moogmother

Here are some space-y solar Moog sounds by Erika

Yes, it’s the end of the week. Time to chill out. Time to let our friend Erika from Detroit help us to drift like a cosmic butterfly into some nice solar drift, held aloft by the delicate siren song of that new Moog semi-modular thing we’re all kinda eyeing lustfully. Oops, sorry, lost my train of thought there. Indeed, the folks at Moog have been putting out a steady stream of Mother-32 videos, and here’s the chill-est of them so far. Description: * Patch performed live * No overdubs * In this short improvisation, Detroit-based electronic artist, Erika, composes a …

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elastic16

This is now the iOS drum machine you want to jam with: Elastic Drums 1.6

Remember when apps were novel toys for experimentation? Now, an app could give your drum machine a run for its money. It’s the third wave of iOS apps. We’re now onto a moment where, cresting the wave of tools, a few are becoming simply invaluable to the right users. They can make an iPad feel a bit like dedicated hardware, perhaps even in a way that a computer can’t. And that to me makes them worth examining, even if you have no desire to use an iPad. Elastic Drums has that feeling to me. On its surface, it’s just another …

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edjam

Pads and triggers turn Elastic Drums into a killer performance tool

Here’s a live jam video that shows just how performance-friendly an all-in-one iPad drum machine can be. The pad controller you’ll recognize. But there’s an Audiobus story here, too. It started as a way to route audio between apps on iPads and whatnot – a drum machine app could be processed by a filter app. But now, Audiobus is answering some questions about how you can combine apps into something you can really play. And that brings us to Remote Triggers. Think of them as a custom remote control for different apps, used via a separate app called Audiobus Remote. …

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Inner8_KirilBikov

Outside dance music, systems of contemplation with Inner8, sYn

Daniele Antezza and Federico Nitti are seated in a patch of grass in the park, lost in reflection like giddy monks. The conversation turns to archaic geometries from lost civilizations, then to how to let loose unstable configurations of sound, then how to sweep away a party crowd in the whole experience. But, perhaps true to his Mediterranean roots, Daniele’s favorite English word for describing the elements of his work is “taste.” Inner8 is the project for people whose flavor palette turns to the experimental. Daniele is known to techno fans for his collaboration Dadub with Giovanni Conti. That act …

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Inside hands-on live technique with Blush Response, KOMA, Elektron

The sound world of Joey Blush (aka Blush Response) is far reaching, entering dark clouds of murky industrial, EBM, and techno, all with relentless forward-pushing grooves. But as we talk to him about how he connects his gear, we’re really looking at how he connects his thoughts. At its best, whatever we’re doing with gear ought to be about our minds. It’s not just connecting a patch cord. It’s connecting an idea from one place to another – re-wiring neurons. Synth legend Morton Subotnick spoke this week about that process, as he recalled first creating complex metric structures simply by …

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Octave One by Marie Staggat-23

Octave One Are Back, Improvising Grooves with Machines

If anyone can make cookie-cutter techno, then improvisation is the route back to heart and soul. And there are few people as good at making dense, bass-heavy improvised dance music as Detroit’s Octave One. I mean, yes, it’s a little weird that any of us would get overly eloquent or snobby writing about dance music. I would hope your test is the same as my test – does piping a track make you start doing an embarrassing little jig at your desk? (Boy, am I glad my office is on street level and equipped with giant, aquarium-style windows.) Octave One …

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battles

Watch Battles Reflect on Loops, Ableton in a Live Band Setting

On some deeper level, maybe it doesn’t matter how something repeats – whether it’s looped in a pedal, looped in software, or simply repeated by a human player, for instance. On another level, given just how much repetition matters to music, maybe that’s why we care so much about how it’s accomplished. Ableton this week released a visit to New York’s experimental rock trio Battles, in a film and interview under the header “The Art of Repetition.” There, we get to learn more about the process behind Battles’ dense, hypnotic sound. The film is a bit long, but there are …

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maxcooper

Sail a Sea of Sound, in Beautiful World of Max Cooper and Tom Hodge

Producer Max Cooper, alongside his collaborator Tom Hodge, this week shares an intimate reflection on what motivates him in sound and science. In the video for Sonos Studio, the Belfast-born musician describes loving when sound “wraps you up in this warm … sea.” But there’s a system that reveals itself, even as the scientific method can unfold the mysteries around us. So if this music sounds personal and secret, perhaps it has a direct analog to Cooper’s past life as a scientist, the “introspective side of science,” as he puts it. That is, ” whether it’s a piece of music …

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modulargrid_111948

Techno Legend Surgeon Breaks Down His Live Modular Set

A techno master reveals how he uses modular in his live set – with full details.

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zachpush

Mad Zach Has Tips on Finger Drumming, Production, and His Free Live Pack

All those pads – it took virtuoso finger drummer Mad Zach to take advantage of them. Mad Zach’s five free Drum Racks accompany today’s release of Ableton Live 9.2. Since he, frankly, makes most of us look bad with his agile use of the Push hardware, I wanted CDM to talk to him more about what he’s doing. He joins us to share some tips for live performance, production, DJing, and more. 64 Pad Lab by Mad Zach

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