IMG_3288

These are the Best Things at Musikmesse: CDM Best of Show Awards

What a week it’s been. Musikmesse in Frankfurt, one of the world’s largest gatherings of the music instruments industry, was host to a range of new gear, new technologies, and new revelations. I decided it’s finally time to crown my own picks as the most significant appearances at the show. Not because I have any particular right to do so, but I felt strongly enough about who was deserving. First, some honorable mentions:

READ MORE →

How MIDI Works on the Linnstrument, or “Sometimes 14 Bits is Enough”

“How can an instrument be truly expressive if it only supports MIDI?” This seemed to be a frequently-asked question in our coverage of the upcoming Roger Linn Linnstrument. While OSC certainly has its merits, however, it is possible to get higher-resolution data via MIDI. You’re likely most familiar with MIDI’s standard 0-127 values, or the 7-bit data, as used in simple Control Change messages. A 14-bit message, by contrast, gives you over 16,000 levels of resolution – most for most tasks. The way the Linnstrument works is to send that higher-resolution data for pitch, via standard pitch bend messages. And …

READ MORE →
linnstrument_hex

3D Touch Linnstrument, an Update: New Features for Roger Linn’s 3D Note Expression Controller

The latest iteration; image courtesy Roger Linn Designs. Moving beyond touching a screen as two-dimensional plane, Roger Linn’s concept music controller, the Linnstrument, adds tactile response and expression. Roger calls it “3D Note Expression,” but in lay terms, it means pushing harder on the controller makes it respond differently, as you’d expect from a physical instrument. Roger this week posts an update on how his development is going and what he imagines – good timing, as this week we also saw another design on the same lines, the Soundplane. The sensing methods are different, enough so that I can easily …

READ MORE →