We know an iPad can augment a music setup. But the question for many is, can it replace a computer? Arturia’s iSpark isn’t shy about what it accomplishes. It really looks a whole lot like the company’s drum machine on desktop, only remade for iPad. And it even works with the dedicated SparkLE controller – meaning you now can go pad controller + iPad as you could controller + computer. It also comes with Ableton Link, for easy syncing and jamming with other apps, other iPads/iPhones, and Ableton Live (in any combination).
The funny thing about Ableton Link is that it doesn’t require Ableton Live. It isn’t even an app. It’s a sync technology, one that allows software to jam together, wirelessly, without any one clock having to be the source or “master.” But as of today, if you do use Ableton Live, that wireless magic is built-in – and requires almost no configuration.
Apple is also releasing today a 2.1 upgrade to GarageBand for iOS. The mobile sibling of GarageBand and Logic on desktop doesn’t get a whole lot of attention, but it’s a reminder that music creation remains central to Apple – even the Apple that sells the world’s favorite phone, not just the Apple that sells the Mac. GarageBand 2.1 includes some features you may or may not care about. But there’s reason to take notice.
Apple has apparently been paying attention to the way musicians use their iPhones. If you’re like me, you’ve occasionally used Voice Memos for a quick musical idea or impromptu field recording. Apple is now turning that into an app, called Music Memos.
It’s the same old story: if you love Apple, you better also love carrying around little adapters. In a surprise to no one, latest reports – including one from Fast Company – suggest Apple is about to nix the 3.5mm “minijack” analog headphone jack from its next iPhone. (iPad and presumably laptops, too, would be next in line.) There are two common misunderstandings of the news. One reading (from Apple critics) assumes this locks you into proprietary Apple headphones. It doesn’t. The other (from Apple fans who don’t know that much about audio) assumes higher audio fidelity from “digital” headphones. …
Link is a marvel – even if you never touch Ableton Live. Grab some iOS gadgets, put them on the same wireless network, and you get rock-solid sync that responds dynamically to any tempo change on any device. But, come on. Love you iPad as you may, you don’t want to play only with apps. Maybe you want a Elektron box or an AIRA TR-8 or an ElecTribe syncing along. A new app, LINK TO MIDI, does just that one thing, easily. You still get dynamic peer-to-peer sync with all your other apps. But by adding LINK TO MIDI, you …
Technology has done a strange thing to musicians: it’s turned us all into, well, loners. It didn’t used to be this way. Musicians on instruments ranging from folk ensembles to symphony orchestras are able to join up and keep time with one another. So why not do the same with tech? Ableton’s new Link technology promises to allow musicians to jam easily. But it isn’t just for Ableton Live. Today, iOS support is officially launching, allowing you to jam with supported apps even without a desktop/laptop computer involved.
It doesn’t have screens. There are no giant wheels or touchstrips. There’s no complex software integration, or built-in mixer, or pads for remixing. But what the DJ4 is is what you might be missing in other DJ controllers. It’s got the controls you need in a tiny, tiny footprint that won’t have you hunting for new luggage or scrambling around a venue to find a bigger table because your gear won’t fit in the booth. (Ahem, yes, you know who you are, giant controllers.) And unlike the increasingly branded, computer-tied world of DJ controllers, this one also works with anything …
You’re probably so used to sync being broken that the first time you see Link, you might not believe what’s happening. Link began its life as a research project and has turned into a full-fledged product from Ableton. But unlike Push or Live, Link itself isn’t something you buy. Instead, it’ll be built into software you use, and unlock seemingly magical wireless (or wired) sync. The upshot: the electronic jam session is about to get a whole lot easier. And with a beta out today, that’s not some unknown future. It’s right now.
iMaschine, the iOS drum machine, is back in a new version. Now in mini, pocket-able form, you get arrangement and live play features from the desktop edition. For iPhone 6s/6s Plus owners, it also responds to 3D touch. I always keep sketchpads around – literal sketchpads, of the pencil and paper variety. So when software is described as a “sketchpad,” I take that seriously.