Fork this Chant: GitHub Goes Gregorian, with Open Source Notation

Before there was computer code, there was music notation. And before there was forking code or remixing music, there were centuries of variations to the musical code, stored in notation. So it’s fitting that musicians would begin to use GitHub – built originally as a repository for programmers – to store notation. And that means that in addition to music software and the like, you can find the WWII-era Nova Organi Harmonia organ accompaniments today on GitHub. Adam Wood, Director of Music with St. Stephen’s Episcopal Church in Hurst, Texas, made the addition, with help from a team including Jeff …

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This Free Tool Will Make Any Mobile Browser Into a Multi-Touch Music Controller

Tablet or phone or touch-enabled desktop computer – now it doesn’t matter. A free tool called (for the moment) Nexus lets you make any browser a canvas for music. iOS, Android, Windows, Mac – if the browser is there, your creations become omni-platform. Shown at the NIME (New Interfaces for Musical Expression) conference in London earlier this month, Nexus is the most complete foundation for this idea seen yet. And since it’s free, it’s open to others to build upon. Right out of the box, it includes basic interface widgets obviously inspired by Lemur (and apps like TouchOSC), so you …

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K2

Pianoteq 5 Improves Piano Modeling, Without Eating Up Your Hard Drive

If you want a fake piano, you can have a fake piano. You can have increasingly-good models and samples in hardware, but you can really get a fake piano on your computer. You can buy entire hard drives just to store the gigabytes of samples. You can load massive instances of Kontakt with different recorded sounds for every note, every articulation. You can have new pianos, old pianos, countless Steinway samples. You can even have a ridiculously-tall upright. Or, you can have Pianoteq. Whereas others gobble hard drive space, Pianoteq uses sophisticated modeling techniques that skip the samples, meaning it …

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renoisecdp

Renoise Community Already Have Their Own Tool for CDP; Free, Easy Sound Mangling Results

Not to be out-geeked, it seems that while BT is stumbling around the command line, the community at Renoise have built a free tool around the archaic sound-mangling goodness of the now-available-for-free CDP (Composers Desktop Project). For those of you just joining us – that’s a strange and wonderful tool that processes sound files into crazy distorted, morphed new forms in various ways. The Renoise forum is all over this, having used Lua to code up a front end that makes processing files part of the workflow in Renoise. It’s … kind of incredible. Thank UK-based user afta8 and other …

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COMMAND LINE INTERFACE!!!

Watch BT Reveal Sound Design Tricks with Free, Geeky CDP – Then Learn it Yourself

From the mysterious underworld of 80s sound software, it’s a library of free sound transformation tools so cool you’ll happily head to the command line to run them – no real-time preview to be found. No, seriously. Even if the fanciest you get is changing a preset in Logic, you want to hear about this. Self-professed addict of sound geekery BT took to a packed room at New York’s Cielo to tell an assembled group of aspiring producers why they should embrace the Terminal. His video is a fantastic introduction to the tool. Dubbed Composers Desktop Project – after the …

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The $100 BeatStep Sequencer and Controller: Everything You Want to Know [Review, Resources]

Even if Arturia’s BeatStep did nothing other than act as a dumb controller, it might get your attention. The compact control surface / sequencer hardware runs about $100 street. As a controller, it has both 16 pads and 16 endless encoders (with notches, so you can feel where you are), plus transport triggers and a larger encoder. With driverless USB operation, some of you will already be happy and can proceed. But the BeatStep is more ambitious than that. It has sophisticated software customization via a companion program, and a built-in step sequencer. It operates standalone, with MIDI gadgets or …

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Bitwig Studio Arrives Today; What Can You Expect?

The long wait for the new production software Bitwig Studio has created anticipation and exasperation in equal measure – people were excited, people were impatient; some drooled over every tiny feature details, some dismissed them and said they’d wait until it shipped. But the wait is over; today is actually the day Bitwig Studio is something you can download, try out, and buy. It’s not a beta; this is it. 299€ / US$399 buys you the full download version; a demo is available. (Boxed versions cost more.) So, what can you expect on today as release day? Well, at least …

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Bitwig Sets a Date: Here’s When You’ll Get Bitwig Studio, What It’ll Cost

It’s been a wait that’s driven some music producers mad – some, rabid with desire to get their mitts on new software, others, angrily dismissing the tool. But it’s a wait that’s nearly over. Bitwig Studio, the Mac/Windows/Linux production and live software, is coming on March 26 of this year. No more beta — a final release. Pricing has been announced, as well. Downloads will cost US$399 / €299, which means any notion that Bitwig would drastically undercut rivals on price is pretty much out the window. (Boxed versions run slightly higher; Japan will get a boxed version for 41,000 …

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Renoise 3 Beta Quick Tour: Patterns, Instruments, Chains, Macros for More Musical Creativity

The phrase “alternative universe” always seems to fit Renoise. Imagine a world in which the tracker metaphor – a music arrangement notion mostly associated with software from years ago, especially on Amiga – became dominant. From there, you begin to explain that Renoise is an instrument that brings that retro idea into a modern context. Well, Renoise 3.0’s beta has arrived. And this time, it feels like someone ripped open a wormhole and showed us this alternate future in all its glory, no holds barred. Renoise 3 is a radical step forward for the popular tool, challenging notions of what …

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A Free and Open Source Compressor, Built in Pd and Perfect for Mobile

Whether you’re building an experimental effect or performance tool or writing the Next Big Thing in Mobile Apps, you might need some signal compression. Working in Pure Data (Pd), it’s easy to create patches that get unruly, especially once you add live audio input. For mobile developers, things get even worse: you have to make your app work anywhere, with a range of devices, acoustic environments, microphones — the list goes on. The folks at Two Big Ears, who are working on their own rather lovely Android synth, have come to the rescue of Pd hobbyists and mobile developers alike. …

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