arcade

A tour of musical inspiration in Moscow from Pixelord, Novation

Bridging the worlds of bass music and video games, Pixelord is a Siberian-born artist transplanted to Moscow. In a new video from Novation, he takes the English manufacturer on a tour of his sources of inspiration in the Russian capital. This is of course by no means a complete tour of Moscow or its scene – that’s like having one person show you around The Netherlands for nine minutes. (Actually, literally like that.) But you do get a nice little taste of Alexey Devyanin’s personality, in the midst of a new album he’s working on.

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consentissexy

Let’s talk consent: how to make nightlife safe from harassment

Eletronic music as a medium is now interwoven with nightlife culture, even in a lot of the experimental end of the spectrum. So that means for those of us who care about the medium, it’s time to face a reality about night venues: a lot of people, particularly women, don’t feel comfortable and safe. Talk to regular clubgoers, and you’ll hear an unnerving number of tales about harassment. We’re not talking people just getting a little aggressive – we’re talking being groped repeatedly on the dance floor.

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spectral

Want new sounds? Come explore spectral resynthesis

Theoretically, digital sound can sound like anything. And I do mean anything: at the frontier of what is conceptually possible, digital representations can produce any sound. Despite this, so many of the sounds we hear, well, the same. Dealing with that kind of generative freedom is no minor challenge. And that could explain the cult-like dedication of some sonic explorers to the sound environment Kyma. Kyma isn’t the only tool that can do spectral analysis and resynthesis. But it has a special history of working with data in this way, both as one of the first tools to do so …

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soundcloudhq

As PRS battles SoundCloud, what does it mean for your own music?

PRS for Music, a UK performing rights organization, at the end of last month sued SoundCloud for copyright infringement on behalf of its members. The action may prove a decisive moment for the Berlin-based streaming service. It represents a collision between SoundCloud’s approach and the organizations involved in administering copyright, and more broadly, between the conventional models for sharing and monetizing music and those evolving on the Internet. I spoke to representatives from PRS and SoundCloud to try to get greater clarity. Those responses were naturally a bit guarded, as the two are actively engaged in legal action. However, there’s …

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ericanddaniel

Native Instruments CEO, SoundCloud CTO talk music’s future direction

With each creation tool, each means of broadcasting audio via the Web, the force of music technological access accelerates. What was once limited to an elite able to make use of studios and labels spreads to more corners of the globe. But what will that democratization mean? Earlier this summer, I got to speak to two people whose companies have been instrumental in the ways in which people make and share music today. Eric Wahlforss is co-founder and CTO of SoundCloud; Daniel Haver is CEO of Native Instruments. Those jobs keep them pretty busy, so this is the first time …

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robert_hood

Techno innovator Robert Hood tears up as he recalls younger self

It’s easy to look at music’s superstars, the people on pedestals – regardless of genre – and see them as something beyond human. Yet the reality for most musicians, the lifeblood of what making music is, is people who are vulnerable. It’s wrapped up in the human experience. The thing is, we don’t always get to see famous artists go off-script, especially when getting personal. But that’s what happens in a moving interview with Robert Hood at RBMA Tokyo last year, posted yesterday to their Twitter feed. Robert Hood has been a seminal figure in techno across several decades, still …

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Mix your weekend with these songs that inspire Sofia Kourtesis

Sometimes the narrow apertures of musical genre can be a dead-end for inspiration. You often just can’t find a way to kick-start your creative process by listening only to songs that sound like you want. So, mixes really ought to be mixes. They ought to be personal. And even for producers and DJs, listening ought to be a pleasure. This weekend, we invite back Sofia Kourtesis, the globe-trotting German-Greek-Peruvian producer and DJ, to share some of her sonic touchstones. (She was part of a big mix-up of mixes posted in March, and has also shared her techniques for mining flea …

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electricindigo

Join Electric Indigo, Inner8 for an Immersion in Aesthetics

By way of follow up to our chat with Daniele Antezza yesterday, his Inner8 live act with sYn will meet up with another audiovisual collaboration – Susanne Kirchmyer (Electric Indigo), with visualist Thomas Wagensommerer. That takes place at Berlin’s Krake Festival next week, which means we get an extensive conversation with the two artists alongside a canal in the video below. They talk at length about aesthetics, collaboration, and connections to artistic practice: http://krake-festival.de/ Previously, on each of them: Outside dance music, systems of contemplation with Inner8, sYn Morpheme is a Microscopic Audiovisual Journey Into Sound by Electric Indigo But …

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Inner8_KirilBikov

Outside dance music, systems of contemplation with Inner8, sYn

Daniele Antezza and Federico Nitti are seated in a patch of grass in the park, lost in reflection like giddy monks. The conversation turns to archaic geometries from lost civilizations, then to how to let loose unstable configurations of sound, then how to sweep away a party crowd in the whole experience. But, perhaps true to his Mediterranean roots, Daniele’s favorite English word for describing the elements of his work is “taste.” Inner8 is the project for people whose flavor palette turns to the experimental. Daniele is known to techno fans for his collaboration Dadub with Giovanni Conti. That act …

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Inside hands-on live technique with Blush Response, KOMA, Elektron

The sound world of Joey Blush (aka Blush Response) is far reaching, entering dark clouds of murky industrial, EBM, and techno, all with relentless forward-pushing grooves. But as we talk to him about how he connects his gear, we’re really looking at how he connects his thoughts. At its best, whatever we’re doing with gear ought to be about our minds. It’s not just connecting a patch cord. It’s connecting an idea from one place to another – re-wiring neurons. Synth legend Morton Subotnick spoke this week about that process, as he recalled first creating complex metric structures simply by …

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