developer.

AudioGL Beta Arrives, Complete With Futuristic 3D Musical Creation Flythroughs

Here in flatland, ideas for musical interfaces may have become largely well-trodden. Not so in the third dimension. And so, one of the most unusual audiovisual interfaces has now hit beta, ready for you to explore. And that does mean “explore”: think navigation through spinning, animated galaxies of musical objects in this spatial modular sound environment. With the beta available, you can determine whether that´s a bold, new final frontier, or just the wheel, reinvented. The work of Toronto-based artist and engineer Jonathan Heppner, AudioGL is a stunning vision of music creation in 3D space, with modular synths, advanced user-editable …

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Brian Eno Back to Ambient Roots, in iPad App with Peter Chilvers, Upcoming Album

Brian Eno’s influence on music, particularly music termed “ambient,” is such that it might itself blend into the background. But make no mistake, work like Music for Films and Music for Airports has left an indelible impression on the sound of a lot of music, and moreover in how we think about sound and structure. A newly-announced album on Warp promises to return to the long-form, expansive compositional ideas of those works, in a 75-minute opus called LUX. (More on that at bottom, though we can’t hear it yet.) But perhaps it’s even more appropriate to look at Eno’s work …

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Fun with Turntables: Liberating the Decks By Dancing, Loading Hacks as Records

Here’s a way to change the relationship of dancer and deck: instead of the record “triggering” dancers, the dancers move the record. In “Autistic Turntable,” movement from onlookers gradually moves the platter. The work debuted earlier this year in the Nósomosòn exhibition at Normal at the Universidade da Coruña, España. It’s just one experiment in turntable re-engineering from artist, open source advocate, and electronic composer Servando Barreiro. In BInaer Platten, he modifies the mechanical turntable to instead read binary-encoded records with other audiovisual media. Seen at this year’s Transmediale 12, Servando’s work was some of the most practical to respond …

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On Record Store Day, Music in Physical Places – In a Forest, Even?

If you’re heading out into the wilderness to find a record store, why not actually head out into the wilderness – the one with trees – and find music there? Today, a you’ve no doubt heard, is Record Store Day. The official site is a useful resource, today and around the year. Today brings a number of special physical releases, favoring vinyl but also including CDs. A mobile app download will help you locate record stores in your city, both in the US and other countries around the world. All of this does raise some deeper issues. Record stores can …

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Church-Inspired Electronic Music, in Album and Interactive, Gothic App, from Forss [Listen]

Delicate and dense, melodies and sounds from church contexts, found sounds of bells and voices, are set against crisp, sharply-solid, forward-driving electronic beats. And then, there are the visuals: an archaic architecture of mystical symbols and three-dimensional, evolving forms interpret the music in visual form. Swedish-born artist and technologist Eric Wahlforss, in other words, has been busy. As the artist Forss, his album is an app, appropriately for someone who is the co-founder and CTO of SoundCloud. Eric showed me an early build over cheeseburgers. It’s reactive, perhaps, more than interactive, but there’s still a chance to use your hands …

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Hypo Chrysos live at Trendelenburg AV Festival, Gijon, Spain, December 2011.

From Your Body to Music: Interview with Biophysical Xth Sense Interface Creator

What you’re watching in the video above doesn’t involve cameras or motion sensors. It’s the kind of brain-to-machine, body-to-interaction interface most of us associate with science fiction. And while the technology has made the occasional appearance in unusual, niche commercial applications, it’s poised now to blow wide open for music – open as in free and open source. Erasing the boundary between contracting a muscle in the bio-physical realm and producing electronic sound in the virtual realm is what Xth Sense is all about. Capturing biological data is all the rage these days, seen primarily in commercial form in products …

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Thicket for iOS Thickens; Artists Describe the Growth of an Audiovisual Playground

By the 1990s, the notion that computer software could be a means of delivering interactive digital art more personally was enjoying a Renaissance. This was the age of the Voyager CD-ROM, which catered to new multimedia PCs and Macs with titles from the likes of Laurie Anderson and Morton Subotnick, the decade in which Brian Eno released Generative Music as software and Monolake – before Ableton – included a Max/MSP patch with an album. But the reach of these experiments was doomed to be relatively limited. Now, of course, things are different. First, we saw some widely-available audiovisual toys, coinciding …

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