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Watch Holly Herndon Talk About Giving Laptops a Voice

American artist Holly Herndon has built an extraordinary musical performance idiom in her live sets and records. She blends deep rhythms with ethereal vocals, interweaving electronic and processed and human sounds with unusual fluidity. Her vocal chords are beautifully present, as are her own custom-made Max patch sound designs. But she can also draw the computer’s electrical vocal chords, harnessing, Nikola Tesla-style, the unseen electro-static and mechanical life of her computer itself. This is not laptop music meant to make the computer invisible. This is laptop music that recognizes that our strange metal devices have become new instruments, machines that …

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thoughtless68

After 100 Releases, A Label You May Not Know, But Should [Thoughtless Interview]

Noah Pred didn’t just run his own label. He has run a label that has traced a lot of the finest music of the past years, making its way from Toronto to Berlin. And he did it while juggling his own career as a techno producers’ producer, a DJ’s DJ. At 100 releases, he’s got plenty to say about what that musical journey has meant – and not just the easy bits. I pressed Noah to reflect on what he really thinks of the flow of the music industry’s power and resources to the top, and the conflicts that can …

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Groovy, Moody Songs, Flea Market Sound Design Finds: Meet Sofia Kourtesis

Half Greek, half Peruvian, born in Lima but raised between Germany and New York, Sofia Kourtesis is a fresh, emerging voice. Her music interweaves shadows and introspection with smart grooves – seductive melancholy. Her mixes, too, cross similar territory, aided by her broad knowledge of music as a globe-trotting DJ and booker. So, it’s a perfect start to our week this week, with some listening and a peek inside a studio. This is what’s so exciting about being in music now: we get to hear those new artists find original paths. Apart from being a sci-fi movie addict and teenage …

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snorklive

Techno Sounds Like It Could Kill You: Neil Landstrumm, Syntax Error Interview, Music

There is a mysterious and wonderful appeal to the dangerous power of music. Music can come from the harmonious sound of the spheres, yes. It can sound like a sunny summer picnic. Or – it can sound like it’s trying to kill you. Not every genre goes there, but speaking for Germany’s label Snork Enterprises, Neil Landstrumm and Syntax Error refer to that murderous quality of techno. Today’s words and sounds therefore come from Snork. The interview at top I felt had to be published on CDM just for this quote from Syntax Error, aka label boss Christian Schachta. But …

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rodhad

Dystopian Bearded Techno: Watch, Listen to Rødhåd Play and Talk Music [Listening]

The phenomenon of techno’s growth right now can’t even be confined to one corner of Berlin. Rødhåd and Dystopian Records demonstrate not only the uncontainable nature of their own particular brand of shadowy dance creations, but perhaps this folk quality of electronically-produced music generally. And if you happen to like that flavor, we have quite a lot of media for you to gobble up. Dubby, dark, and distant, it’s all as always perfectly constructed, reserved in its trajectory as it builds energy. I suppose it’s predictable that getting Berghain’s stamp of approval brought Rødhåd to an international audience, but it’s …

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Watch Adriano Make Surprising Objects, Laser Beams into Triggers for Wild Music

Now that anything can become an instrument, musicianship can become the practice of finding the spirit in the unexpected. It’s what Matt Moldover championed in the notion of controllerism, what years of DIYers have made evident. It’s not just a matter of finding a novelty or two. It’s really taking those novelties and making them a creative force. Adriano Clemente, the Italian-born, Brooklyn-based artist (aka Capcom), is a shining light of just that sort of imagination. Regular CDM readers will see some familiar techniques. There’s a laser harp, a circuit-bent toy, mic transducers making objects into triggers, a Numark Orbit …

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Listen to Gerhard Behles (CEO, Ableton) and Matt Black (Ninja Tune, Coldcut) on Music and Democratization

Music in the Age of Democratization: Gerhard… by SMWBerlin Music as social medium is perhaps as profound as any connection as we can have between people. And it’s a unique pleasure to get to reflect on that with someone like Gerhard Behles or Matt Black. Yesterday, we got both at the same time. I’ll even listen to this conversation again; there’s plenty of fuel for further thought. Before apps, Gerhard Behles and Robert Henke shared their Monolake Max/MSP sequencer (by Henke – still available); back when music production offered little in real-time, they had the vision to offer Ableton Live. …

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Music That’s All Human Body and Objects, No Instruments: Biotronica with Ain TheMachine [Interview]

Music is all around us, yadda, yadda – we hear these aphorisms all the time, but to most, making music is still about the classical idea of instruments. Not so for this Madrid-based artist, who has transformed his body and all the objects around him into an instrument. The results are mad and magical – and CDM’s Matt Earp talked to the artist to find out just how he put this all together, and what it has to do with music like flamenco. There’s a noisy, lively spot for co-working in Neukölln, Berlin called Agora – a space full of …

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smwberlin

Live Stream: Ableton’s Gerhard Behles and Ninja Tune’s Matt Black Talk to CDM

Updated: the video stream is over, but we have archived audio and video: Listen to/watch the entire discussion Today is Social Media Week in Berlin and various other cities across the world. I’m fortunate to get to join Gerhard Behles, co-founder and CEO of Ableton, and Matt Black, co-founder of Coldcut and Ninja Tune, in discussion. If you’re in Berlin, you can join us in person; the event is free. But we’re also live streaming from 14:05 Berlin time (08:05 over your cup of morning coffee New York, or California… uh, you might wait for the recording if you aren’t …

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Beautiful New Music from tehn, the Maker of the monome [Interview]

Brian Crabtree, alongside partner Kelli Cain, nicely exemplifies a lot of this site’s raison d’être over the the past ten years. Artmaker and toolmaker are indistinct roles; they’re both flipsides of the act of making. The monome, the invention for which Brian is best known, is at first blush nothing more than a box of buttons. It’s even lifeless until connected to a computer. But in its design is a statement that draws a thread from the design of tools to the design of music. Ideas about compositional technique are embodied in the software; notions of aesthetics are evident in …

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