thoughtless68

After 100 Releases, A Label You May Not Know, But Should [Thoughtless Interview]

Noah Pred didn’t just run his own label. He has run a label that has traced a lot of the finest music of the past years, making its way from Toronto to Berlin. And he did it while juggling his own career as a techno producers’ producer, a DJ’s DJ. At 100 releases, he’s got plenty to say about what that musical journey has meant – and not just the easy bits. I pressed Noah to reflect on what he really thinks of the flow of the music industry’s power and resources to the top, and the conflicts that can …

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snorklive

Techno Sounds Like It Could Kill You: Neil Landstrumm, Syntax Error Interview, Music

There is a mysterious and wonderful appeal to the dangerous power of music. Music can come from the harmonious sound of the spheres, yes. It can sound like a sunny summer picnic. Or – it can sound like it’s trying to kill you. Not every genre goes there, but speaking for Germany’s label Snork Enterprises, Neil Landstrumm and Syntax Error refer to that murderous quality of techno. Today’s words and sounds therefore come from Snork. The interview at top I felt had to be published on CDM just for this quote from Syntax Error, aka label boss Christian Schachta. But …

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chrometape

Crazy Video: Giant Robot Cassette Kills Giant Robot iPod Classic

The iPod Classic is dead, sure. Now it’s really dead. And the cassette player outlasts its shiny Apple hipster-fashion-accessory counterpart with the non-removable battery – by kicking its sorry ass with a giant mecha fist punch to the face. Hold on… if it seems we may be losing our grip on reality, that’s just because we’re entering the wild world of cassette label / music collective Chrome Brulée. The retro-electro artists, comprising Tony Johnson, Michael Shredlove, Alex Mayhem, Kid Supreme, Aximus & Club Cannibal, make music that’s intentionally backwards-looking, and then release it on cassettes. And then they make crazy …

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Susanne Ciani is a beacon of inspiration - not simply a pioneer to visit in the archives, but working on fresh, new collaborations, a light for 2014, too.

Watch These Amazing Suzanne Ciani Videos – then Let Neotantrik Launch You Into Dreamland

The electronic music calendar makes the shift of seasons readily apparent. It’s not unlike the movies. Gone is summer blockbuster season, sequels and comic book movies, Ibiza and confetti cannons, big-budget special effects. Now, as in the cinemas, it’s date night dinner and a movie, trip-out night, delicious chin scratching, voyages to other worlds. And it’s not that we love this time because it’s smarter and summer is dumber: it’s because this is the season where the festival calendar can bring us deeper pleasures, richer sensations, and more powerful feelings, the shallow popcorn diversions out of the way. There’s indeed …

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Dark Shadows: Listen to Stroboscopic Artefacts’ Lucy Mix and Reflect on Music and Society

Here, in the season so many associate with sun and sand, the gothic factories of dark techno continue to clang away. So, yes, the results may not be cheery. But the music defining this new generation of adventurous techno is uniquely focused on timbre. It is a soundscape set against the groove, not only about tweaking just the right high hat, but forging some terrain of sonic design, taking the listener on a journey to actually find something new. It makes landfall on undiscovered countries, rather than simply assembling an expected framework for the dancefloor. It also carries with it …

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Google Now On The Record With Anti-Indie Negotiating Tactics

As Beats, Spotify, and others earn praise from indies, Google is looking like music’s biggest new villain. According to independent labels, Google is ignoring their collective negotiating groups, offering poor terms in comparison to what they offer majors, and then threatening to block artists and labels from YouTube if they don’t accept those disadvantaged license deals on the company’s new service. And a Google executive today all but publicly confirmed the threats to the press. You might expect that Google would want to burnish its image in light of an upcoming paid streaming service (think Google clone of Spotify, possibly), …

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New FedByMachines EP is Haunting – As Cut Recs Label is Going Subscription

Big players have gone subscription. But what about a boutique label? That’s the different distribution DFRNT has chosen. And whatever the model, his latest EP is simply gorgeous. Matt Earp unearthed this one and reports back. The interplay between free vs pay-for music in the digital world takes new twists and turns every year. Everyone from the majors to first-time producers eventually have to make decisions about whether to “sell” their music or give it away, and then decide what exactly the concept of “selling music” even looks like in 2014. As a group, subscription models have been a fertile …

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In Living Rooms, Homes, Beautiful Music as a Ritual: Olafur Arnalds; Matthew Flook; Free

For centuries, music was something made in a living room, made at home. It was a brief fluke of the 20th Century that music came out of a heroic process in a hidden-away studio. But if the gold-plated, magical record is threatened, some artists are trying to bring the daily ritual of home music making back. Ólafur Arnalds and Matthew Flook are each making gorgeous, cinematic-ambient tracks, and each have made projects that involve doing so on a regular basis in their homes. Let’s listen. Arnalds has been making some of the finest scores anywhere, and now has earned the …

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A Digital Label and Online Radio With True Depth – Talking Shop With Dewtone

Turn your radio on. In an age saturated with a tyrannical quantity of choice, tuning into something consistently inspiring matters more than ever. Our resident sound seeker Matt Earp looks into one channel that’s providing just that. Dewtone is a fantastic place to go for a range of music, so much so that it’s worth investigating the person behind it. Matt talks to Dewtone’s Dustin Morris about how he’s making this work. -Ed. Dewtone has been a complete joy to my ears ever since I found it – and the more I explore it the more I love it. I …

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Holly Herndon, Ethereal and Heavy-Hitting, Creates Video World as Deliciously Surreal as Auditory One

Holly Herndon – Chorus [Official Video] from RVNG Intl. on Vimeo. Electronic music has, since the beginning, been at the razor’s edge of science and artistry, somewhere between radical noise and classically-derived engineering. But few artists have managed to meld the dark thump of techno with the intricate constructions of post-minimalist new music quite like Holly Herndon. Her rapid-punctuated, ethereal vocals are float above complex, dance music-inspired machinery, producing an effect that is arrestingly gorgeous and frightening all at once. In short, it’s damned good stuff. Indeed, Herndon was for me and many others one of the highlights of CTM …

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