New Elektron Coming Nov 23 to a Berlin Party; Listen to TM404 Live, Machinedrum Jams Now

Enough of the Web teaser campaigns, the press conferences with bottles of beer at exhibition centers, the trade show booths … let’s party instead. That’s how Elektron, the makers of Machinedrum, will celebrate their next launch. November the 23rd is the date, and, naturally, CDM will be there. Elektron are even coming down from Sweden to Berlin, where they’ll no doubt enjoy our extra couple of hours of … um … daylight. Whatever the new box may be, it’s nice to see some lovely artists in the lineup. A “Very Special Guest” from Köln, Germany’s famed Kompakt label is headlining, …

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Live 9.1 Preview: Dual Monitors, More Push Sequencing, High-Quality Sample Rate Conversion

In the midst of a pop-up week of events held with Köln’s Kompakt Records, Ableton has offered a surprise peek into what’s coming soon to Live. 9.1 is a free update for all users, adding some widely-requested features. There’s no release date yet – we’re awaiting a more formal announcement with details soon – but we have gotten a look at what’s in store. Ableton’s Dennis DeSantis gave attendees a demo of three upcoming features: 1. Dual-monitor support, finally allowing you to see Arrangement and Session Views side by side 2. More functionality in Push, including step sequencing of melodies …

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Humans and Machines: Kompakt’s 20th Birthday Links Techno, Artists, Tech

Techno is no longer new, no longer radical, no longer industrial, no longer trendy, no longer shocking. But it just might be something else: lasting. Famed Köln label Kompakt, as sure a bellweather for techno as anything, turns twenty this year. And in celebrating its birthday, humans and machines meet again. Electronic dance music has long had a conversation with minimalist currents and ostinati in Classical music, with Indonesian gamelan ensembles, and yes, infamously, even with the oom-pah repetition of marching bands. In the video above, we see what happens when the label’s music makes those conversations explicit. And it’s …

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poletrilogy

Pole’s waldgeschichten are Mossy, Leafy Electronic Grooves; How They Were Made

In this age of maximalist, aggressive productions, the leafy green imagery for Pole’s waldgeschichten (literally, “forest stories”) fits perfectly. The trilogy of releases, the latest arriving at the end of last week, is easy-going and reserved. Each sound is precisely placed, gently shuffling interlaced dub-like patterns set against calm swells, sometimes resembling the cry of imaginary electronic creatures. It’s the much-needed trip out into the outlying forests of sound to find a different pace. And with each track, you can imagine wondrous six-legged insect creatures climbing up a tree – mechanical machines (see the drum machine notes below) that are …

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Into the Woods: Wolfgang Voigt’s GAS, an Audiovisual Black Forest at MUTEK

All this week, I’ll be talking about the artists and events at Montreal’s MUTEK audiovisual festival. There’s nowhere better to begin than at the launch evening of their a/visions series. Natural landscapes are recurrent themes in electronic music and the metaphors we use to describe them – glaciers and jetstreams. But the Black Forest of Wolfgang Voigt’s GAS, the audiovisual “experience” from the Cologne electronic legend, is an unusually potent descriptor. It’s not so much the real Black Forest’s twigs or leaves or babbling brooks that defines GAS; it’s its density. From its elaborate twirling visual forestry to the saturated …

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