Displacing sound is one of the illusions that figures into their work. Here, a field recording from another environment will later find its way into the Kraftwerk interior.

Exploring Sound in the Vertical, as Three Brothers Make New Sonic Architectures

Korinsky – Atelier für vertikale Flächen /// documentary from Korinsky on Vimeo. We imagine we see where we are. We even describe our eyes as being open as awareness. But perhaps that’s because we are so deeply connected to sound as to take that connection for granted. Perceptive research has revealed in profound relief that we hear where we are, too. And artists are beginning to take that knowledge and fuse it with art making. To quote The Outer Limits, “We will control the vertical. We can roll the image, make it flutter. We can change the focus to a …

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unrender 2: Visuals as Live Medium, in Installations and Performances, in Berlin [CDM presents]

Electronic and digital visuals are expanding in their expressive potential, as live and real-time instruments, performances, and interactive installations. But the venues and contexts for that work remain understood in terms of narrow, older categories: the gallery and video art, the club and “VJing” – and now, increasingly, via commercial patrons (search engines, trade shows). What happens when clubland and art-land, the design world and the music scene can encounter one another in open spaces? unrender is one humble way we get to try to answer that. Hosted and co-curated as a collaboration of CDM with Lehrter Siebzehn, we work …

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Ethereal Ambient Textures, Sonic and Visual, and How They Were Made [unrender]

Artists David Abravanel (music) and Theresa Baumgartner (visuals) joined us at the inaugural installment of the CDM co-hosted unrender to take us on a fluid journey through dreamy imagery and sounds. As we get ready for unrender #2 on Friday, David and Theresa share a bit of their process and ideas. Here’s their work, live: David Abravanel (Music) & Theresa Baumgartner (Visuals) live at UNRENDER //Lehrter 17 from Theresa Baumgartner on Vimeo.

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Synthesizing Sound and Image: A Conversation with a Creative Duo from Korea [unrender]

From deep in Seoul’s underground, Maxqueen (Kloe) and Chang Park have forged an intimate audiovisual collaboration, in a rich dance of minimal, generated geometries in live music and image. Spanning Korea, Baltimore, Maryland, and now Berlin, they’ve played some of the biggest tickets in live techno (for Maxqueen) and digital media art (for Chang). We’re thrilled to have them playing together – in their individual projects and then a duo – in Berlin on Friday night. And we wanted to talk to them a bit about the craft of collaboration, and generating live performance through careful control of parameters in …

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The Visualized Opera: Vitruvian Melds Dance, Digital with Operetta [unrender]

Get ready for the high Renaissance of the digital. The individual ingredients remain the same. But the threads of transmedia work, spanning everything from traditional costume design and choreography to the latest generative projections, draw ever closer. A new generation of artists treats projection in the theater as something elemental, something that demands exploration. Vitruvian, premiering its latest iteration in Berlin Friday as part of our event unrender with LEHRTER SIEBZEHN, has gradually evolved in the ways it interweaves dance with opera, projected visualization and interactive sound with dance theater. An “interactive opera” in one act, it unapologetically adds digital …

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unrender: Celebrating Visual Expression as Something Live; Online and in Berlin Friday

There’s not a word yet for visuals as event. We know it when we see it. And we know it in other media. With music, there’s no question when something becomes performative, when the human element is something you can’t subtract. But in electronic visuals, in light and image, the awareness of what is emerging in the medium seems latent. The narrow view of VJing and club visuals is dated. And disconnecting those media from generative and interactive work misses an explosive and dynamic new craft. Whether it’s clever work with optical analog and overhead projectors, or a delicately-constructed piece …

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