pushvspush

What Push 2 will do for you – even if you don’t own Push 2

Yesterday’s Push 2 review covered what Ableton is bringing to users via new hardware. But what does that mean if you have the original Push – or no Push at all?

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tunerbrute

Hands on with the Ableton Live 9.2 Tuner [Video]

Hey, sometimes it’s the simple things. I was going to write something, but – well, it’s a tuner. Watch the film, from Ableton Liveschool. And I have to say, Ableton has found a way to make this Device more interesting than previous Max for Live efforts. It even has a histogram. Perhaps the most newsworthy element here – a sign of the times – is that the resurgence of analog synthesizers has meant that tuning outboard hardware is now again an application for tuners. You’ll see in the video here an example with the classic MOOG Minimoog, but see the …

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Live 9.2 Answers Your Warp, Automation, Tuner, and Pad Wishes

It’s nice to get what you ask for. More than any recent release I can recall, Ableton Live 9.2 feels like it’s ticking off a task list of user requests. The software enters (a very stable, in my experience) public beta this week. There’s nothing earth-shaking, but I know CDM has enough Ableton users that this will matter. To get there, though, be forewarned: Ableton is dropping support for some older Mac and Windows operating systems. (10.6 and earlier / Vista and earlier, respectively.) If you make the cut, though, you’ll likely find some welcome changes in this free update …

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This iPad app (touchAble 3) just got a lot more powerful and usable, too. It now follows whatever you're doing with your hardware. So you can actually play, rather than squint at your gear and get confused.

Wish Granted: Ableton Live Control The Way You Wanted It

You want to improvise with Ableton Live. You want to reach out and turn a knob, and know what it’ll do. You want to be able to grab controls that have something to do with clips that are playing. Yeah, so Merry Christmas to us. Permit me being a little excited, as I am immensely grateful to the developers. It’s a rare case where you say “wow, I wish that this –” and then suddenly get what you asked for nearly before finishing the sentence. Just last month, we saw a way to get grids in order using LaunchSync, a …

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lfo_0

Modulation in All Things: New LFOs for Ableton Live, iOS, Software, and Analog Gear

The LFO – Low Frequency Oscillator – is one of the most fundamental of electronic music elements. Creating a signal that modulates the sound of something else, the LFO has a history that’s roughly as old as sound-making electronic circuits themselves. And yet, there’s still more that can be done with them. Two new LFOs blur the lines between analog and digital, hardware and software, and pack clever features into their interface and function. A Handheld LFO for Analog Gear Justus Kandzi’s Brute LFO puts hardware modulation in the palm of your hand. Brute LFO runs on any iPhone, iPad, …

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Look, two monitors! (And this could explain the popularity of this update - for many, the laptop is one display.) But there's more in 9.1, including some subtle but critical bug fixes; now we get those details. Photo courtesy Ableton.

Live 9.1 Arrives; Get the Most Out of Its Push Sequencer, Get Ideas Going [Free Resources]

Live 9.1, in beta for some weeks, is now available to everyone. We’ve covered in some detail what 9.1 includes. But if you’re a Live 9 user, you shouldn’t hesitate to grab this. I’ve been splitting time between 9 stable and 9.1 beta, and the beta has been operating perfectly for me. If you have two monitors, of course, you get dual monitor support – or dual window support on bigger displays. (Sadly, I don’t have either at the moment, so haven’t been able to test that). But everyone will benefit from enhanced audio rendering and stability improvements – the …

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Live 9.1 Preview: Dual Monitors, More Push Sequencing, High-Quality Sample Rate Conversion

In the midst of a pop-up week of events held with Köln’s Kompakt Records, Ableton has offered a surprise peek into what’s coming soon to Live. 9.1 is a free update for all users, adding some widely-requested features. There’s no release date yet – we’re awaiting a more formal announcement with details soon – but we have gotten a look at what’s in store. Ableton’s Dennis DeSantis gave attendees a demo of three upcoming features: 1. Dual-monitor support, finally allowing you to see Arrangement and Session Views side by side 2. More functionality in Push, including step sequencing of melodies …

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A Live 9 That Works Better, and Better in the Dark, Finally Here [Plus More Skins]

Community service announcement! If you play or care about the guitar, skip past this story to the one immediately thereafter, using scrolling! (suggested by readership feedback) A new Live 9 with bug fixes, improvements, and a Disco skin ideal for use in low-light situations. No, not like that other time when we said it was and then it was promptly pulled. This time, for real – as in, I just downloaded it. What you can’t see is what matters: badly-needed reliability fixes should address performance and stability complaints we were hearing from Live 9 users. There’s no way to picture …

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Live 9 Update Fixes Bugs, Addresses Indexing Issues

One of the tough things about reviewing software is that your own experience is intensely personal. So, I’ve regularly reviewed software and gotten an angry response from someone who didn’t understand why I didn’t comment on a particular stability experience they had found. Those readers are right to be frustrated, but I can tell you that it software experiences are highly variable. So, I do know that some people found some issues with Live 9’s newest features. None of it is so out of the ordinary for this kind of upgrade. A big culprit: the new smart browser indexing features. …

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Push, In-Depth Test: What’s it Like Playing The New Hardware from Ableton?

When Ableton Live was first released over ten years ago, it was labeled a “sequencing instrument.” The radical idea was that you could “play” your production tool, which had (and has) big implications in studios, at home, and onstage. “Playing” with a mouse and keyboard is unsatisfying for most, so even that relatively primitive first version had MIDI controller mapping. In the intervening decade-plus timespan, musicians have found a variety of ways to connect their hands and bodies to the software model of music contained in their laptops. They’ve constructed massive custom hardware (DJ Sasha’s Maven and Robert Henke’s Monodeck …

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