Playing Live, Dangerously: Mouse on Mars as Augmented Band [Video]

When it comes to live performance, this might be the year of living dangerously. There’s not one answer to the question of how to play live, but as we consider the possibilities – and the risks of playing live – Mouse on Mars is one terrific case study. Jan St. Werner and Andi Toma are joined by drummer/vocalist Dodo Nkishi. Since part of their setup is playing live as in Ableton Live, Ableton shot a video mini-documentary of their performance rig earlier this year. It’s an intensive setup, but you might just glean some ideas for how you play live. …

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Deadmau5 Performs At The Chelsea At The Cosmopolitan Of Las Vegas

Deadmau5, Honest About His Own Press-Play Sets, Misses Out On “Scene”

Pay no attention to the mouse behind the curtain; just look at all the pretty lights. Seriously, that’s what he’s telling us to do, and on that, more power to him. Photo by Denise Truscello/WireImage (CC-BY-ND) The Cosmopolitan of Las Vegas. Deadmau5 might want to take off that mouse head and look around a bit more often. But give the artist some credit: he’s brutally honest about his own music. In a set entitled “we all hit play,” he has this to say about his own performances: “I think given about 1 hour of instruction, anyone with minimal knowledge of …

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Bitwig Studio, Approaching Beta, Releases Video Demo [Weekend Update]

Bitwig Studio, the new production and performance tool from an upstart Berlin development team, is now nearing beta. It’s the first real news we’ve seen since the product was first announced in January. Unfortunately, the latest video does little to tease new features (unless you look really closely). It still gives the impression of software with a UI paradigm modeled closely on Ableton Live, and because it’s largely a music demo, focus can easily shift to the sound of the track rather than the function of the software. That’s too bad, as we do know this software does promise some …

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Glitch Factory: A Complete Performance Environment for APC40 + Ableton Live

Some people release remixable stems. Some people release little tools or utilities. Glitch Factory is a complete tool set for live performance, combining performance presets, an Ableton Live set, and even remixable track stems. It’s like getting to borrow someone else’s computer to see how they play – after they first cleaned everything up and made it usable for you. It’s a chance to break out of your performance world and walk in someone else’s shoes for a bit, then use that starting point to warp things into your own musical aims. The work of Mr. Bill and Will Marshall, …

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Multiplayer Music: Max for Live Patch Perfects Sync Over Wifi with Ableton – and a Coffeemaker

You’re not, in fact, a lonely bedroom musician with no friends. You’ve got friends. You’ve got collaborators. You’ve got audio and visual artists who want to play with your laptop with sync piped between you, and yet wireless synchronization for laptop performance has often been an elusive ideal. Here, in spectacular fashion, you can see it all come together over WiFi with Ableton Live, a projection-mapped coffeemaker, and everything from percolation sounds to the keypad sound effect from The Hitchhiker’s Guide to the Galaxy. This just in from Barcelona – a new Max for Live plug-in is making laptops and …

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FL Studio Unveils Performance Mode Alpha; Live That Isn’t Like Ableton Live?

If you’re looking for a way of triggering sounds in live performance, but you want to meld that notion with the sequencer rather than play a drum machine-style sampling instrument, your commercially-available options are limited. And it seems, in particular, new creations simply work the way Ableton Live’s Session View does. Bitwig, a new DAW, struck many observers (myself included) to be strikingly close to Ableton’s Session View. More recently, a homebrewed effort for the tracker Renoise also aped Ableton’s interface. Today’s appearance of the much-anticipated (well, by FL Studio users, anyway) Performance Mode is something different. Seen in a …

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Interface4FINAL

Pushing the Live Performance Envelope in LA: Mike Slott, Artists on Video; Party Friday

Music has always moved forward when people get together to play. Groups of artists in Los Angeles’ Interface LA collective – and other California groups, like LoveTech and controllerism.com – are challenging each other to keep expanding their technique in playing electronics live. I’m pleased with CDM and some of our friends to support a party Friday night in downtown LA celebrating playing live. Interface LA is a group centered on live electronic music performance and interactions. We’ll be bringing you video coverage after the event here, thanks to talented videographer Charlie Visnic. But we can kick things off now …

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A New Partnership, a New Series on Digital Sound and Art in Berlin; First Look at the Artists

Exploring the connection of the mechanical to sound, UK-based artists Stephen Cornford and Paul Whitty make reclaimed tape machines into instruments. All images courtesy LEAP. In performance and art, sound and music constantly pull against the formless abstraction of the computer, to find physical expression and realization. In physical control, in tangible production, and in exploration of space, artists explore techniques new and old to refine the still-youthful medium of electronic and digital sound. That adventure is at the heart of a new series at a gallery space in the heart of Berlin, LEAP – the Lab for Electronic Arts …

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TouchAble for iPad, in Update, Comes Closer to Controlling All of Ableton Live; in Action

There are simpler, more minimal interfaces, and more tangible interfaces for Ableton Live. But when it comes to all-stops-pulled, touch-everything control of the full depth of Ableton Live, it was already hard to beat TouchAble for iPad. Now, with an update, that app closes even more of the gap between what you can do on the iPad and what you can do through the standard Live UI. The standard computer model – mouse, keyboard, display – places some distance between you and a graphical user interface (even if that mouse is quite precise). The advantage of something like an iPad …

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Fruity Loops Gone Live: New FL Studio Performance Mode in Alpha (Video)

FL Studio, beloved to its users by its original name “Fruity Loops,” has long had a Playlist mode that could be used to assemble simple live performances by jumping to sections of your music. But a new alpha mode takes this mode far further. It’s still based on the Playlist, but can add clips dynamically – including Audio, Automation, and Pattern. While still in early testing, developer Image-Line has released some information about how triggering works, as well as the video above. And oddly enough, just like the video we saw earlier this week in Renoise, it employs a Novation …

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