In the heart of Brazil, baile funk is charting a new direction for bass music – soaking up influences from across the ocean in UK, mixing and evolving. And so we’re keen on the latest cut from Lisbon’s Enchufada label – that’s the label behind the likes of Buraka Som Sistema and Branko – a new collaborative gem.
Is IDM cool again? Like even calling things IDM? We think so. Now, there’s probably lots we could say about Autechre, but that’d take precious time away from you listening to all the Autechre-y Autechre that just Autechred into your Autechre. So, let’s just cover the facts, ma’am, in quick order – and they’re all pretty awesome. Of course, spoiler, all your fellow music nerd friends have been talking about nothing else on their Facebook feed today, but at least we can put this all in one convenient location:
Facebook is all but happy to distract you. It can bombard you with instant messages, show you endless pictures of the babies your forgotten friends from high school have just popped out. Now it can do live video streams and spawn trending news. What it bizarrely doesn’t do much is play music. And if you think about it, that’s pretty strange. If you’re a music lover, Facebook is full of musical knowledge about you. There are the artists and labels you like, and the music magazines and podcasts you follow. The problem is, finding the music they post is a …
In the dark, damp swamp that is the stream of dance music that press get in their inbox, Jimmy Edgar has consistently been a rainbow-colored lighthouse. Apart from the tropically-hued surrealist work of Pilar Zeta literally making that true, Jimmy has been an aesthetic compass at the helm of his ULTRAMAJIC label. Basically, stuff this label puts out is worth listening. (Ditto their label showcases… there’s a Friday morning I found myself at Panorama Bar when they were turning the lights on. Thursday is the new… oh never mind.) What I like about the latest direction is, you get pared-down …
There’s a simple antidote to the endless circular “pop music was better in the old days” debate: actually listen to the songs. A new interactive tool lets you do just that. But warning: it may not be as pleasurable to turn back time as you think.
Steve Reich’s exploration of rhythm and phase take on special meaning in the age of ubiquitous electronic instruments. What started with clapping, with pianos and marimbas, and tape loops doubles now as a way of thinking about machine rhythm, too. Hearing Reich on Game Boys here isn’t just a novelty. It feels like a real re-instrumentation – Wendy Carlos’ Switched on Bach approach for the Mario Bros. generation. Listen & watch (it’s all live):
In the age of the algorithm and overabundant streams, the mix might be more important than ever. Mixes can give us insights into tastemakers’ and producers’ imagination; they can be intimate and human at a time when so much of our music stream is faceless. But then, with so many mixes out there, who curates the curators? Meet a new feature on CDM, finding mixes across various genres. To kick off the series, CDM’s Zuzana Friday gives us her seasonal picks. The mixtape may have gone digital, but it’s no less relevant. -Ed.
SX are the embodiment of just how dynamic DIY music can be. The Belgian duo, now in their second outing, make music that’s unmistakably pop, but with plenty of raw power humming under the hood. And Benjamin and Stefanie are fully invested in their collaboration in every last detail of production, from studio to music video to live. I wanted to talk to them primarily about how that creative process came together.
Call it music for Internets. Brian Eno has a new album coming, and you can listen to 21 minutes of gently undulating sonic seas, a weary plodding deep melody bobbing atop it, in the stream of “The Ship.”
Eat, Drink, Shop, Relax is the opposite of the mindless consumption suggested by the title. The new EP from Lucy is a sumptuously gorgeous electronic pleasure, one that literally grows out of meditation.