At the moment when synthesizers are getting more economical, Moog are firmly establishing what the synth as luxury item looks like – and it’s this. The Minimoog model D is an exact recreation of the iconic original monosynth, starting production of that machine for the first time in three decades, down to even tiny details of circuits. And it’ll cost you – US$3499, limited run in America only.
In the latest chapter of “people on the Internet doing cool things for electronic music,” here’s a creation by Polarity. It lets you rapidly trigger effects parameters via MIDI. And if you’re a Bitwig Studio enthusiast, it’s available for free.
In a gift to synthesizer lovers everywhere, the comiticians of Adult Swim have produced an extended retro electronica opus imagining an alternate-universe battle of the bands between Wendy Carlos, Vangelis, and Giorgio Moroder.
Yesterday was Piano Day – a day recently christened by composer/pianist Nils Frahm in order to celebrate that ubiquitous keyboard instrument. (It’s held on the eighty-eighth day of the year.) There are concerts, marathons, project, releases – and unlike Record Store Day, this event won’t clog the ability to produce piano music. With that day as inspiration, I thought it was a good moment to look at some of the technology of and around the piano, to understand what has made this instrument special. That includes both strictly acoustic innovations as well as design features and breakthroughs that either inspired …
In news reverberating with synthesizer lovers and keyboardists everywhere, Keith Emerson died last night in his home in Santa Monica at age 71. Mr. Emerson’s impact on the world of keyboards and synthesizers is hard to overstate. And that impact may be wider now than ever before. If the musical idiom in which he worked was distinctive attached to its particular era, the role of the synthesizer he helped establish is one that now reaches around the world to artists across genres.
Well, f*** minimalism, apparently. We’ve seen monophonic/duophonic synths. We’ve seen new analog keyboards. What we haven’t seen is analog keyboards that seemed to be designed when an inventory of pads and knobs exploded – in your face. And that’s what the new Arturia MatrixBrute is. It looks like a fake Photoshop mockup you’d see on a forum, perhaps. But it’s real. All real. Close your eyes for a second and let your retinas recover, and let’s sort out what is actually even happening here.
There are plenty of hardware step sequencers out there. But now Arturia has a compact entry friendly to keyboardists. This isn’t about dialing up melodies with knobs. It assumes you actually know how to find melodies on some keys. Clearly building on the success of the BeatStep Pro sequencer hardware, Arturia’s Keystep is a keyboard with both step sequencer and arpeggiator modes. And Arturia has given CDM an exclusive first peek, to share with you.
This could be the NAMM of modular synths in the Eurorack format. The question is, with vendors big and small crowding into this niche market, what will stand apart? Waldorf’s answer is to draw on the company’s history (hello, wavetables!), and in an announcement this week, to offer up a range of modules that fit into a keyboard. The upshot: an all-in-one solution.
By now, you’ve heard about KORG’s $499 minilogue analog polysynth, and the next question is: how does it sound? I’ve been playing around with it, and I can at least say this: it isn’t boring. I’m wary of sound samples. Most synths are capable of producing some sorts of good sounds, unless there’s literally something wrong with the way they’re engineered. And likewise, the experience of using an instrument goes beyond what an out-of-context sound can describe. But with that in mind, I’ll share some somewhat random excursions here. My guess is that (cough) more respectable synthesists will post the …
It seems the era of the affordable analog monosynth just gave way to the affordable analog polysynth. Leaked last week, KORG’s minilogue is a US$499.99 4-voice polysynth. Before you dive into our sprawling review, here’s everything you need to know in a nutshell. Keep in mind – we’ve had this synth since last week, so we’re not just copying specs here.