MakingMusic6

Non-Oblique Strategies: Author on the Discipline of Making Music

The blank screen. The half-finished project. The project that wants to be done. We talk a lot about machines and plug-ins, dials and patch cords, tools and techniques. But the reality is, the most essential moments of the process go beyond that. They’re the moments when we switch on that central technology of our brain and creativity. And, very often, they crash and require a restart. So it’s about time to start talking about the process of how we make music – even more so when that process is in some sense inseparable from the technology we use, whether the …

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Q+A: How the THX Deep Note Creator Remade His Iconic Sound

How do you improve upon a sound that is already shorthand for noises that melt audiences’ faces off? And how do you revisit sound code decades after the machines that ran it are scrapped? We get a chance to find out, as the man behind the THX “Deep Note” sound talks about its history and reissue. Dr. Andy Moorer, the character I called “the most interesting digital audio engineer in the world,” has already been terrifically open in talking about his sonic invention. He’s got more to say – and the audience is listening. (Sorry, I sort of had to …

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Stereoping Adds Knobs, Programming to Vintage Gear Missing Them [Video]

The electronic musical instrument world is littered with cases of one person, individually solving a problem. This one gets even more specific. There’s some beloved MIDI gear out there that’s just a bear to program. Yes, you can use various knob boxes – but because some of the programming requires archaic System Exclusive messages, prepare yourself for some work. The Stereoping device adds knobs and custom firmware for that hardware. Amusingly, the product is available as a kit, but maybe that’s perfect – you spend a bit of cash and devote that time to the soothing task of soldering rather …

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Jeff Mills on Audiences, Techno’s “Who Cares If You Listen”

Techno legend Jeff Mills has a beautiful quote making the rounds on social media, responding to the question of audience. He’s still making music for them, he says – but doesn’t want to get pulled into simply giving them what he knows will work. Watch from about 8:30 for the video above, in its original context (a 2010 tugobot piece). It resonates for me with the Milton Babbitt’s “Who Cares if You Listen?” (That’s a title Babbitt claimed he never used; this is a tale so familiar to contemporary music that it has its own Wikipedia entry, for those of …

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Obsessing About Sound and Process: Climb Into Stewart Walker’s Ivory Tour

There’s a Japanese Taishogoto and vintage Lexicon PCM reverb and loads of computer production. But even for us souls tempted by gear lust, it’s the soul of process that has us talking, and talking, and talking – and listening, on repeat – with Stewart Walker. Native Instruments employee by day, prolific producer by night, he was kind enough to give us an extensive window into his world for CDM. In the dizzying flurry of music racing past, Stewart Walker’s “Ivory Tower Broadcast” is one I keep coming back to me. It’s one that somehow I’ve gotten closer to on repeated …

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Aphex Twin Releases a Whole “F***ing Racket” Free, Plus Reams of Studio Notes, So Go Nerd Out With Him

Few things would make my fingers go numb and my brain at a loss for words quite like this. But there’s simply not much to add to this, other than to say that Aphex Twin has released a 21-track modular album and loads of other things, plus pages and pages and pages and pages of interview notes via the wonderful noyzelab blog. There’s a two-part interview, and as for everything else, you might as well just head to SoundCloud, queue things up, and not sleep for a long time. (They’re all free downloads, too.) The whole thing looks like the …

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Watch Holly Herndon Talk About Giving Laptops a Voice

American artist Holly Herndon has built an extraordinary musical performance idiom in her live sets and records. She blends deep rhythms with ethereal vocals, interweaving electronic and processed and human sounds with unusual fluidity. Her vocal chords are beautifully present, as are her own custom-made Max patch sound designs. But she can also draw the computer’s electrical vocal chords, harnessing, Nikola Tesla-style, the unseen electro-static and mechanical life of her computer itself. This is not laptop music meant to make the computer invisible. This is laptop music that recognizes that our strange metal devices have become new instruments, machines that …

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After 100 Releases, A Label You May Not Know, But Should [Thoughtless Interview]

Noah Pred didn’t just run his own label. He has run a label that has traced a lot of the finest music of the past years, making its way from Toronto to Berlin. And he did it while juggling his own career as a techno producers’ producer, a DJ’s DJ. At 100 releases, he’s got plenty to say about what that musical journey has meant – and not just the easy bits. I pressed Noah to reflect on what he really thinks of the flow of the music industry’s power and resources to the top, and the conflicts that can …

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Groovy, Moody Songs, Flea Market Sound Design Finds: Meet Sofia Kourtesis

Half Greek, half Peruvian, born in Lima but raised between Germany and New York, Sofia Kourtesis is a fresh, emerging voice. Her music interweaves shadows and introspection with smart grooves – seductive melancholy. Her mixes, too, cross similar territory, aided by her broad knowledge of music as a globe-trotting DJ and booker. So, it’s a perfect start to our week this week, with some listening and a peek inside a studio. This is what’s so exciting about being in music now: we get to hear those new artists find original paths. Apart from being a sci-fi movie addict and teenage …

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Techno Sounds Like It Could Kill You: Neil Landstrumm, Syntax Error Interview, Music

There is a mysterious and wonderful appeal to the dangerous power of music. Music can come from the harmonious sound of the spheres, yes. It can sound like a sunny summer picnic. Or – it can sound like it’s trying to kill you. Not every genre goes there, but speaking for Germany’s label Snork Enterprises, Neil Landstrumm and Syntax Error refer to that murderous quality of techno. Today’s words and sounds therefore come from Snork. The interview at top I felt had to be published on CDM just for this quote from Syntax Error, aka label boss Christian Schachta. But …

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