skrillex

Whiplash Trailer Parody Mocks EDM Press-Play DJs

And, let’s take a moment to have a laugh at the expense of EDM DJs – and, around that moment where you get some bloodied laptop fingers, ourselves. YouTube Comedy purveyors Nacho Punch take on Oscar-winning Whiplash – a film about a jazz drummer – with a DJ rendition set in a made-up “Skrillex Academy.” You’ll want to have the original fresh in mind first, so see the original above, then the parody below. And then… well, here I was going to make some snarky comment or some sort of clever insight, or perhaps broaden the comedy to some deeper …

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nilsstudio_Alexander Schneider_06

Hear Beautiful, Melancholy Christmas Mixes from Nils Frahm

Nils Frahm is a gem in music right now, a sensitive and reflective voice. And infused into everything he does is an unwavering sense of taste. If you’re feeling the weight of the endless rotation of overplayed saccarine-sweet Christmas tunes, Nils can cure what ails you. For the second year in a row, he’s released an achingly mellow mix of favorites he’s dusted off from his vinyl collection. Curl up under the crackling analog fuzz of those records and settle in. Each has obvious touchstones of piano inspiration; last year’s he described as “your mobile campfire.” We have this year’s …

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King Britt pays his dues to Sun Ra. Photo : Keith Hodges.

100 Years of Sun Ra: Space is the Place, Now More Than Ever [King Britt Mix]

In a world of 24-hour news cycles, keynote speeches, new gadgets replacing those from six months ago … dire warnings of melting ice sheets, starving people, the end of energy and food and wildlife … it’s easy to lose site of optimism about the future. Yet there are those sounds that can be futuristic and radical in a way that doesn’t fade. Sun Ra’s records and performances sound as revolutionary today as ever, even though last week the artist would have been one hundred years old. This is a futurism unlimited and un-aging – like space itself. I imagine it …

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megagrid

Meganome: A Massive Super-Monome Capable of Jazzy Rhythmic and Melodic Robotic Feats

Minneapolis-based artist Patrick Flanagan is no ordinary drummer or electronic musician. His rig does everything the hard way – and the results are fantastic. With robotic drum kit mechanically playing acoustic drums, his fingers command complex feats of rhythm and melody from an oversized, custom grid controller. There are idiomatic musical possibilities unlocked by software he’s built in Max/MSP and Java. Repeat increments, of the sort found in drum machines, produce complex rhythmic figuration on multiple drums – partly because, unlike the dumber implementation on drum machines, it’s possible to play multiple repeat increments at the same time. (In other …

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elektron

Out-There Electrified Jazz, Trumpet + Electronics, Meets North Carolina and the Moog Factory

Look closer, as that’s not a Moog – it’s a clever, two-Elektron rig. Love that retro-styled case. Photo courtesy RPE Duo. Melding trumpet with live electronics and synths, RPE Duo is doing some hybrid jazz, further out. The pairing of (Doctors) Matt Postle (trumpet/synths) and Radek Rudnicki (electronics) is straight out of England – the two met while doing a PhD at the University of York – but here, we get to see it in the North Carolina hills. (Matt moved there, and they work remotely.) Synthesizers, southern fried. For the video here, they find a nice setting, too: the …

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Created: Berlin’s Project Mooncircle is a Label to Watch; Releases Past and Future

If, in my opinion, you want to see how to run a label in 2012, look no further than Project Mooncircle (PMC). It’s based out of Berlin and was originally an offshoot of HipHopVinyl Records – a store I wandered into one summer day in 2004 and left, several hours later, minus a quarter of my summer tour earnings. The label bills itself as “specializing in the conjunction between electronic and organic music.” I could expand on that a little by saying that PMC’s music falls somewhere in the gray intersection between instrumental hip-hop, soul, and jazz, with a particular …

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Choppertone, Wooden Ableton Jazz Controller, and Folk Music of the 21st Century: Video

“Folk music of the 21st Century” – radio broadcaster, jazz aficionado, and jazz-based Ableton Live instrumentalist / remix artist Nick Francis really sums up what this whole site is about. As he chops up jazz greats in Ableton, his mash-up music chops are as much musical analysis as they are performance. He walks through his controller moves in a pedagogical way, highlighting the meat of the jazz legends he puts into play. It’s a kind of digital transcription, transcribing re-imagined for Ableton’s colored blocks in place of. Of course, you’ll only be able to reflect on this once you can …

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ritornell_card1

Punched-Hole Tunes: Ritornell’s Musicbox Business Cards, as Delicate and Magical as the Music

Experimenting with twinkling timbres made both by acoustic and electronic means, the music of Ritornell (the duo of composer Dr. Richard Eigner and pianist Roman Gerold, Austria) is effortlessly expressive and spontaneous. Little wonder that that spirit could translate even to a small object. Designer Katharina H√∂lzl made business cards into both a signature identity for Ritornell and a physical manifestation of how they play their music. They’re not just a physical gimmick, though: audiences get to participate with music making in the production of live, performative loops. (Sadly, no site for Katharina – you just have to get hold …

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A Controller Love Supreme: Beautifully-Crafted Wooden Jazz Controller with Ableton Live

Nick Francis poses with his DIY, wooden controller – good enough for jazz. Photo: Justin Steyer for Seattle’s KPLU radio. In a world of disposable computers and electronics, making something “custom” is an antidote to throwaway hardware, a way of putting one’s own handiwork, care, and attention into the object with which you play music. Of course, it’s one thing to say it, and another thing to do it, but Nick Francis falls squarely in the “doer” camp. A jazz-focused radio broadcaster from Seattle’s KPLU, Nick says he’s been chopping up audio since he was doing it with razor blades …

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From MGM’s Music Master, a View of Sound in Technicolor

Now that digital technology allows rapid creation of new interfaces for music and sound, the question of how to represent those elements visually has new life. But whether digital or not, practitioners of music have long been interested in applying further descriptions to music, from the Baroque Doctrine of Affectations to the involuntary association of color in Synesthesia. Applying colors to the notes of a musical scale is one particularly common idea, but the late master composer/orchestrator Arthur Lange had a different idea: why not give colors to range? Building on ideas from orchestrators Francois Auguste Geveart and Rimsky-Korsakov, he …

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